Outbreak Page #5
- R
- Year:
- 1995
- 127 min
- 3,905 Views
Finding the host is the only way
to control the spread. Our only
hope is that this is like most
viruses and that it has to live in
a host, an animal, to which it's
adapted over thousands of years.
And that animal host has developed
antibodies to protect itself
against the virus. If we can
identify that animal host, and
harvest its antibodies, we can use
humans.
DR. IWABI
There are a hundred thousand
species of animals and insects in
this rain forest. The
construction worker could have
been in contact with any one of
them. Where do I start?
GILLEPSIE:
General, tell him that our
government will help with money,
personnel supplies, whatever it
takes.
Ford hesitates.
FORD:
Of course, we'll do whatever we
can.
CUT TO:
EXT. OVER MOTABA RIVER VALLEY - DAWN
In a SINGLE-FRAMED TIME LAPSE SHOT, dawn arrives in the
Motaba Valley. FADE UP the hundreds of sounds of the
rain forest ANIMALS. There is something primeval about
this vista; this surely must be what the Garden of Eden
looked like, except for the...
(CONTINUED)
25.
CONTINUED:
Plumes of black smoke which waft up from the blackened,
smoldering huts, each one the home of someone who has now
died from this terrible virus.
Two African orderlies carry a stretcher bearing the dead
body of a villager. They slide it onto a funeral pyre
already burning with bodies.
Gillespie, Ford and Dr. Iwabi make their way to the
choppers where Berman and Salt are loading into the hold
plexiglass cases of blood samples.
ON CLIFF OVERHEAD
The ju-ju man chants. He seems to float above the
funeral pyre like a mirage.
GILLESPIE:
What's he saying?
DR. IWABI
He's asking for forgiveness from
the Gods of the forest. They're
angry because they've been awoken
building the road. These deaths
are their punishment.
FORD:
Why isn't he sick?
DR. IWABI
He stayed in his cave all week and
greeted his visitors with poison
darts.
GILLEPSIE:
(a sense of
foreboding)
It was as if... as if he knew what
was coming.
CUT TO:
INT. C5A COCKPIT
Heading home. Ford reads a hand-written paper Gillespie's
just handed him and gets irate.
(CONTINUED)
26.
CONTINUED:
FORD:
warning to every physician in the
United States to be on the
look-out for this disease? What
the hell is this?
GILLESPIE:
A safeguard, sir.
FORD:
Are you nuts? Within a week we'll
know if this thing burned itself
out in that village, just like
Iwabi said -
GILLESPIE:
-- And if Iwabi's wrong? American
doctors should be warned so cases
can be quarantined. Sir, this one
is different -
FORD:
-- You're a smart guy, Gillespie,
but you can't write a memo to the
CDC which says the sky is falling.
GILLESPIE:
(sharply)
We should do nothing?
FORD:
Did I say that, Colonel?
(beat)
We will monitor the situation in
Africa, and if this virus
reappears, we will act with all
our resources, not just to protect
the American people but the people
of the world. You will destroy
this memo. That's an order.
Gillespie's frustrated.
GILLESPIE:
Yes, sir.
SMASH CUT TO:
NATIONAL AIRPORT (WASHINGTON) - DELTA GATE - DAY
Robby is moving forward in the boarding line, and Mike is
walking beside her.
(CONTINUED)
27.
CONTINUED:
ROBBY:
You asked for four days and four
days it was... last night.
GILLESPIE:
It was a bad virus... Cut me some
slack.
ROBBY:
I cut you ten years of slack. I'm
not giving you the dogs.
GILLESPIE:
Stop joking. Where are they?
ROBBY:
I shipped them this morning.
GILLESPIE:
You did not.
ON her face:
a triumphant smile.ROBBY:
It's better for them. And for
you. I'll be there to feed them
and take care of them. You won't
have to feel guilty.
She moves past the gate. Gillespie's stuck behind it.
Screaming after her:
GILLESPIE:
I'm coming to Atlanta... I'm
takin' 'em back.
ROBBY:
Dream on.
HOLD ON Gillespie's dismay as she disappears.
CUT TO:
INT. MAIN CORRIDOR OF M.I.D.U.
Mike walking briskly down the main corridor. Two M-16
toting security guards salute as he passes by. He
reaches six-inch thick metal doors, closed tight. He
slides his ID card into the optical reader.
(CONTINUED)
28.
CONTINUED:
The computer screen above it prints out the words,
"Colonel Michael Gillespie." A digitized voice booms
from the WALL SPEAKER:
WALL SPEAKER (V.O.)
How-are-you-today-Doctor-Gillespie?
GILLESPIE:
Piss ass good. And you?
ON COMPUTER SCREEN
We see Gillespie's voice print.
CUT TO:
INT. ELEVATOR
Gillespie going up in the elevator past the four floors of
glassed-in laboratories. At the first level, workers wear
civilian clothes. At the second level, they wear respirators.
At the third level, they wear body suits, and at
the fourth level they wear biosafety suits.
CUT TO:
INT. M.I.D.U. - SMALL LOCKER ROOM OUTSIDE BL-4 LABS STEADI-
CAM SHOT:
Mike and Izzy strip off their clothes.
IZZY:
Admit it, for chrissakes: The dogs
will get better care with her than
they got with you.
GILLESPIE:
That really cheers me up.
IZZY:
You think cause we're friends I
should ignore reality.
GILLESPIE:
I think cause we're friends you
might show some tact.
(CONTINUED)
29.
CONTINUED:
IZZY:
You were gone so often that when
you were home... you spoiled 'em.
Robby keeps an even keel.
GILLESPIE:
Hey, she's available...
IZZY:
Don't think I haven't thought
about it.
GILLESPIE:
You're just what she's looking
for. Mr. Stability. Three wives
in five years.
IZZY:
Two. I never married Sherry. I
liked her too much...
Izzy pulls a red air hose down from the ceiling and inflates
his space suit before he puts it on; this is standard
safety procedure. Mike steps right into his suit.
IZZY:
What are you doing?
GILLESPIE:
What?
IZZY:
You forgot to test your suit.
Look! It's torn.
There is a small tear on the left leg of Gillespie's suit.
They both realize Gillespie's mistake could have cost him
his life.
IZZY:
(beams)
If I let you die, who've I got to
rag on?
FADE UP the sound of furiously RUSHING AIR, then:
CUT TO:
INT. FT. DETRICK MILITARY INFECTUOUS DISEASE UNIT
(M.I.D.U.) - BL-4 LAB - AIR LOCK
Gillespie and Berman, dressed in their BL-3 suits, stand
in the air lock.
(CONTINUED)
30.
CONTINUED:
There's no sound other than the FILTERED AIR RUSHING from
a WALL JET into the long red tubing attached to the back
of their helmets. These red tubes are called umbilical
cords. Gillespie disconnects his, punches the wall plate
and enters...
Quickly he connects to another umbilical cord; they hang
from the ceiling at ten foot intervals.
PAVAROTTI and SUTHERLAND singing the duet from "Lucia de
Lamamoore" BLASTS from the SPEAKERS. Whenever
Gillespie's in the lab, he's listening to opera. He
approaches...
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"Outbreak" Scripts.com. STANDS4 LLC, 2025. Web. 22 Jan. 2025. <https://www.scripts.com/script/outbreak_373>.
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