PEAKY BLINDERS II Page #2
Season #3 Episode #18- Year:
- 2013
- 4,595 Views
Pestilence took him. But Freddy
passed on his spirit and soul to a
new generation before he was
cruelly taken.
Tommy gestures at Karl Thorne. Ada has no expression. Tommy
takes out a piece of paper and it blows in the wind
TOMMY (CONT’D)
favorite poem over his grave. He
told me the poem is about
revolution...
One of the communists calls out irreverently...
COMMUNIST:
Amen.
(CONT'D)
PBII - Ep 1 - Steven Knight - SHOOTING SCRIPT - 20/02/14 p.5
10 CONT'D:
10We come close to Ada. She has no tears in her eyes. Tommy
begins to read from the sheet....
TOMMY:
‘Scatter as from an unextinguished
hearth, ashes and sparks...’
As Tommy reads we re-acquaint ourselves with the ice in
Tommy’s soul. He is a little older, a little wiser, a man
betrayed the last time he gave anything of himself.
TOMMY (CONT’D)
‘Be through my lips to...’
11 EXT. CHURCH, YARD - DAY 1 11
We cut to the front of the church where the burial took
place. The wind blows through the huge cemetery trees as
Tommy’s reading bridges the cut...
TOMMY (OOV)
‘...Be through my lips to
unawakened earth, the trumpets of a
prophecy....’
In wide shot we see the congregation walking up the cemetery
path away from where the grave is being filled in.
TOMMY (OOV) (CONT’D)
‘O wind. If winter comes. Can
Spring be far behind?’
We come close as the congregation begin to gather mill near
to the exit of the church yard. On the road, near to the
graveyard, a fleet of four large black cars are waiting.
There are uniformed chauffeurs who smoke and chat while they
wait but they stand to attention as the family appear.
These are the drivers waiting to take the Shelby family home.
Times are evidently good.
The Shelby family slow and light cigarettes on one side of
the cemetery path. The communists congregate on the other
side, an informal dividing line. Ada stands among the
communists.
Tommy, Arthur and John light cigarettes from Tommy’s match.
The communists smoke too and glare at the family. For a laugh
John suddenly shouts ‘BOO’ at one of the communists and he
jumps. John and Arthur laugh...
Tommy blows smoke and, without a care for the animosity,
crosses the path to Ada.
(CONT'D)
PBII - Ep 1 - Steven Knight - SHOOTING SCRIPT - 20/02/14 p.6
11 CONT'D:
11TOMMY (CONT’D)
Ada. I want to talk.
Tommy absorbs the hard stares. Ada leaves Karl in the care of
a comrade and steps beyond a crooked grave stone. The grave
gives them a measure of privacy.
TOMMY (CONT’D)
How is the boy taking it?
ADA (DISMISSIVE)
He’s fine. When he asks I resort to
saying ‘heaven’.
A pause.
TOMMY:
We thought now Freddy’s gone, you
might come back to Birmingham.
Ada half smiles, a little incredulous. She stares at the
waiting cars...
ADA:
Do you know how funny it is that
you’ve got chauffeurs in uniform
now?
TOMMY:
Just for the occasion...
ADA:
Do you know how unfair it is you’ve
got four Bugattis when half the
country’s starving...
Tommy gestures at the communists who are folding one of the
banners...
TOMMY:
So they’ve made you ashamed of
us...
Ada speaks softly, almost with regret...
ADA:
Sometimes when I think how I used
to be, it makes me embarrassed.
The word hangs. Tommy doesn’t show it but deep down he is
profoundly hurt by the word. At that moment Aunt Polly steps
close. She has Karl in her arms and a smile on her face...
AUNT POLLY:
flowers off a grave.
Ada goes to take him but Aunt Polly holds back and glances at
Tommy.
(CONT'D)
PBII - Ep 1 - Steven Knight - SHOOTING SCRIPT - 20/02/14 p.7
11 CONT'D:
11AUNT POLLY (CONT’D)
Is she coming home?
Ada takes Karl from Aunt Polly.
ADA:
I’m going home.
Aunt Polly is about to speak but Tommy speaks first and with
authority.
TOMMY:
It’s alright Polly. We make Ada
embarrassed.
ADA (QUICKLY)
That’s not what I said...
Ada is perhaps surprised by Tommy’s offence but Tommy
continues...
TOMMY:
There’s another reason we want you
home.
Ada is defiant but waits...
TOMMY (CONT’D)
We’re planning an expansion.
Ada knows what this means and is instantly disgusted...
ADA:
Oh Tommy...
TOMMY:
I’m taking premises in London...
AUNT POLLY (INTERRUPTING)
Tommy, it’s a funeral, business can
wait...
TOMMY (POINTEDLY)
If Ada was sobbing, I’d wait. But
she’s not.
Ada glares at Tommy, reacting to the inference. Again Tommy
absorbs the venom and continues...
TOMMY (CONT’D)
The expansion means it will be
dangerous to be a Shelby in London
for a while...
Ada instantly interrupts...
ADA:
Yeah, well, I’m not a Shelby
anymore.
(CONT'D)
PBII - Ep 1 - Steven Knight - SHOOTING SCRIPT - 20/02/14 p.8
11 CONT'D:
11She turns to Aunt Polly and speaks the truth softly...
ADA (CONT’D)
And I’m not a Thorne either. I’m
free.
Ada communicates silently with Aunt Polly then speaks to the
boy...
ADA (CONT’D)
Come on Karl, let’s get you home...
Ada turns and walks to rejoin the communists. Tommy calls out
loud enough for the communists to hear...
TOMMY:
Oh and Ada, they’re not Bugattis,
they’re Daimlers. Much more
expensive.
Aunt Polly sighs and steps close to Tommy...
AUNT POLLY:
I told you to let me do it.
Tommy steps on his cigarette, the grave stone beside him.
TOMMY:
It’ll be alright. I’ll have some
danger’s passed.
Tommy walks back to join the family. Ada is with the
communists. Aunt Polly repeats softly...
AUNT POLLY:
‘Until the danger’s passed’.
A pause.
AUNT POLLY (CONT’D)
That’ll be the bloody day.
Then we hear a roaring engine and a motorbike pulls up
sharply among the chauffeurs. All heads turn. A young
eighteen year old leaps from the bike and runs down the path
of the church. He is dressed in Peaky clothes. He pushes his
way to Tommy and we see Tommy react to the news he imparts.
12 EXT. CHURCH YARD - MORNING 1 12
From wide we see the Peaky’s all hurrying to the waiting cars
and getting in. The chauffeurs are diving into the driving
seats and the family members are racing to get into the cars.
Ada and the communists look on and we might come close to
Ada’s face as she watches. In among the shame is there some
part of her that misses all the excitement?
(CONT'D)
PBII - Ep 1 - Steven Knight - SHOOTING SCRIPT - 20/02/14 p.9
12 CONT'D:
12The cars begin to pull away...
13 EXT. GARRISON PUB, GARRISON LANE - DAY 1 13
The debris is spread far and wide. Three police officers are
trying to keep kids away from the damaged structure. Then the
fleet of cars returning from the funeral turn into view. The
cars slow and then stop. Tommy and the others all climb out.
Most stare with disbelief at the destruction but Tommy heads
for the pub.
There is a police rope and we see Inspector MOSS hurry
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