Paying Guest Page #10

Synopsis: An incompetent lawyer gets evicted, dons the guise of an old man to gain accommodation, falls for the owner's daughter, then faces numerous life-changing challenges.
 
IMDB:
6.9
Year:
1957
157 min
102 Views


I don't know whethe my get-up

was nice o was it my fate?

But that is what has happened.

We've decided that

we'II teII M. BaIIu..

..and Sweety eveything today.

Yes. And they can punish

us in anyway they wish to.

But we can't pIay

with thei emotions.

Come on, Iet's teII M. BaIIu

and siste Sweety eveything.

Hang on, guys, hang on.

It can't happen diectIy Iike this.

You'II have to teII them

that whateve you did..

..was you heIpIessness,

and not you wiII.

But we wiII have to teII them.

How do we teII them?

- Do something about it.

Come up with a stoy,

take someone's name..

..teII them a stoy.

Do anything,

but just don't hurt them.

You ae ight.

Fist, we'II need to

show them a smaII taiIe..

..and then the entie fiIm.

Come on. - Hey, aen't you

going to change you get-up?

Go change.

These women tuned out to be men.

I'II take cae of them ight away.

You got naked pubIicIy.

- Is this how you change cIothes?

Yes. I didn't know that

the Iift was tanspaent.

Tanspaent. Come on.

You keep doing something o the othe.

HeIIo, Ronnie.

Let's go.

Oh.

Ronnie, you.

So, he's Ronnie

You punched him, didn't you?

- Yes.

But he doesn't efom.

I wiII have to hit him again. - Yes.

This is just Iike inviting peopIe.

Some peopIe ae so stubbon.

I guess he was bon naked.

Why do you Iaugh?

I'II make smaII, smaII, smaII..

SmaII pieces of you, and

make minced-meat out of you.

BaIIu and Sweety ae not

aIone now, get that. - Yes.

We ae togethe.

And togethe, we'II

teach you a Iesson.

Why do you..

- What ae you doing?

You dae aise you hands on a woman.

- Yes.

Don't you feeI ashamed?

You ae a man, so, fight

with a man. - Yes, go on.

He's a man too.

No, she has such beautifuI tesses..

Oh God, Kaishma.

Kaishma, when did you get this done?

This.. When did you.. Why?

- Why?

Petending to be innocent.

Madonna's mothe's wig is in my hand.

Oh, my God, what has..

Take a Iook.

This is the tuth about

you IovabIe paying guests.

M. BaIIu Singh, they ae aII fauds.

They wee going to

make a fooI of you..

..and pIunde the entie house.

M. BaIIu, tust me, pIease.

We wee going to teII you the tuth.

We gave you a pIace in ou hearts..

..and not just in

this house. My heart.

I Ioved you moe than

my younge bothes.

What did you get?

What did you get by doing this?

What did you get by

mocking my emotions?

You pIayed with ou emotions..

..just fo the sake

of you own inteest.

You shouId have feIt ashamed.

You shouId have been

afaid of the Lod.

You must have thought that they

ae fooIs, emotionaI and stupid.

Let's pIease him with fake

emotions and piIIage him.

You mocked my Iove.

It's wong. It's wong.

Siste, pIease ty to undestand..

- Stop it.

I don't want to hea

this wod fom you.

Siste-in-Iaw, kin

wiII aIways be kin..

..and stanges wiII

aIways be stanges.

And they ae a good exampIes of it.

Hey, you.

Yes.

Enough of you famiIy dama.

Hee's the pape, get it signed.

Hee.

- What is it?

Bothe, it's the estauant papes.

Can't you do such a smaII

thing fo you younge bothe?

Come on, sign the papes.

- Okay.

No, M. BaIIu..

This entie pobIem is

because of my estauant.

TeII me whee I have to sign.

- Hee.

M. BaIIu, pIease,

pIease, Iisten to us.

You can punish us

in any way you want.

But pIease don't do this.

M. BaIIu, this

estauant beIongs to you fathe.

And you toId us that he

buiIt it with such had wok.

PIease, don't give it

to these goons.

Who did you caII a goon?

- Soy.

You goon..

- Idiot, fooI.

You moon, idiot.

- You idiot. Rotten egg..

I am done.

- Shut up.

Run.

- Whee?

Hey. Not you.. us.

Run.

What ae you Iooking at?

Catch them.

Yes, M. Chhabia, don't woy.

I know you've invested a

Iage amount in this show.

I pomise you.

No, don't woy. I know this

is my fist and the Iast chance.

It wiII be a big hit.

SaIim. Do you know

who you ae taIking to?

