Pearl Harbor Page #7
ADMIRAL KIMMEL:
Step up surveillance of Japanese
communications. They're gonna do
something somewhere. I can feel it.
EXT. THE SKIES ABOVE OAHU - DAY
A seaplane takes tourists on an excursion above Pearl Harbor
and around the island of Oahu. One Japanese tourist shoots
pictures rapidly...first of the ships as seen from overhead;
then he leans to the other side of the plane and shoots
pictures of the airfield below them.
EXT. PEARL HARBOR - DAY
Another Japanese tourist hikes through the hills above Pearl
Harbor. He takes an excellent camera from his picnic basket,
and shoots pictures.
CLOSE - THE PICTURES, being carried down a hallway, into --
INT. JAPANESE PLANNERS OFFICE - DAY
The courier places the pictures onto the table in front of
Yamamoto, Genda, and the other JAPANESE OFFICERS.
GENDA:
Look at the ships -- all grouped. Perfect
targets!
JAPANESE OFFICER
And the planes! They are -- what is that
American expression? Sitting geese?
YAMAMOTO:
Sitting ducks.
JAPANESE OFFICER
How can they be so foolish?
YAMAMOTO:
They think no one would be stupid enough
to attack them at Pearl Harbor.
GENDA:
Or perhaps they think no one is capable.
Look at this...
He moves to a diagram displayed on the wall -- a simple
display showing water depth and ship displacement.
GENDA:
Pearl Harbor's depth of only forty feet
makes them feel safe. A torpedo dropped
from an airplane plunges to one hundred
feet before it can level off. That is a
conventional torpedo. But we have been
experimenting.
From a stand beside his diagram he takes a set of wooden
fins, attached to a circular metallic band.
GENDA:
Wooden fins. We are testing them
tomorrow.
Yamamoto and his planners have flown to a quiet Japanese
island, sunlit and pleasant. They are gathered on the shore
of the island's natural harbor. Wooden targets -- basically
huge plank barriers -- are sunk into the water like ships at
anchor. A squadron of Japanese planes zooms overhead, taking
up attack positions.
GENDA:
We have chosen this place because its
depth is exactly the same as Pearl
Harbor's.
Genda speaks into a field radio. A lone plane drops out of
formation and goes into a low-level approach, speeding up and
dropping its torpedo.
BELOW THE SURFACE we see the torpedo as it plunges at two
hundred miles an hour into the sunlit sea. With the wooden
fins the torpedo makes a sharp dip and levels off above the
sea floor.
ABOVE THE SURFACE the planners see the path of the torpedo;
it hits the wooden barrier with a satisfying THUNK. The
planners are impressed -- but Yamamoto is not satisfied.
YAMAMOTO:
Uncharged torpedoes have different
balance.
GENDA:
I have arranged a live fire drill -- with
your permission.
Yamamoto nods; Genda speaks again into his radio, and another
plane swoops down and drops a torpedo. Genda holds his hands
to his ears, causing the others to do the same; even though
they wonder at the need.
The torpedo hits the barrier, and the explosion is deafening,
and of shocking force; the entire barrier is blown to
toothpicks.
GENDA:
Of course against a ship the explosion
will not be dissipated, and will have
more force.
The planners, nearly blown off their feet, nod as if they
knew that all the time.
INT. MILITARY BASE - PILOTS' BARRACKS - NIGHT
The pilots are getting slicked up.
BILLY:
Are you sure they're here?
ANTHONY:
If Evelyn's here, the rest are here!
Red moves up beside him to frown at the mirror. His hair is
plastered down and parted, his uniform's immaculate.
ANTHONY:
Looking good, Red.
RED:
Shut up.
Red moves away, to polish his shoes.
ANTHONY:
What is it with Red? I've never seen him
this way.
BILLY:
He's been like that all day. Hey Danny,
you coming?
DANNY:
Nah, I'm gonna stay here. Read.
Anthony and Billy look at each other; Danny's in his bunk,
and he's not reading, just staring at the ceiling.
INT. NURSES' BARRACKS - PEARL HARBOR - NIGHT
The nurses are primping to go out; Evelyn is in her uniform
getting ready to go back to work.
BARBARA:
Now listen, it's hands off Billy. I
mean, you can put your hands on him if
you want to, but then my hands will break
yours.
BETTY:
He was that good?
BARBARA:
No, I was.
EXT. NURSES' QUARTERS - OAHU - NIGHT
Creeping through the vegetation, Red leads Anthony and Billy
to a spot outside the nurses' barracks; they can see the
girls through the barracks window.
BILLY:
Red, Peeping Tom stuff can get us court-
marshaled.
RED:
Shhh!
Anthony and Billy are baffled, even more so when Red strides
into the open, right outside the nurses' window.
And then, Red begins to sing.
RED:
(singing)
Oh...Betty, Betty, Betty, you're the one
for me, Betty, Betty, Betty, Betty, can't
you see...
Anthony and Billy look at each other, dumbfounded. The
nurses move to the open windows. Red's singing is pretty
good -- though not that good. But he doesn't stutter when he
sings.
RED:
(singing)
I'll be yours for eternity, Betty, Betty,
Betty, Betty, Betty!
Anthony and Billy are hysterical, trying to keep their
laughter hidden. But then they see the effect this is having
on the women -- especially on Betty. She's smitten.
Red repeats the verse, really getting into it; when he
finishes, Betty runs out and hugs him, as all the nurses
applaud. They move off into the darkness, arm and arm.
The nurses go back to their primping.
Anthony and Billy are changed men. Anthony stands up;
Billy's baffled. Anthony moves out and starts singing.
ANTHONY:
(singing)
Oh Sandra...I like you...love you...
He's terrible. The nurses pelt him with hairbrushes,
curlers, shoes...
EXT. BASSINGBORNE AIRFIELD - BRITAIN - DAY
Coming out of the blustery skies at the end of another deadly
day, a squadron of Spitfires chirps in for landings. The
planes are shot up and battered.
Rafe is one of the pilots; the fuselage below his cockpit is
marked with four swastikas, symbols of his victories. He
taxis to a stop, and is met by IAN, a Scottish mechanic, who
is dismayed at the state of the plane.
IAN:
Leapin' Jesus!
RAFE:
(climbing down)
The struts are loose, the hydraulics are
leaking, and the electrical system's
shorting out in the cockpit.
IAN:
Well which of those three ya want fixed?
RAFE:
All of 'em.
Rafe starts away, and Ian calls to his back --
IAN:
If ye'd wanted a bloody Cadillac ya
should'a stayed in the bloody States!
RAFE:
And if you don't give me a plane that can
handle combat, you better start learning
to speak German.
IAN:
Fook ya!
RAFE:
Learn English, then!
IAN:
Fook ya dooble!
Rafe moves to the barracks; Ian keeps the fueling hose going,
and moves to help the armorers reload the guns.
INT. BRITISH AIRFIELD BARRACKS - NIGHT
Rafe falls down onto his cot, exhausted. The other pilots do
the same, everybody spent from the day's combat. Then they
hear the SIREN. Rafe's out of his bunk, with the others,
everybody running.
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"Pearl Harbor" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/pearl_harbor_1109>.
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