Pauline at the Beach Page #7

Synopsis: Fifteen year old Pauline and her older cousin, model-shaped Marion, go to the emptying Atlantic coast for an autumn holiday. Marion ignores the approaches of a surfer and falls for Henri, a hedonist who is only interested in a sexual adventure and drops her soon. Pauline's little romance with a young man (Sylvain) is also spoiled by Henri.
Genre: Comedy, Drama, Romance
Director(s): Éric Rohmer
Production: MGM Home Entertainment
  5 wins & 1 nomination.
 
IMDB:
7.5
Rotten Tomatoes:
100%
R
Year:
1983
95 min
1,353 Views


Here. This is for Marion.

Give it to her.

I got a phone call.

I have to go to Quiberon.

I just have time to pack...

and drop you off,

then I'll be gone.

When'll you be back?

I won't. I'm going to Spain

on a yacht.

We'll be gone a good two weeks.

And Marion?

I'd gladly take her,

but there's no room.

It won't be comfortable.

It's not a cruise.

It's very hard, with real pros.

Wait till she gets back at noon.

I can't. I'd be too late.

And I hate goodbyes.

Then say you can't face her.

You're a coward.

It's not cowardice.

She wouldn't understand.

I don't get what you see

in that other girl.

Only a pervert

would chase her...

when he's with a girl

like Marion.

Marion is very beautiful.

She has a perfect body.

Too perfect, like a statue.

The figure all women want.

She's an ideal.

I admire her,

but I'm not that attracted...

less than by a woman

with imperfections.

Perfection is oppressive.

If genetic scientists

manipulating chromosomes...

could create an ideal woman...

like in Huxley's

''Brave New World...''

I'm sure that woman

would be like Marion.

In time, all women could be made

to look like her.

lmagine the world

with millions of Marions!

That other girl

is much more artificial.

Her behavior,

but not her nature.

That's not true!

Marion is like no other woman.

She's unique.

Unique?

Sure, good thing, too.

All people are.

Her uniqueness is so perfect...

it tends toward universality.

Get it?

No, you don't.

Kids your age don't think

about such things.

This'll be easier to understand.

Marion threw herself at me.

She didn't give me time

to desire her.

Learn to let yourself be

desired, or you'll be unhappy.

And another thing.

I didn't cheat on Marion

with Louisette...

but the reverse.

I met Louisette first.

We'd kissed a bit...

but I'd never gotten her home.

So when the opportunity arose,

I made the most of it.

I'd think with Marion,

other'd be forgotten.

No. I stayed true to my desire.

I felt involved with Louisette.

You were much more involved

with Marion.

Physically, but not mentally

or by the desire I felt.

I'd met her first,

so she had a kind of right.

But you don't

understand that either.

A bit better.

So what shocks you?

That she's a peddler?

Are you prejudiced now?

I'm shocked you're not in love

with Marion, insanely...

like Pierre.

He has no chance!

Why? He's as good as you.

You don't like me much, do you?

Rascal!

Hands off!

Don't worry.

We're leaving in five minutes.

What did he tell you?

That he was going on a boat

without you...

because it was uncomfortable.

You bet!

Just as well.

I don't really like goodbyes.

What'll you do?

What can I do?

I mean here.

Won't you be bored?

One's never bored

in the country.

Why don't we go home?

Already?

I have to tell you this.

Yesterday on the train,

I was thinking.

I said to myself that in fact...

we have no proof of what really

happened with the candy girl.

Henri could've been with her...

and made me think

it was Sylvain.

I hope that isn't true.

It would be...

too horrible.

But you...

shouldn't be upset by something

that may not be true.

I'm not upset.

Tell yourself it isn't true.

Convince yourself.

I'll remain convinced

of the opposite.

That way we'll both be

satisfied.

I agree entirely.

Rate this script:5.0 / 1 vote

Éric Rohmer

Jean Marie Maurice Schérer or Maurice Henri Joseph Schérer, known as Éric Rohmer (French: [eʁik ʁomɛʁ], 21 March 1920 – 11 January 2010), was a French film director, film critic, journalist, novelist, screenwriter, and teacher. Rohmer was the last of the post-World War II French New Wave directors to become established. He edited the influential film journal, Cahiers du cinéma, from 1957 to 1963, while most of his colleagues—among them Jean-Luc Godard and François Truffaut—were making the transition from film critics to filmmakers and gaining international attention. Rohmer gained international acclaim around 1969 when his film My Night at Maud's was nominated at the Academy Awards. He won the San Sebastián International Film Festival with Claire's Knee in 1971 and the Golden Lion at the Venice Film Festival for The Green Ray in 1986. Rohmer went on to receive the Venice Film Festival's Career Golden Lion in 2001. After Rohmer's death in 2010, his obituary in The Daily Telegraph described him as "the most durable filmmaker of the French New Wave", outlasting his peers and "still making movies the public wanted to see" late in his career. more…

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Submitted on August 05, 2018

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