Out of Sight Page #18
- R
- Year:
- 1998
- 123 min
- 683 Views
KAREN:
I get that. Tell them I'd rather pay
for my own.
She then watches the three guys looking at the waitress
delivering the message. Then they look at Karen. She gives
them a shrug, turns to watch the snow. Her drink arrives. She
takes a sip, looks up as one of the guys comes over...
EXECUTIVE GUY:
Excuse me. My associates and I made a
bet on what you do for a living.
She glances at the table, the other two watching.
EXECUTIVE GUY (CONT'D)
And I won. Hi, I'm Philip.
KAREN:
If it's okay with you, Philip, I'd
like to just have a quiet drink and
leave. Okay?
PHILIP:
Don't you want to know what I guessed?
How I know what you do for a living?
KAREN:
Tell you the truth, I'm not even mildly
curious. Really, I don't want to be
rude, Philip, I'd just like to be left
alone.
She turns back to the snowstorm. She sees his reflection turn
and leave. A moment later, the next one appears at the table.
EXECUTIVE GUY #2
I think I know why you're depressed --
if I may offer an observation.
She just looks at him. So sure of himself.
EXECUTIVE GUY #2 (CONT'D)
I have a hunch you're the new sales
rep and your customer isn't exactly
knocked out by the idea of a young
lady, even one as stunning as you,
handling the account. Am I close?
Hi, I'm Andy.
She says nothing to him.
ANDY:
We're ad guys. We flew in from New
York this morning to pitch Hiram Walker
Distillery, present this test-market
campaign for their new margarita mix.
What we do, we show this guy who looks
like a Mexican bandido, you know, with
the big Chihuahua hat, the bullet belts--
KAREN:
Andy? Really. Who gives a sh*t?
He gives her a sympathetic expression.
ANDY:
Want to tell me what happened?
KAREN:
Beat it, will you?
She stares at the guy until he turns away. She sips her drink,
stares once more out at the blizzard. After a few moments,
another dark suit appears, reflected in the window.
VOICE:
Can I buy you a drink?
Boom. Not one of the executive guys. She stares at the
reflection for a moment, then slowly turns, looks up at JACK
FOLEY now standing there in his new navy blue suit.
KAREN:
(beat)
Yeah, I'd love one.
(then)
Would you like to sit down?
He pulls the chair out, looking at her. The three guys at the
other table now staring as he sits down. Foley offers his
hand...
FOLEY:
I'm Gary.
She hesitates, then shakes his hand...
KAREN:
I'm Celeste.
She smiles with him. When she lowers her hand to the table,
his hand comes down to cover hers. She watches his expression
as she brings her hand out slowly, his eyes not leaving hers,
and lays her hand on his. The tips of her fingers brush his
knuckles, lightly back and forth.
KAREN (CONT'D)
It takes hours to get a drink around
here. There's only one waitress.
FOLEY:
I can go to the bar.
KAREN:
Don't leave me.
FOLEY:
Those guys bother you?
KAREN:
No, they're all right. I meant, you
just got here.
She picks up her drink and places it in front of him.
KAREN (CONT'D)
Help yourself.
She watches him take a sip, smack his lips.
FOLEY:
You like bourbon?
KAREN:
Love it.
FOLEY:
(passes the glass
back)
Well, we got that out of the way.
(then)
Tell me, Celeste. What do you do for
a living?
KAREN:
I'm a sales rep. I came here to call
on a customer and they gave me a hard
time because I'm a girl.
FOLEY:
Is that how you think of yourself?
KAREN:
What, as a sales rep?
FOLEY:
A girl.
KAREN:
I don't have a problem with it.
FOLEY:
I like your hair. And that suit.
KAREN:
I had one just like it -- well, it was
the same idea, but I had to get rid of
it.
FOLEY:
You did?
KAREN:
It smelled.
FOLEY:
Having it cleaned didn't help, huh?
KAREN:
No.
(then)
What do you do for a living, Gary?
FOLEY:
(beat)
How far do we go with this?
This stops her, throws her off balance.
KAREN:
Not yet. Don't say anything yet. Okay?
FOLEY:
I don't think it works if we're somebody
else. You know what I mean? Gary and
Celeste, Jesus, what do they know about
anything?
KAREN:
It's your game. I've never played
this before.
FOLEY:
It's not a game. Something you play.
KAREN:
Well, does it make sense to you?
FOLEY:
It doesn't have to, it's something
that happens. It's like seeing a person
you never saw before -- you could be
passing on the street -- you look at
each other and for a few seconds,
there's a kind of recognition. Like
you both know something. But then the
next moment the person's gone, and
it's too late to do anything about it,
but you remember it because it was
right there and you let it go, and you
think, "What if I had stopped and said
something?" It might happen only a
few times in your life.
KAREN:
Or once.
They look at each other a moment, then...
FOLEY:
Why don't we get out of here.
They both get up. The ad guys at the table watch as she follows
Foley to the elevator. Karen winks at them.
INT. ELEVATOR - NIGHT
As they ride down to Karen's room. She looks at him, looks
away. The doors open and they exit.
INT. HER HOTEL SUITE
As he follows her in. She walks to the bar, fixes them each a
drink. He checks out the room, takes in her view.
KAREN:
How'd you find me?
He comes over to her, takes out the newspaper clipping with her
picture and shows it to her.
KAREN (CONT'D)
Oh, God...
FOLEY:
I called your room from downstairs.
KAREN:
If I had answered, what were you gonna
say?
FOLEY:
Well, I'd say who I was and do you
remember me and ask if you'd like to
meet for a drink.
KAREN:
If I remembered you. I came looking
for you. I would've said sure, let's
do it. But for all you knew I could
show up with a SWAT team. Why would
you trust me?
FOLEY:
She looks at him, touches his face with her hand...
KAREN:
You like taking risks.
FOLEY:
So do you.
He kisses her now, puts his arms around her.
KAREN:
What's the hurry, Jack? You have to
be somewhere?
She hands him his drink. They both drink, then...
KAREN (CONT'D)
Sooner or later...
She stops and he looks at her over the rim of her glass.
KAREN (CONT'D)
You really wear that suit.
FOLEY:
That's not what you were about to say.
She shrugs, lets it go. He puts down his drink, kisses her.
She lets him, then moves to the couch.
KAREN:
Remember how talkative you were? In
the trunk? Adele said you do that
when you're nervous.
FOLEY:
She did, huh.
KAREN:
You kept touching me, feeling my thigh.
FOLEY:
Yeah, but in a nice way.
He sits down and they kiss again. This time she peels his jacket
off. He does the same with hers. He's starting to unbutton
her blouse when--
FOLEY (CONT'D)
(unbuttoning)
I might've smelled like a sewer, but
you could tell I was a gentleman.
They say John Dillinger was a pretty
nice guy.
KAREN:
He killed a police officer.
He stops. Looks at her.
FOLEY:
I hear he didn't mean to. The cop
fell as Dillinger was aiming at his
leg and got him through the heart.
KAREN:
You believe that?
FOLEY:
Why not?
She looks at him, decides to get off this subject. Anyway he's
finished unbuttoning her blouse and is now putting his hands
inside her shirt. She closes her eyes.
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"Out of Sight" Scripts.com. STANDS4 LLC, 2024. Web. 28 Nov. 2024. <https://www.scripts.com/script/out_of_sight_915>.
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