Out of the Fog Page #5

Synopsis: In Brooklyn, fishing is the hobby of the workers Jonah Goodwin and Olaf Johnson and they use to fish every night in their old boat. Jonah's daughter is the twenty-one year-old telephone operator Stella Goodwin, who is an ambitious young woman that dreams on leaving her neighborhood. She is the sweetheart of the worker George Watkins, a simple man that dreams on marrying her. When the smalltime gangster Harold Goff arrives in Brooklyn, he extorts money from Jonah and Olaf to "protect" their boat from fire and dates Stella. Jonah tries to convince his daughter that Goff is a racketeer that takes money out of poor ordinary people but she does not care to her father since she sees Goff as her chance to have a comfortable life and visit new places. When she discloses to Goff that her father has savings, Goff demands the money to Jonah. Now the old man is convinced that the only chance to get rid off Goff is to fight back.
Genre: Crime, Drama
Director(s): Anatole Litvak
Production: Warner Bros.
 
IMDB:
6.9
APPROVED
Year:
1941
85 min
102 Views


boat for Cuba, and stay three weeks?

What do you say?

Don't they use money in Cuba anymore?

- You'll have the money.

From where?

- From me.

A gift to my daughter

who needs a vacation.

Enough for a State Room

without bath. I'll fix it.

Wait a minute, Pop.

This will cost about $200.

That's what I figured.

Where would you get that kind of money?

- I have $190 saved for a special reason.

You can have it .. what's the matter?

I've worked long enough to save

that kind of money, haven't I?

And you want to give it to me?

- Sure. Sure .. why not?

Well? Are you going?

It will be nice in the Gulf-Stream with

the water blue and warm like a bath.

The sun like butter.

Oh Pop, Pop.

What are you crying about?

A little travel information you get

from any booklet. And you cry.

Stella.

Oh Pop. Pop, I love you so much.

But not enough to listen to me.

Jonah .. Jon ..

Well, what's going on here?

What's being kept from me?

Why am I treated like a

stranger in my own house?

Pop, that's the Store-bell.

- Yes, I'll see.

Other daughters come to their mothers.

Not once since you've been grown

up have you ever come to me.

Jonah! Jonah, who came in?

Good evening partner .. this is

what I'd call a real cheerful dump.

Like a mummy exhibit

at the Brooklyn Museum.

Well, each to his own taste. That's what

makes the world go round. Where's Stella?

Who'd have thought out of a hole like

this you'd get a juicy girl like Stella?

Where you going Pop, fishing?

I'm going for a walk.

- Why? Because I'm here?

That's right .. listen Goff.

If you do anything to Stella ..

Ow. This couch is hard enough

to make a nice handball court.

I mean it, Goff .. five dollars a week

is one thing. My daughter is another.

Good evening Mr Goodwin.

Oh, hello kid. Welcome

to our little castle.

Stella upstairs?

- Yes George, go right ahead.

Just a minute. Sit down. Relax.

What's your hurry? Take it easy.

Excuse me.

- Do you like these?

Orchids. Three bucks a

piece for your girl, Stella.

Imagine, three bucks apiece

for flowers that don't smell.

Why not leave her alone?

She's free, white, 21 and

makes her own choice.

You're turning her head.

You make her think she's important.

You make her think you're important.

You don't think so, do you?

I asked you a question.

You seem to be awful worried

about my opinion, Mr Goff.

George!

Mr Goff .. I'm sorry.

Look what comes out of the

Brooklyn Telephone Company.

You're lucky she came down, kid.

I never hit anybody with ladies present.

Pop, didn't you tell George

I had a date tonight?

Stella baby, what's come over you?

I got something for you, Stella.

- Orchids!

Three orchids.

- I'm a fast man with a dollar.

Stella, I've got to talk to you.

- Tomorrow George. I've got to go now.

Goodnight Pop. Goodnight George.

Goodnight Pop. So long kid.

Practice up on your card tricks.

Table, Mr Goff?

- We'll sit at the bar.

Hiya Joe.

- What will you drink, Mr Goff?

Don't sit there. I've got two good

seats for you right over here.

Follow me.

- Let's go, baby.

Alright boys, on your way.

- Okay.

What will you have Mr Goff?

- Two Zombies. - Right.

Good evening Mr Goff. How about it?

- What have you got?

Anything you want. Take your choice.

- I'll take the Cuban doll tonight.

Thanks. Thanks very much.

- Oh, that's perfectly okay.

Here you are. Keep the change.

Thank you.

Say, Joe. Who is the dame?

She just started a couple

of days ago, Mr Goff.

A tasty dish right from Cuba.

If you look real close you can

still see the baggage tags on her.

Hiya beautiful.

Say, what's eating you, baby?

- Nothing.

Good looking girl, ain't she?

- Yeah, everyone to their own taste.

Sure, that's why I'm here

with you. Nice place, huh?

