Outlander
Season #1 Episode #1 - 'Sassenach'- Year:
- 2014
- 4,199 Views
FADE IN:
ON A WOMAN’S LEGS
Running through the WOODS, dressed in a thin cotton dress.
CLAIRE (V.O.)
People disappear all the time.
Tree branches lash at her, but we still can’t see her face as
she crashes through the underbrush.
CLAIRE (V.O.)
Young girls run away from home.
Children stray from their parents
and are never seen again.
Housewives take the grocery money
and a taxi to the train station.
She nearly falls. Her HAND reaches out at the last second
and saves herself with a tree branch.
CLAIRE (V.O.)
Most are found, eventually.
Disappearances, after all, have
explanations.
She tries to catch her breath, her hand TREMBLING on the
branch.
CLAIRE (V.O.)
Usually.
Suddenly a pair of HANDS GRAB HER FROM BEHIND -
CUT TO BLACK.
FADE IN:
CLAIRE RANDALL (27) standing on a cobblestoned street in a
small village in post-war Scotland. Dressed in modest warm
clothes, her forever unruly curls cascading over her features
in the brisk wind, she stares at a SHOP window filled with
household goods:
embroidered tea cloths and cozies, pitchersand glasses, a stack of pie tins, and a set of three VASES.
(CONTINUED)
2.
CONTINUED:
CLAIRE (V.O.)
Strange, the things you remember;
the single images and feelings that
stay with you down through the
years. Like looking at a shop
window with the sudden realization
that you’ve never owned a vase in
your entire life. That you’ve
never lived in any one place long
enough to justify having such a
thing. And how at that moment, you
want nothing so much in all the
world as to have a vase of your
very own.
She stares at the blue patterned vase in the window. The
shop is CLOSED.
CLAIRE (V.O.)
Even now I can recall every detail
of standing outside that shop in
Scotland.
Claire finally wraps her coat tighter around her body and
walks down the street. THUNDER ROLLS somewhere in the
distance.
CLAIRE (V.O.)
It was a Wednesday afternoon,
eleven months after the end of the
war.
SCREAMS of agony fill the tent as two British SOLDIERS try to
hold down another badly WOUNDED SOLDIER.
British Army Nurse Claire Randall calmly goes about CUTTING
off the remnants of the wounded man’s pants, exposing
horribly mangled legs with jagged bones cutting through
grievous lacerations. In the b.g. the triage tent is filled
with cots and rough pallets, all jammed with the WOUNDED.
JESUS CHRIST! OHMYGOD, Where’s the bloody doctor?!
Suddenly a SPRAY OF BLOOD splashes across Claire and the
other soldiers. The wounded man jerks and spasms.
CLAIRE:
HOLD HIM! YOU HEAR ME! HOLD HIM
RIGHT NOW!
(CONTINUED)
3.
CONTINUED:
Claire grabs a clamp from a crash tray and then works to
reach deep inside the man’s lacerated thigh as he screams his
lungs out. The soldiers hold him tight.
CLAIRE (cont’d)
I have to clamp the femoral artery
or he’ll bleed out!
SOLDIER #2
Come on, Jackie boy, it’s all
right. You’re going home... you’re
going home...
Claire grimaces, fights, finally gets her fingers on the
artery and clamps it off. The spray of blood STOPS. An Army
DOCTOR (30’s) finally rushes over to the table with a
hypodermic needle of morphine, which he INJECTS into the man.
The soldier sags back on the table as the drug kicks in.
DOCTOR:
(to Soldiers)
We’ve got him now. On your way.
The soldiers step back from their friend.
SOLDIER #1
Thank you, doctor. Thank you.
No thanks for Claire, who saved the man’s life. But she
neither notices nor cares -- too busy working her patient.
EXT. FIELD HOSPITAL - DAY (LATER)
GUNSHOTS are heard as Claire steps outside the tent with
cheeks as grey as the overcast sky, eyes red-rimmed and
glassy. Exhaustion etched into every inch of her face. The
sound of random gunfire continues as she stands in her blood-
spattered clothes outside the tent for a moment, numbly
trying to understand what she sees o.c.
NEW ANGLE:
The nurses are kissing soldiers, soldiers are hugging
soldiers and a few of them are FIRING WILDLY into the air
with automatic weapons. Someone has scrounged up bottles of
WINE and CHAMPAGNE and people are spraying them over one
another and drinking greedily.
Another NURSE happens by, her arms draped around a soldier
and a bottle in her hand.
(CONTINUED)
4.
CONTINUED:
NURSE:
Claire! Did you hear? It’s over!
It’s really, finally over!
She hands Claire the bottle. Claire takes a long drink, but
she’s too tired and strung out to do anything else but stare
at the revelers. Hold on her exhausted, glassy-eyed face for
a moment...
EXT. SCOTTISH HIGHLANDS - ROAD - WIDE - DAY
Mountains crowd the frame like massive shoulders as an open-
topped CAR bounces and careens down the narrow road.
CLAIRE (V.O.)
We were in Scotland on our second
honeymoon. Or at least that’s what
Frank called it. A way to
celebrate the end of the war years
and begin our lives anew. But it
was more than that.
EXT. MRS. BAIRD’S BED & BREAKFAST - DUSK
As evening falls, the Randall car is parked outside the
modest inn. Claire makes her way up the path while her
husband FRANK RANDALL (30’s) carries in the luggage.
CLAIRE (V.O.)
We didn’t discuss it, but I think
we both felt a holiday would serve
as a convenient masquerade for the
real business of getting to know
the people we had become after six
years apart.
Frank stops on the threshold, peers at the sill.
FRANK:
Now, what do you suppose that is?
Claire moves for a closer look.
CLAIRE:
Good Lord -- it’s blood!
FRANK:
Are you sure?
CLAIRE:
I should think I know the look of
blood by now...
(CONTINUED)
5.
CONTINUED:
FRANK:
(peers at neighboring
houses)
There’s a stain just like it on the
house next door. And the next. We
seem to be surrounded by homes
marked with blood.
They look about for a moment at the darkened door sills. The
street is empty at the moment, and the quiet feels unnatural,
disturbing. Claire finally breaks the tension -
CLAIRE:
(light)
Perhaps Pharaoh has refused Moses
and the spirit of death will travel
the streets of Inverness this night
sparing only those who mark their
doors with lamb’s blood.
FRANK:
You may be closer than you think.
This could well be part of a
sacrificial ritual -- but pagan
rather than Hebrew.
CLAIRE:
I had no idea Inverness was such a
hotbed of contemporary paganism.
FRANK:
My dear, I think you’ll find
there’s no place on earth with more
magic and superstition mixed into
its daily life than the Scottish
Highlands.
Frank grins and OPENS the door and Claire gingerly steps over
the stain before entering the inn.
LINGER a moment on the blood...
INT. MRS. BAIRD’S BED & BREAKFAST - FOYER - DUSK
A few minutes later. Frank fills out the registry book while
Claire looks around. MRS. BAIRD (60’s) a squat and easygoing
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Outlander" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/outlander_25761>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In