Pickup on South Street Page #6

Synopsis: On a crowded subway, Skip McCoy picks the purse of Candy. Among his take, although he does not know it at the time, is a piece of top-secret microfilm that was being passed by Candy's consort, a Communist agent. Candy discovers the whereabouts of the film through Moe Williams, a police informer. She attempts to seduce McCoy to recover the film. She fails to get back the film and falls in love with him. The desperate agent exterminates Moe and savagely beats Candy. McCoy, now goaded into action, confronts the agent in a particularly brutal fight in a subway.
Director(s): Samuel Fuller
Production: Twentieth Century Fox
  Nominated for 1 Oscar. Another 1 win & 1 nomination.
 
IMDB:
7.8
Rotten Tomatoes:
90%
APPROVED
Year:
1953
80 min
332 Views


of his face have been distributed.

I want you men

to keep reminding the officers...

that just as soon as Joey's recognized,

he's to be followed, no matter what happens.

I want an arrest

when he passes that film.

Why are they taking so long?

Are you sure they went to get him?

Why are they taking so long?

You'd better calm down

if you wanna get better.

Look, phone the cops.

Go look outside. See if he's coming.

Why are they taking so -

There's the door. Go answer it. Answer it!

You all right?

Joey found a frame missing.

I had to tell you

before he got to you.

I play everything smart.

But you -

Clubbin' me and taking that film.

Look. Get rid of it, Skip.

Get rid of it.

You're clean now.

I'm sorry I spoiled your big score.

I know it sounds corny to you, but...

I'd rather have a live pickpocket

than a dead traitor.

And I'd rather have you talk

without a twist.

I told you before, Skip...

I wouldn't lie to you.

Does Joey know where I live?

Your address was in my purse.

That's why I wanted the cops

to get to you before he did.

Now, don't go back to the shack, Skip.

Did Joey kick your face in?

Yeah.

Why?

'Cause I wouldn't tell him

where you live.

Not down here.

That's funny. The light's on.

He'll probably be back in a minute.

Why didn't you get in touch

with me earlier?

I couldn't take a chance

until they were off my back.

- You're sure this is the right place?

- Yes. This is it.

Sixty- Sixty-six South Street.

- How much time do we got?

- Thirty minutes.

You better deliver what you've got.

Maybe it might be better

if you turned it over.

I'll wait here for McCoy.

You haven't got much time.

- Joey.

- Yes?

Tell him I'll meet him at the airport

with the other frame, but not to wait.

There's a frame missin', buster.

Hello, Tiger. How's the whip?

Still crackin', huh?

You know, I didn't need an escort

from the clink back to this rattrap.

It's too bad you couldn't

make that charge stick, huh?

Tsk, tsk, tsk, tsk, tsk.

Let's have my release papers.

Thanks a lot.

Honey, you look as good as new.

Did you miss me, muffin?

Come on. Let's get out of here.

Well, ain't ya even gonna

say good-bye, Tiger?

Wait a minute.

I had you right where I wanted ya.

A gun in your pocket -

a cinch for a three-time loser.

That's right.

What are you gonna do about it?

You'll always be a two-bit purse snatcher.

I give you 30 days before I pick you up

with your hand in somebody else's pocket.

You wanna bet?

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Samuel Fuller

Samuel Michael Fuller (August 12, 1912 – October 30, 1997) was an American screenwriter, novelist, and film director known for low-budget, understated genre movies with controversial themes, often made outside the conventional studio system. Fuller wrote his first screenplay for Hats Off in 1936, and made his directorial debut with the Western I Shot Jesse James (1949). He would continue to direct several other Westerns and war thrillers throughout the 1950s. Fuller shifted from Westerns and war thrillers in the 1960s with his low-budget thriller Shock Corridor in 1963, followed by the neo-noir The Naked Kiss (1964). He was inactive in filmmaking for most of the 1970s, before writing and directing the war epic The Big Red One (1980), and the experimental White Dog (1982), whose screenplay he co-wrote with Curtis Hanson. more…

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Submitted on August 05, 2018

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