Pit and the Pendulum Page #2

Synopsis: Francis Barnard goes to Spain, when he hears his sister Elizabeth has died. Her husband Nicholas Medina, the son of the brutest torturer of the Spanish Inquisition, tells him she has died of a blood disease, but Francis finds this hard to believe. After some investigating he finds out that it was extreme fear that was fatal to his sister and that she may have been buried alive! Strange things then start to happen in the Medina castle.
Genre: Drama, Horror, Mystery
Director(s): Roger Corman
Production: American International Pictures (AIP)
 
IMDB:
7.1
Rotten Tomatoes:
83%
NOT RATED
Year:
1961
80 min
821 Views


It was my father's.

Sebastian Medina.

One of the inquisition's most | infamous, degrading...

- Sir, that is enough. | - Mr. Barnard, can you not see?

What was my sister doing here?

She could not keep herself away.

That noise I heard, is | that what was...

No, sir. That particular device...

...was not in operation | at the time.

Which device?

It's in the adjoining chamber | down there.

Please, Mr. Barnard, do not | go there...

I do not wish to discuss it.

The story, sir.

In detail.

This was my father's world, | Mr. Barnard.

Spare yourself at least | this, Nicholas.

How can I spare myself?

Was he not my father?

Am I not the spawn of his...

...his depraved blood?

His depravity is not | yours, Nicholas.

Why scourge yourself | because of it?

You have not answered me, don Medina.

I shall not dwell upon the | history of this...

...this blasphemous chamber.

Suffice it that the blood of a | thousand men and women...

...was spilt within these walls.

Limbs twisted and broken!

Eyes gouged from | bloody sockets...

...flesh burned black.

Why are you telling me these things?

What do they have to do with | my sister?

She had never been brought here.

She was too sensitive, | too aware.

Aware of what?

The malignant atmosphere | of this castle.

It destroyed her.

My sister was a strong and | willful woman...

...not subject to the influence | of atmospheres.

You have been here only | a matter of hours, Mr. Barnard.

You cannot know what it is | to live here...

...month upon month, | year after year...

...breathing this infernal air...

...absorbing the miasma | of barbarity...

...which permeates | these walls...

...particularly this chamber.

But it did not bother her | at first either.

Our life was good...

...rich with the shared | pleasures of our love.

Each morning I would bring | her breakfast.

In the afternoons, she usually sat | for me while I attempted all in vain...

...to capture her beauty on canvas.

I did that portrait which you saw | on her room before...

...but it is all inadequate to what I | called the loveliness of her.

We dined, sometimes alone, | enjoying intimate conversation...

...sometimes with the doctor.

And every night | Elisabeth would play for me.

Life was simple, quiet, | richly pleasurable...

...and then the darkness | began to fall.

More and more entering her room | in the mornings...

...I would find her awake and discover | that she had not slept all the night.

I tried to find out why, | but she had no explanation.

Her appetite began to fade.

She began to lose weight | and color.

I tried to make her eat...

...but something kept her from it.

I would come upon her wandering | in the corridors at night.

I tried to find out | what was wrong...

...but she never had an answer...

...except to say that... | that something was oppressing her.

Oh God, help me for my blindness.

I should have known...

Then one day she disappeared.

Frantic, I searched the castle | for her.

And then I knew.

The castle and its awful history | had obsessed her.

These very instruments of torture...

...which were my birthright | and my curse...

...now tormented her as well...

...infecting her with a kind of | haunted fascination.

And watched her drawn to one | and then another...

...as if the aura of pain | and suffering which surrounded them...

...was luring her to sickness...

...and to death.

Immediately I made my plans | to leave the castle with her.

We would travel for a while, | restore her spirits...

...and then make our home elsewhere.

Then on the very eve of | our departure...

...we heard her scream from below...

...the most hideous blood-chilling | scream...

...I have ever heard | in my life.

Just before she died, | she whispered a name.

Sebastian.

Sebastian.

Mr. Barnard.

Dona.

