Our Man in Havana Page #9

Synopsis: Jim Wormold is an expatriate Englishman living in pre-revolutionary Havana with his teenage daughter Milly. He owns a vacuum cleaner shop but isn't very successful so he accepts an offer from Hawthorne of the British Secret Service to recruit a network of agents in Cuba. Wormold hasn't got a clue where to start but when his friend Dr. Hasselbacher suggests that the best secrets are known to no one, he decides to manufacture a list of agents and provides fictional tales for the benefit of his masters in London. He is soon seen as the best agent in the Western Hemisphere but it all begins to unravel when the local police decode his cables and start rounding up his "network" and he learns that he is the target of a group out to kill him.
Genre: Comedy, Crime, Drama
Director(s): Carol Reed
Production: Kingsmead Productions
  Nominated for 1 Golden Globe. Another 1 nomination.
 
IMDB:
7.3
Rotten Tomatoes:
87%
NOT RATED
Year:
1959
111 min
531 Views


on Sundays and saints' days.

Mr. Wormold, you deserve a long rest.

Not too long, I hope.

I have a present for each of you.

It is rather sweet. What's yours?

Just a joke in doubtful taste.

He's not without humour.

But not right for a husband.

Are you telling us

that none of these reports are true?

- None.

- Why, it's incredible.

You knew

this chap kept a vacuum cleaner shop.

It was on his file. I reported it.

As far as I know

it's a perfectly respectable profession...

and fulfils a useful social purpose.

Didn't you spot that these drawings

were like his machines?

We all spotted it, even the Prime Minister.

But there's no reason

why the principle of a vacuum cleaner...

should not be applied to a weapon.

It seems odd that Mrs. Severn didn't know

she was working for a fraud.

I knew I was working for a brave man,

a good man.

It was a new experience.

I don't understand. What did she say?

- May we have your definition of "good"?

- No post mortems, please.

We have to decide the best method

of dealing with him.

In spite of Mrs. Severn's moving advocacy,

I should class this as treason.

Surely, sir, it's a case

for the Director of Public Prosecution?

The trial to be held in camera, of course, sir.

Father, what's that big castle?

The Tower of London.

- Can we drive your daughter anywhere?

- No, I'll wait for you here, Father.

I'm afraid she may have to wait

rather a long time.

Seems to me, gentlemen,

that what we have to do is only too simple.

We have to notify the Admiralty,

the War Office...

and the Air Ministry that these drawings

are not a weapon of war...

but the latest style of vacuum cleaner.

If I tell the War House that,

we might as well pack up.

I'm afraid the Admiralty, in future,

would rely on Naval Intelligence.

My people would have no more use

for the Secret Service, sir.

Well, sir...

Very well.

Mrs. Severn,

will you tell him we shall see him shortly?

Yes, 59200?

Of course, sir,

it will be for you to tell the Prime Minister.

- Why did you come back?

- I had no choice.

- Do things look black?

- Pretty black.

- What will they do to you?

- They need a secretary in Jakarta.

That's worse than the Persian Gulf.

- It doesn't matter very much where I wait.

- Wait for what?

You.

- Darling.

- Stay here.

- I told you I'd wait.

- It may be rather a long time.

- Sit down.

- I prefer to stand.

That's a quotation, isn't it?

You have no right to send her to Jakarta.

- Send who?

- Mrs. Severn.

- She knew of nothing of anything...

- lf you'll allow me to speak.

Thank you.

We've been considering your last report.

When I sent that confession,

it was the first she knew of...

That confession was never received.

Understand that clearly, never received.

I'm speaking of something quite different.

The report in which you said

the constructions had proved a failure.

I never said anything of the sort.

On the contrary...

And that the works, whatever they were,

had been dismantled.

In view of that,

we have decided to shut down your post.

We think the best thing for you would

be to stay here on our training staff...

lecturing how to run a station abroad.

As we always do

when a man retires from a post abroad...

we'll recommend you for a decoration.

In your case,

under the rather special circumstances...

we can hardly suggest

anything higher than the OBE.

Good morning. Good morning, gentlemen.

Are you going back to your office?

I'll walk over with you.

- 59200.

- Yes, sir?

See that these drawings are destroyed.

They must never get out of here.

- I can't say how sorry I am, sir.

- There's nothing to be sorry for, 59200.

Happily, these plans never left our office.

In our service it is essential to bury

the past very quickly and very securely.

We will obviously

have to find a different girl for Jakarta.

The loss of those two, sir,

will create rather a vacuum.

What?

I'm most frightfully sorry, sir.

I really hadn't intended to make a pun.

I only thought, perhaps,

that if we are to make a clean sweep...

I'm wearing Indiscret. Can you smell it?

Have you seen this?

How is Seraphina?

Oh, one outgrows horses.

Thank you.

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Graham Greene

Henry Graham Greene (2 October 1904 – 3 April 1991), better known by his pen name Graham Greene, was an English novelist regarded by many as one of the greatest writers of the 20th century. Combining literary acclaim with widespread popularity, Greene acquired a reputation early in his lifetime as a major writer, both of serious Catholic novels, and of thrillers (or "entertainments" as he termed them). He was shortlisted, in 1966 and 1967, for the Nobel Prize for Literature. Through 67 years of writings, which included over 25 novels, he explored the ambivalent moral and political issues of the modern world, often through a Catholic perspective. Although Greene objected strongly to being described as a Roman Catholic novelist, rather than as a novelist who happened to be Catholic, Catholic religious themes are at the root of much of his writing, especially the four major Catholic novels: Brighton Rock, The Power and the Glory, The Heart of the Matter, and The End of the Affair; which are regarded as "the gold standard" of the Catholic novel. Several works, such as The Confidential Agent, The Quiet American, Our Man in Havana, The Human Factor, and his screenplay for The Third Man, also show Greene's avid interest in the workings and intrigues of international politics and espionage. Greene was born in Berkhamsted in Hertfordshire into a large, influential family that included the owners of the Greene King Brewery. He boarded at Berkhamsted School in Hertfordshire, where his father taught and became headmaster. Unhappy at the school, he attempted suicide several times. He went up to Balliol College, Oxford, to study history, where, while an undergraduate, he published his first work in 1925—a poorly received volume of poetry, Babbling April. After graduating, Greene worked first as a private tutor and then as a journalist – first on the Nottingham Journal and then as a sub-editor on The Times. He converted to Catholicism in 1926 after meeting his future wife, Vivien Dayrell-Browning. Later in life he took to calling himself a "Catholic agnostic". He published his first novel, The Man Within, in 1929; its favourable reception enabled him to work full-time as a novelist. He supplemented his novelist's income with freelance journalism, and book and film reviews. His 1937 film review of Wee Willie Winkie (for the British journal Night and Day), commented on the sexuality of the nine-year-old star, Shirley Temple. This provoked Twentieth Century Fox to sue, prompting Greene to live in Mexico until after the trial was over. While in Mexico, Greene developed the ideas for The Power and the Glory. Greene originally divided his fiction into two genres (which he described as "entertainments" and "novels"): thrillers—often with notable philosophic edges—such as The Ministry of Fear; and literary works—on which he thought his literary reputation would rest—such as The Power and the Glory. Greene had a history of depression, which had a profound effect on his writing and personal life. In a letter to his wife, Vivien, he told her that he had "a character profoundly antagonistic to ordinary domestic life," and that "unfortunately, the disease is also one's material." William Golding described Greene as "the ultimate chronicler of twentieth-century man's consciousness and anxiety." He died in 1991, at age 86, of leukaemia, and was buried in Corseaux cemetery. more…

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