Philadelphia Page #4
- PG-13
- Year:
- 1993
- 125 min
- 1,189 Views
SEIDMAN:
Andy, do you know who reps Kronos
Inc.?
ANDREW:
Bailey, Brackman.
WHEELER:
Get with the program, Andy. As
of this evening, about 8:05 this
course... Kronos Incorporated is
represented by Wyant Wheeler
Hellerman Tetlow and Brown. Or,
more specifically, senior
associate Andrew Beckett.
A moment before it sinks in, then: Andrew clenches his fist
in a victory salute.
ANDREW:
Yes!
SEIDMAN:
You'll have to get right on it,
Andy, we're up against the
statute of limitations.
An ASSOCIATE LAWYER in shirtsleeves taps on the office door.
ASSOCIATE LAWYER
Tokyo on four, Bob.
SEIDMAN:
Great. Excuse me, fellas.
(picking up a phone,
speaking Japanese)
Connichiwa. Itsumo osewa ni nari
mashita. Arigato gozaimasu.
Andrew offers his hand to Walter Kenton.
ANDREW:
Thanks, Walter.
KENTON:
What's that on your forehead,
pal?
ANDREW:
Whacked with a racquetball.
(taking Wheeler's hand)
I appreciate your faith in my
abilities.
WHEELER:
Faith, Andy, is the belief in
something for which we have no
evidence. It doesn't apply to
this situation.
(slapping his shoulder)
Go home. I mean, get back to
work.
Andrew and Wheeler are eye-to-eye, an intimate moment.
ANDREW:
(warmly, softly)
Thanks, Charles.
WHEELER:
(with a father's
affection)
No sweat, buddy.
Smiling, Andrew exits the office.
CLOSE ON WALTER KENTON, THINKING...
CONTINUOUS CUT TO:
ANDREW STEPPING INTO THE EMPTY CORRIDOR, TAKING A FEW STEPS
away from Wheeler's office (INT./NIGHT), then...
... DOING a JOYFUL END ZONE DANCE, running in place the way
football players do when then score a touch down, saying
"Yes! Yes! Yes!" to himself, soundlessly.
The SOUND OF CLANGING METAL interrupts Andrew: HELENA, a
maintenance worker is emptying a trash can. She's seen his
little dance and starts to laugh.
Smiling, Andrew puts the unlit cigar into his mouth, WINKS
at Helena and says:
ANDREW:
(in a funny, kind of
medieval way)
It's good to be King.
CUT TO:
ESTABLISHING:
ANDREW'S LOFT BUILDING (EXT. DAY)TITLE:
"Ten days later."CUT TO:
CLOSE ON ANDREW'S FACE MARKED WITH FOUR BLOTCHES (WE'RE IN
Andrew's loft -- INT./DAY)
It's a mirror image. The BLOTCHES vary from the size of a
dime, to the size of a half-dollar. He looks awful.
A YOUNG, BLACK WOMAN'S FINGER applies makeup to Andrew's
face, trying to cover the blotches. This is his friend
CHANDRA.
CHANDRA (O.S.)
You want to apply the foundation
as evenly as you can, Andy. You
don't want to look like you've
thrown it on with a spoon.
ANDREW (O.S.)
Uh huh.
CAMERA PULLS BACK REVEALING Andrew sitting at a table in his
loft, a towel around his neck, protecting his shirt from makeup.
Chandra applies the makeup gently, supervised by another friend
named ALAN. (Andrew's loft has been turned into a lawyer's
command post:
stacks of books, documents, etc.). A third friend,BRUNO, sits in the corner, flipping through channels on the TV.
CHANDRA:
Okay. You try.
Andrew tries applying makeup to his face.
ANDREW:
Chandra? Don't you think this
color's a little... orange for me?
CHANDRA:
lesions.
ALAN:
Think of it as the "I just back
from Aruba" look.
IN THE BACKGROUND: Andrew's fax machine receives a fax in
Andrew's "work area": desk, personal computer, etc.).
BRUNO:
I got it.
Bruno removes the fax from the machine, walking it over to
Andrew, handing Andrew the fax, while munching an apple.
ANDREW:
(giving the fax
a quick scan)
Thanks, Bruno.
(to Alan and Chandra)
I've been out of the office four
days. I don't want them to
think I've been to the beach.
(searching for something)
Okay. Check this out.
Andrew puts on a pair of big glasses with tortoise shell
frames, meant to help conceal the blotches.
ANDREW (CONT.)
Hides everything, right? What
do you think?
CHANDRA:
You know who you look like,
Andy? That actor, in that
movie. Not the one where he was
autistic, the one where he
dressed up like a lady on a soap
opera...
ALAN:
Dustin Hoffman.
ANDREW:
(horrified)
Tootsie!
BRUNO:
Right.
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"Philadelphia" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/philadelphia_497>.
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