PEAKY BLINDERS II Page #7
Season #3 Episode #18- Year:
- 2013
- 4,596 Views
left from the explosion. So...
Arthur begins to pass out bottles of whisky. Aunt Polly rolls
her eyes and peers out of the window...
(CONT'D)
PBII - Ep 1 - Steven Knight - SHOOTING SCRIPT - 20/02/14 p.27
29 CONT'D:
29AUNT POLLY (SOFTLY)
Come on, Robin Hood, your men are
getting merry.
Bottles are opened. A swig of whisky emboldens John. He looks
at Esme who urges him to speak. He hesitates then gets to his
feet, bottle in hand. He clears his throat anxiously...
JOHN:
Before Tommy gets here, I think we
should get some things sorted out
between the rest of us.
Aunt Polly turns from the window. She looks from John to Esme
(we should sense there is already an agenda between Aunt
Polly and Esme)...
AUNT POLLY:
You think?
John takes strength from Esme’s look...
JOHN:
Yeah. I want to know. When did we
take a vote on this expansion
South?
AUNT POLLY:
If you have anything to say, you
wait for Tommy.
ARTHUR:
Amen.
John is being ignored because everyone is opening whisky and
drinking but he feeds off the looks from Esme. He announces
loudly...
JOHN:
I see all the books. Legal and off
track. Stuff you lot don’t see. In
the past year, the Shelby Company
Limited has been making a hundred
and fifty pounds...a day.
Sudden silence. The room was happy to ignore John before but
the figure shocks them all. All heads turn.
JOHN (CONT’D)
A f***ing day.
JOHN (CONT’D)
Sometimes more.
Aunt Polly glares...
(CONT'D)
PBII - Ep 1 - Steven Knight - SHOOTING SCRIPT - 20/02/14 p.28
29 CONT'D:
29JOHN (CONT’D)
So why are we changing things?
Silence around the room. We might sense that deep down Aunt
Polly shares John’s misgivings.
JOHN (CONT’D)
Polly, look what’s happened
already...
John is liberated and speaks directly to Aunt Polly...
JOHN (CONT’D)
We haven’t even set foot in London
yet and they’ve already blown up
our f***ing pub.
Arthur is swigging whisky.
ARTHUR:
Who says it was the cockneys?
ESME (FLAT, DEFIANT)
Who else?
Silence around the room. Esme and Aunt Polly face off. After
a moment...
AUNT POLLY:
So you know who did it, do you?
Esme is defiant but sits down.
ESME:
I’m told only family are allowed to
speak.
Suddenly...
TOMMY:
Everybody’s allowed to speak.
All heads turn. Tommy has entered through the back door and
he has been listening for a while. He enters the arena...
TOMMY (CONT’D)
On your feet Esme. Let’s hear what
you have to say.
Esme hesitates and looks to John. John stammers a little...
JOHN:
I speak for our household.
(CONT'D)
PBII - Ep 1 - Steven Knight - SHOOTING SCRIPT - 20/02/14 p.29
29 CONT'D:
29TOMMY (FIRMLY)
Shelby Limited is a modern
enterprise and believes in equal
rights for women. On your feet
Esme.
Tommy wanders to the heart of the meeting. Esme is only fazed
for a second and then gets to her feet. When she speaks, Esme
has a confident manner...
ESME:
I am not a blood member of this
family...
Aunt Polly rolls her eyes. Esme will speak in an ornate,
Edwardian manner which she has picked up from books and
magazines and it sounds odd when spoken in her Romany burr..
ESME (CONT’D)
But perhaps indeed because I am not
a family member I can see things in
a different light...
Tommy and Aunt Polly swap looks. Tommy is amused and
impressed by Esme and Aunt Polly sees it. They have a silent
language and Aunt Polly is exasperated that Tommy is taken by
her. sme dares to speak plainly...
ESME (CONT’D)
So I will get to my point.
AUNT POLLY:
That would be nice.
ESME:
As my husband said, Shelby Company
Limited is now very successful.
A pause.
ESME (CONT’D)
But London...
She looks to Tommy...
ESME (CONT’D)
I have kin in Shepherds Bush and
Portobello. It’s more like wars
between armies down there. And the
coppers fight side-by-side with
them. And there are foreigners of
every description and the use of
bombs is the least of it.
All eyes turn to Tommy. Esme gives Tommy a gentle look.
(CONT'D)
PBII - Ep 1 - Steven Knight - SHOOTING SCRIPT - 20/02/14 p.30
29 CONT'D:
29ESME (CONT’D)
I have a child. Blessed with the
Shelby family good looks. I want
John to see him grow up. I want us
to someday live somewhere with
fresh air and trees. And keep
chickens or something.
ESME (CONT’D)
trouble Thomas.
Aunt Polly breaths with incredulity...
AUNT POLLY:
‘Thomas’?
Esme looks around at the (largely sympathetic) room.
ESME:
That’s all I have to say.
Esme sits down elegantly. Her winning looks are saved for
Tommy. John takes her hand and looks at Tommy. Some fear the
worst. Some hide giggles. After a moment...
ARTHUR:
That was a lot of words, Tommy.
Have a drink to wash them down.
Arthur offers the bottle of whisky. Tommy takes it to the
window. He unscrews the cork and takes a swig.
TOMMY:
First of all, the bang in the pub
was nothing to do with London...
Questions are almost asked from lots of directions but Tommy
raises his hand and continues...
TOMMY (CONT’D)
The bang is something I’m dealing
with on my own.
He straightens a photograph of the King then turns. We might
notice that Tommy has the use of longer words these days and
has the diction of a man who reads...
TOMMY (CONT’D)
And we have nothing to fear from
the proposed business expansion. So
long as we stick together. And
after the first few weeks nine
tenths of what we do down there
will be legal.
Tommy comes to Arthur and squeezes his shoulder...
(CONT'D)
PBII - Ep 1 - Steven Knight - SHOOTING SCRIPT - 20/02/14 p.31
29 CONT'D:
29TOMMY (CONT’D)
The other tenth is in good hands.
John looks a little hurt that Tommy went to Arthur (as if
listening to Esme has damaged his cause). Tommy then wanders
close to Aunt Polly. His proximity suggests that his next
statement is meant for her.
TOMMY (CONT’D)
There are many in this room who
have expressed their reservations.
TOMMY (CONT’D)
And any of you who want no part of
the future of this company are free
to walk out the door. Right now.
He smiles at John and Esme...
TOMMY (CONT’D)
Go and raise your chickens.
Tommy looks to the rest of the room...
TOMMY (CONT’D)
But those of you with ambition?
tomorrow.
30 INT. SHELBY HOME, PARLOUR/SAFES - NIGHT 1 30
We are close on the heavy iron doors of the various safes in
the area near the betting shop door. We see Tommy and Aunt
Polly approaching from the parlour. Aunt Polly is already on
his case...
AUNT POLLY:
Tomorrow?
Tommy walks on...
AUNT POLLY (CONT’D)
I’m company treasurer. You should
speak to me first.
Tommy goes to the cash safe and begins to enter a
combination.
AUNT POLLY (CONT’D)
It’s Newmarket tomorrow.
TOMMY:
Yeah.
AUNT POLLY:
Third busiest day of the year...
(CONT'D)
PBII - Ep 1 - Steven Knight - SHOOTING SCRIPT - 20/02/14 p.32
30 CONT'D:
30
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