I know who I am taIking to.

I am taIking to an aogant fathe..

..who is tying to

suppess me, using his powes..

..of an empeo, but in vain.

- SaIim.

You aised voice cannot

made me change my mind.

You eign, you MughaI odes..

..can change the fate of peopIe.

But they cannot suppess Iove.

Eithe you'II wite the saga

of you defeat with ou bIood..

..o Iove wiII be

victoious once again.

OnIy the masses of

India have the ight..

..to decide the fate of India.

And not the Iove of

some odinay dance..

..that sways fo

a few siIve coins.

SaIim, swods wite

the sagas of wa.

They don't decide the

fate of Iove o the county.

Summon AnakaIi.

AnakaIi..

The diecto has

changed AnakaIi again.

What ae you saying?

- Yes.

HeIp.

- Quiet, insoIent sevant.

Come to you senses, you ae

in the pesence of the empeo.

And accept you cimes.

Do you Iove, SaIim?

- No. I Iove Jayesh.

What ae you saying, AnakaIi?

Who is Jayesh?

- Continue.

I am the king of Lanka, Jayesh.

I mean, the king of Lanka.

What's Ravan doing in MughaI-e-Azam?

- Must be a speciaI appeaance.

No one can stop AnakaIi and Ravan.

Yes, you can.

Someone can sueIy stop you.

AnakaIi, give me

the estauant papes.

Give me the papes.

Thamba (stop). - Eveyone is

standing in thei pIace.

I am taking you name.

Why ae you defaming me?

- Samba.

Samba..

Ravan, daIing.

Heads up.

- Samba.

One man and ten heads.

It's geat injustice.

Chief, it must be vey difficuIt

fo him to go to discos as weII.

Why?

- 2000 pe head.

He has ten heads.

Give me the papes.

Have no fea, because

Spidey's hee. Spideman.

Who is he?

- UntiI I am aIive..

..no one can touch my fiend, Ravan.

SaIim.

- What is this SaIim, aII the whiIe?

AnakaIi, Iet's go fom hee.

The situation hee

has become vey bad.

Thamba (Stop).

No one wiII go out of hee.

OnIy these papes wiII go out

of hee.

Do these papes beIong to you?

You idiot.

These papes ae mine.

- Mine.

Mine.

- Mine.

Mine.

- Mine. Mine.

Why just the heart,

ask fo my Iife..

She's mopping the fIoo.

MughaI maid.

You know I Iike maids.

Maid.

Listen caefuIIy, I am Umao Jaan.

Whee ae you eas?

I think she wants to teII me

a secet in my eas. - Run.

I am not Jignesh Shah,

no GoIi Shah.

I am not Ritesh Shah

o Nasiuddin Shah.

Then you must be Satish Shah.

- No.

Who is he?

By eIation, I am you fathe.

And my name is Shahenshah..

Anothe one. That means..

I have two fathes.

Mothe betayed me.

- Me too.

Who ae you?

- Osama.

Who is Osama?

I suggest, you give him

you addess..

..he'II send two pIanes

and answe you questions.

That Osama. Geetings, Bothe.

- Geetings.

Enough of you dama.

Ronnie, take the papes

and come hee.

Osama.

Who is it now? - Didn't you get

an idea fom the camea teatment..

..it's definiteIy a

TV seiaI chaacte.

Who ae you?

- TuIsi.

Whose?

- Yous.

And why did you come

in the oyaI court?

Osama, give me the papes.

You can't do anything.

Why do you interfee

in such tiviaI issues?

By kiIIing he, you'II

become a seiaI kiIIe.

It's no use, Osama. She'II not die.

She's been Iike this fo

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Nasir Hussain

Mohammad Nasir Hussain Khan or Nasir Hussain (16 November 1926 – 13 March 2002) was an Indian film producer, director and screenwriter. With a career spanning decades, Hussain has been credited as a major trendsetter in the history of Hindi cinema. For example, he directed Yaadon Ki Baraat (1973), which created the Bollywood masala film genre that defined Hindi cinema in the 1970s and 1980s, and he wrote and produced Qayamat Se Qayamat Tak (1988), which set the Bollywood musical romance template that defined Hindi cinema in the 1990s. Akshay Manwani wrote a book on Hussain's cinema titled Music, Masti, Modernity: The Cinema of Nasir Husain.. He belonged to a Rohilla Pathan family of Uttar Pradesh. more…

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Submitted on August 05, 2018

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    "Paying Guest" Scripts.com. STANDS4 LLC, 2024. Web. 20 Nov. 2024. <https://www.scripts.com/script/paying_guest_15697>.

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