May I speak with you?

Yes, of course.

How is your brother?

Better, thank you. | Dr. Leon is staying with him.

I have come to ask you | to please believe him, Mr. Barnard.

He has told you the truth.

Has he?

Yes. And not telling you before...

...he only meant to spare you pain.

He is a good man, Mr. Barnard...

...a kind and gentle man...

...and I know that he adored | your sister.

I would like to believe him, | Dona Medina...

...but I find it very difficult | to do so.

There is something about him | I cannot help at sense...

...kind of fearful tension that...

I am sorry...

...but an air of | definite guilt.

Of course he suffers from guilt | Mr. Barnard...

...because of what our father did...

...because of what happened to | Elizabeth.

Perhaps it will help you | to understand...

...if I tell you something | that happened to Nicholas...

...when he was just a boy.

One day, while Nicholas was | playing...

...in a lower corridor...

He had been forbidden by | our father...

...to enter this chamber at any time.

The curiosity of youth, however...

...overcame his fear of challenging | our father's discipline.

He had to see the chamber.

Suddenly, there were footsteps.

It was our father.

With him were our mother | and our uncle Bartholomew...

...who was our father's brother.

At first it appeared that for | some inexplicable reason...

...our father was actually...

...conducting them on a tour of | his ghastly chamber.

Nicholas could see that both | our mother and our uncle...

...were uneasy, frightened.

Our father's smiling affability...

...as he described the workings | of these hellish instruments...

...turned Nicholas' blood cold.

He watched them with a mounting | sense of premonition.

Something was wrong, most | terribly wrong.

Even he, no more than | 10 years of age...

...could sense it like a | darkening vapor in the air.

There was no reason...

...for our mother and our uncle | to have been there.

As he struck, he kept on | screaming at his brother...

...one word, over and over.

"Adulterer! Adulterer!"

And then he turned on her.

Accusing her of vile debauchery | with his brother...

...cursing her as faithless...

...promising her the | agonies of hell...

...and payment | for her infidelity...

...and then before my brother's | very eyes...

...our mother was tortured to death.

Ever since then...

...Nicholas has been unable to live | as other men.

Always he is haunted by the memory...

...of that terrible day..

Your sister's death...

...came very close to driving, | him insane, Mr. Barnard.

I beg of you...

...have pity on him.

Help him by believing him.

I will try, dona Medina.

Well, I know you must be very | tired from your journey.

Good night.

Dona.

Who is that?

I'll see.

Where's Nicholas?

He is gone?

I must have dozed off in | that chair...

...and I heard...

I don't understand. | It is surely your brother.

No, Nicholas has never played the | harpsichord in his life.

Maria.

I heard the playing, sir.

Go back to bed, child.

Nicholas!

It was Elizabeth.

You saw her?

I did not have to see her.

I know her playing

Locked?

Yes.

Is there another door?

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Richard Matheson

Richard Burton Matheson (February 20, 1926 – June 23, 2013) was an American author and screenwriter, primarily in the fantasy, horror, and science fiction genres. He is best known as the author of I Am Legend, a 1954 science fiction horror vampire novel that has been adapted for the screen four times, as well as the movie Somewhere In Time for which Matheson wrote the screenplay, based on his novel Bid Time Return. Matheson also wrote 16 television episodes of The Twilight Zone, including "Nightmare at 20,000 Feet" and "Steel". He adapted his 1971 short story "Duel" as a screenplay directed by a young Steven Spielberg, for the television film of the same name that year. Seven more of his novels or short stories have been adapted as major motion pictures — The Shrinking Man, Hell House, What Dreams May Come, Bid Time Return (filmed as Somewhere in Time), A Stir of Echoes, Steel (filmed as Real Steel), and Button, Button. Lesser movies based on his work include two from his early noir novels — Cold Sweat, based on his novel Riding the Nightmare, and Les seins de glace (Icy Breasts), based on his novel Someone is Bleeding. more…

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Submitted on August 05, 2018

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