Uhuh. Very nice.

A funny thing, you taking me to

the Cuban room. - Why?

Well, as a matter of fact ..

- Yeah?

Just a few hours ago, I

was offered a trip to Cuba.

By who? Your boyfriend?

- No. - Who?

A man I know.

- I said "who"?

Would you like to know?

Listen, when I ask a question,

I want an answer. Who?

You're hurting my arm.

- Well?

You don't have to get sore.

It was my father.

Your father? So, your old man

offered you a trip to Cuba?

Say .. where would he

get that kind of dough?

Well he told me he had it saved up for

a long time. $190. That's all he's got.

Can you imagine? He wanted to give it to

me because he thought I needed a change.

Pretty wonderful.

- You bet. You going?

Of course not. You see, I couldn't take

money he worked so hard to save, could I?

So your old man's got $190

and he's going to give it to you?

Yeah, wasn't that swell of him?

- Very swell. He's a great guy alright.

Let's drink to your old man.

- There's a kick in those Zombies Mr Goff.

Better take it slow and easy.

I like the music. Shall we?

- Sure. You want to dance?

Like Joe says baby, slow and easy.

Goodnight .. I had a wonderful time.

Come on .. one last cigarette.

- It's almost daylight.

Turn around and wait for me on the

corner will you. - Yes, sir.

[ ship's horn. loud ]

Sounds like a big one. An ocean liner.

I wonder where it's going.

- You do, huh?

Why?

Nothing .. I just wondered.

You ever been away from Brooklyn?

Yeah, once. I went to Buffalo

to a funeral of an uncle.

Listen .. about that trip

you were talking about.

You want to go with me?

- How can I?

Mr Goff, what would I tell my mother?

You can tell her we'll be

married on that boat.

Married .. by the Captain?

- Yeah, with a brass band and flowers.

How about it?

- I don't know.

I don't even know if

I'm in love with you.

It's a five day trip to Cuba.

You'll have plenty of time to find out.

I've got to think this

thing over carefully.

Listen, if I did things carefully, I'd be

working a machine for 13 bucks a week.

You get chances, you grab them!

I turned from factory worker

to bootlegger in eight minutes.

But this will cost a lot of money.

- That's my department.

You know .. I heard that ..

That is .. they say you're a racketeer.

That you make your living

taking money from poor people.

That you beat them up.

- Who told you that? Your father?

What else did he say?

- That's all.

Well .. it's true.

I may as well tell you the rest

so we can start from scratch.

You know who one of my customers is?

Your father.

Goodbye, Mr Goff.

Goodbye, Miss Goodwin.

How can you be so hard?

What have you got inside of you?

- I've got education inside of me, baby.

The education I got on the breadlines,

pool-rooms, and bar-rooms of big cities.

I got rocks inside me, baby.

It would have been a nice trip. Well ..

Maybe another uncle of

yours will die in Jersey City.

George .. what are you doing here?

I've been outside .. waiting

for you to come home.

I don't want you spying on me.

- I have to talk to you.

There's nothing to talk about, George.

- There's our whole life to talk about.

Yours, not mine.

- Yours too.

Look George, it's five

o'clock in the morning.

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Robert Rossen

Robert Rossen (March 16, 1908 – February 18, 1966) was an American screenwriter, film director, and producer whose film career spanned almost three decades. His 1949 film All the King's Men won Oscars for Best Picture, Best Actor and Best Supporting Actress, while Rossen was nominated for an Oscar as Best Director. He won the Golden Globe for Best Director and the film won the Golden Globe Award for Best Picture. In 1961 he directed The Hustler, which was nominated for nine Oscars and won two. After directing and writing for the stage in New York, Rossen moved to Hollywood in 1937. There he worked as a screenwriter for Warner Bros. until 1941, and then interrupted his career to serve until 1944 as the chairman of the Hollywood Writers Mobilization, a body to organize writers for the effort in World War II. In 1945 he joined a picket line against Warner Bros. After making one film for Hal Wallis's newly formed production company, Rossen made one for Columbia Pictures, another for Wallis and most of his later films for his own companies, usually in collaboration with Columbia. Rossen was a member of the American Communist Party from 1937 to about 1947, and believed the Party was "dedicated to social causes of the sort that we as poor Jews from New York were interested in."He ended all relations with the Party in 1949. Rossen was twice called before the House Un-American Activities Committee (HUAC), in 1951 and in 1953. He exercised his Fifth Amendment rights at his first appearance, refusing to state whether he had ever been a Communist. As a result, he found himself blacklisted by Hollywood studios as well as unable to renew his passport. At his second appearance he named 57 people as current or former Communists and his blacklisting ended. In order to repair finances he produced his next film, Mambo, in Italy in 1954. While The Hustler in 1961 was a great success, conflicts on the set of Lilith so disillusioned him that it was his last film. more…

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