Pale Blue Dot
- Year:
- 2013
- 15 min
- 635 Views
EXT. LOUISIANA GAS STATION - 2007 - EVENING
-- SPRAYING GRAVEL EVERYWHERE. The driver’s side door FLIES
OPEN before the engine’s even cut off---
BANG!---
the SUV is too close and the door slams into the pump.
It doesn’t matter. There’s no stopping this driver, a woman
in her late thirties, as she wiggles her way out of the car---
DING DING DING---
leaving the keys in the ignition. This is LAURA PEPPER and
she does not have a second to spare.
Laura runs to the pump, hurrying the nozzle into the tank,
leaping over the hose to insert her credit card.
She is athletic and pretty in a no-nonsense way but, right
now, she’s also an agitated, disheveled mess---
ratatat-tat---
impatiently tapping her fingernails on the roof of her
car. She checks her watch, looks over her shoulder to catch
the sun disappearing from the horizon.
The SUV has Texas plates. Wherever Laura’s going, she’s in an
awful hurry to get there.
Unbeknownst to Laura, there’s a SMALL BOY, sitting on the
curb in front of the gas station, playing with a toy UFO. Or,
at least, he was playing with the toy before he got
completely distracted watching...
...Laura frantically pulls the gas pump from the SUV, without
even letting the tank fill-
-- splattering an unnoticed bit of gasoline as---
she replaces the gas pump and reaches up under her dress
to-
--PULL OFF A SOILED ADULT DIAPER.
Laura tosses the diaper into the trash, hops back in the SUV
and tears out of the gas station, leaving the stunned boy
behind.
2.
INT. LAURA’S SUV - LATER
Laura smokes a cigarette and tears down the highway. She’s
staring off into the distance, her gaze fixed on a distant
point in the horizon-- an old Navy trick for staying awake.
Without looking away from the road, she tries the radio. She
finds nothing but static.
Laura reaches over to open the glove box. She grabs a CD
case. She pops the case open, shoves the mix CD in the player
and-
-- “You Oughta Know” by Alanis Morissette kicks in.
Laura cranks the volume up and, as she does, we pan over to
the still-open glove box-
-- to find a loaded hand gun.
EXT. HIGHWAY - CONTINUOUS
Laura’s SUV hurtles down the highway, going almost double the
speed limit. She flies past a sign:
WELCOME TO FLORIDA -- THE SUNSHINE STATE
EXT. ORLANDO INTERNATIONAL AIRPORT - EARLY MORNING
Now wrapped in a giant TRENCH COAT, and wearing a bizarre,
dark WIG, Laura enters the arrivals terminal of Orlando
International Airport.
INT. ORLANDO INTERNATIONAL AIRPORT - CONTINUOUS
Laura walks purposefully through the mostly-empty airport.
She pulls at the belt of her trench coat, tightening it as if
it were a suit of armor.
Nearby, an AIRPORT JANITOR vacuums the loudly patterned
carpet. Laura walks up and taps the man on the shoulder-
-- startling him half to death. After collecting himself, the
Janitor pulls an earbud from his ear.
LAURA:
Baggage from the Houston flight?
3.
AIRPORT JANITOR:
Uh, I’m not sure. Over there maybe?
The Janitor points to the other side of the terminal where a
crowd waits beside a luggage carousel.
LAURA:
Thanks.
Laura heads for the carousel. The Janitor watches her go for
a moment, an eyebrow cocked at her bizarre getup. But,
eventually, he shrugs and goes back to his vacuuming.
This is Florida, after all. He’s seen worse.
INT. BAGGAGE CAROUSEL - MOMENTS LATER
A woman waits beside the baggage carousel, stretching. This
is ERIN FLEETWOOD.
She is a few years younger than Laura but very much the same
type-- blonde, fit, pretty. Though, even after a red eye
flight, Erin is far more rested and put together than Laura
right now-
-- which, is readily apparent as Laura peeks from behind a
nearby column-
-- spotting Erin. Laura’s obviously watching her, spying
even. She’s breathing heavily and her hands are shoved deep
into the pockets of her trench coat.
Erin senses something, someone, and turns her head just as-
-- Laura jumps back behind the pillar. It’s a close call but
then-
--BEEP BEEP BEEP-
-- an alarm goes off, signaling the arrival of the flight’s
luggage.
With a heavy lurch, the conveyer belt starts up. Erin spots
her bag quickly-- a bright red suitcase-- grabs it and starts
for the exit.
Keeping her head down, Laura steps out from behind the column
and walks after Erin. As she does, she reaches in a trash can
and pulls out an old newspaper.
4.
EXT. ORLANDO INTERNATIONAL AIRPORT - CONTINUOUS
Laura’s pretending to read the newspaper as she follows Erin.
They make their way past a line of taxis and shuttles.
INT. PARKING GARAGE STAIRS - CONTINUOUS
Erin walks up a set of stairs. Aware of footsteps coming up
behind her, she stops.
The footsteps stop, too.
Erin waits for a suspicious second but there’s no sign of
anyone else in the garage or stairway.
Erin wheels her suitcase along the darkened parking garage,
hurrying a bit now. As she does, she looks over her shoulder
to find---
Laura following her. She’s twenty feet back, looking
downward, her wig pulled low to cover her face-
--Erin takes off at a full sprint, her bag bumping and
rolling behind her.
Laura doesn’t run. She takes her time.
As she walks, Laura reaches in the pocket of her trench coat
and removes a pair of bright yellow DISH WASHING GLOVES. She
pulls them on as she continues to stalk Erin.
Erin makes it to her car, fumbling with her keys--
--WHICH SHE DROPS-ERIN
Sh*t! Sh*t! Sh*t!
-- Erin scrambles to the ground, reaching for her keys. She
grabs them, unlocks the car-
-- haphazardly tosses her suitcase inside---
before diving in herself---
and slamming the door shut and locked.
Erin looks out the window but there is no sign of Laura.
She’s gone. Vanished.
5.
Erin takes a long, deep breath, collecting herself. She puts
the keys in the ignition and turns the engine-
--BAM BAM BAM-
ERIN (CONT’D)
AHHHHHH!
-- a HAND REPEATEDLY SLAPS THE WINDOW. It’s Laura and she’s
screaming:
LAURA:
I’m sorry! I’m so sorry! I need
help!
Erin stops, her eyes squinting in recognition...
ERIN:
Laura?-
-- at the sound of her name, LAURA STARTS CRYING. It’s ugly
stuff-- big tears, heaving, the works.
Concerned, Erin rolls down her window.
ERIN (CONT’D)
What are you doing here? Are you
okay?
LAURA:
You have to stop.
ERIN:
What-
-- LAURA BLASTS ERIN IN THE FACE WITH A CAN OF MACE!
ERIN (CONT’D)
You b*tch!
--CRUNCHHH---
her car lurches forward, directly into the bumper of the
car parked opposite-
-- Laura stands there, the can of mace in her gloved hand,
stunned at what she’s done---
Erin blindly grabs at the gearshift, throwing her car into
reverse and slamming on the gas all over again-
6.
--CRUNCHHH---
Erin crashes into more cars, making her getaway---
BEEP BEEP BEEP---
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"Pale Blue Dot" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/pale_blue_dot_1329>.
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