Painted Woman
[reflective music]
[shouts]
[whip cracking]
[shouts]
[chuckling]
[knock at door]
Come in.
He's, uh, asking for you.
How do I look?
You look beautiful,
Miss Julie.
You always do.
I hate these dinner parties.
Don't be fibbing.
You love these parties.
You hate Annabelle Tilby.
[sighs]
Hm.
I'm sure she'll be down soon.
Yes.
Uncle Kyle.
It's about time you got here.
I'm sore sorry, uncle Kyle.
I need...
Allow me to
take responsibility.
I couldn't show up
to my first dinner party
not looking my best.
I don't recollect
meeting you before.
May I introduce myself?
Frank Dean.
John Tilby.
My wife,
Mrs. John Tilby.
Pleasure.
- My son Lane.
- Hello.
Good evening.
You're late.
- Please forgive me. I was...
- You must be Ms. Richards.
Harty speaks
very highly of you.
I'm sure.
Dinner will be
served shortly.
Mm.
After you.
What do you do, Mr. Dean?
I'm here to help Mr. Allison
with his business.
Mining?
No, not mining,
but there are opportunities
above ground
when there's gold beneath it.
The future is upon us.
The cowboys and savages
I read about as a child,
they will soon be extinct.
Opportunity is truly
paved from the ore
that you gentlemen have pulled.
Look at Mr. Allison.
The man is a king,
investing his money so wisely.
Your nephew tells me
that you alone
brought electricity
to Goldfield.
First in the state.
Thanks to Mr. Allison's
generosity.
Mm-hmm, yes,
he's a very generous man.
Well, that was a fine meal.
And this is an excellent
Kentucky bourbon.
It's very good.
Did you know it was
Thomas Jefferson
who made Kentucky
bourbon country?
Gave 60 acres
to the French farmers
as to honor their contribution
to the Revolutionary War.
Thomas Jefferson
was an honorable man.
Are you?
- Answer him.
- Wait a second.
- Sit down.
- Lane.
We ain't done nothing.
Sit down.
Your daddy's been
undercutting me, son.
Haven't you, John?
Is this why you invited us,
to threaten me?
Gentlemen,
we are just talking,
but Mr. Allison,
he does expect the truth.
I have done nothing.
I'm not a fool.
Well, a fool
doesn't get rich...
and a dead man don't
take it with him.
Well, I should
probably be going.
Yes.
Annabelle, we're leaving.
- Let me show you out.
- No need.
Think you got to him?
I do, unless, of course,
you'd like something more.
What do you want?
Is there anything I can do
for you, Mr. Allison?
No.
Well, you do have
her well trained.
[somber music]
Well, gentlemen, I shall
retire for the evening.
You should, both of you.
Have yourself a
good night, Kyle.
Mr. Dean?
He'll have you
well trained too.
I'm sure he will.
You do have an interesting
family, Harty Allison.
Ned and Sue have finished.
You never said,
do you like my dress?
I don't give a damn
about your dress.
I thought you wanted
the gold one.
Come here.
Come on.
Tilby was lying.
I knew Tilby was a liar.
I can't trust anyone.
You can trust me.
Trust you?
Trust you?
Why in the hell would
I ever trust you, huh?
Huh?
You're not well.
I'll leave you.
Goodnight.
Where you going?
I saw the way you looked
at him tonight.
I would never disrespect you
I belong to you.
Let me take you upstairs.
Come on.
Come on.
That's right.
I don't need your help,
you whore.
Come on, now.
[crying]
I got you.
Good morning, Ms. Richards.
Frank Dean's quite a man.
He done told me about
some of the jobs he pulled,
make your skin crawl
straight off.
I assure you, sir, I had
no intentions of such a thing.
My demeanor sometimes
can be misunderstood.
Well, you can have
all your fancy words
as long as we understand
one another.
I'm here for you
and to get paid, that is all.
Then get to work.
- [smack]
- [grunting]
You got me dirty.
[groans]
Ugh!
It's notarized.
You have the deed.
You didn't have to beat my son.
Oh, we would never do
a thing like that.
Would we, Lane?
No.
I don't want my family in
danger over a misunderstanding.
Well, then you should
probably leave town.
Let's go.
[chuckling]
Henry James.
Michael Dalton.
No. Please.
I'll do whatever you want.
[coughing]
You tell Kyle Allison
to go to hell!
[gunshot]
You've done well, Kentucky.
Thank you, sir.
I do appreciate
your kind words.
I'm sure you do.
[chuckling]
Worth every penny.
Good night.
Get upstairs.
[somber music]
Come here.
Come on.
Come on. God damn it.
Get up!
Get up! I said stand up.
Get up.
Stand up!
- Get up, you whore. Get up.
- [screaming]
It's all your fault,
you hear?
It's all your fault!
You know it!
This is your fault
'cause you're not
pretty anymore.
You know that? You're not
as pretty as you used to be!
[screaming indistinctly]
[growling]
[door opens]
Well, howdy.
What happened?
Please.
It's none of your concern.
You're right, of course.
Forgive me.
I was simply trying
to gain your trust.
Why?
I'd like to think
that we could be friends.
Can we?
You know why we can't.
We may have had a tragic
beginning to our relationship...
We don't have a
relationship, Mr. Dean.
Kyle Allison is a pig of
a man, and I know you know it,
and we both know
what he is capable of.
Why are you saying this?
A gentleman should
never strike a lady.
You kill people.
Only the bad ones.
I can't be your friend.
[calm music]
We are going out tonight.
Put on that green dress.
You deserve better.
Come on, now. Come on.
Come on, girl. Come on.
Watch your step,
Ms. Richards.
Thank you, Mr. Dean.
[indistinct chatter]
Good evening.
How are you doing,
Mr. Allison?
Evening.
- Ma'am.
- Mr. Allison.
How you doing tonight?
Evening.
- Evening.
- Gentlemen.
- How you doing, Mr. Allison?
- Evening.
Good to see you.
Good to see you.
You're not cheating
again, are you?
That a boy. How're the games?
Mr. Allison, join us?
By all means, deal me in.
[laughing]
[grunts]
- Mr. Allison.
- Is this her?
- This is Cora.
- Well.
Get up.
Now.
This is Mr. Allison, Cora.
You're going to live
with him now.
Does that suit you, honey?
Good.
Kentucky.
Darling, why don't you
come over here?
You knew this day would come.
What do I do?
You come back to work.
Where else will you go?
I don't know.
Come inside.
I told you, I was his prize
long before you.
Hold your head high.
Do not give him these tears.
Come. Come.
[melancholy music]
Are you ready to go?
What about my things?
We'll get you new things.
Take us home.
Hoo-ah, get up.
Come on.
[speaking Spanish]
[dark music]
[knock at door]
Come on.
- No.
- Maria...
I said no!
May I have a moment?
Haven't you done
enough to her?
You know what
he wants me to do.
Get out.
I won't do it.
But you're not safe
in Goldfield.
You have to leave.
- Where?
- I'll take you to Johnson.
You can catch a stagecoach
to wherever you want to go.
I'm not staying here.
Julie...
Come on in.
[chuckling]
What do you think, huh?
Why don't you take her on
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Painted Woman" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/painted_woman_15503>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In