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Pitch Perfect Page #13
All on the bus stare at her.
FAT AMY (CONT’D)
What?
Bumper and The Trebles jump back into singing their “Balls”
warm-up, alternating with the Bellas singing “Ass.” They try
to out warm-up each other as the bus pulls into...
67 EXT. CAROLINA UNIVERSITY PERFORMING ARTS CENTER - NIGHT 67
The bus screeches into the parking lot, skidding to a halt.
JOHN (O.C.)
The 2012 Southeastern Regional
competition is officially underway.
70.
66 CONTINUED:
66A68 INT. CAROLINA UNIV. PERFORMING ARTS CENTER - CONTINUOUS A68
Face-painted BARDEN FANS hold signs. Benji’s already there,
hoisting a big foam musical note. The entry doors open and
the Trebles and Bellas run in, late, and stand in the back.
70A.
(CONTINUED)
ON STAGE:
The SOCKAPELLAS perform Lilly Allen with sockpuppets. At a table, Gail and John talk to camera.
JOHN:
The Sockapellas, proving that it
doesn’t “get better” for everyone
after high school.
The Bellas wait in the back of the theatre, watching the
Sockapellas.
FAT AMY:
A cappella out of a sock puppet.
Genius.
STACIE:
Look at the white one with the
black sock.
CYNTHIA ROSE:
It’s making a statement.
AUBREY:
They’re complete idiots. There’s
no craft there. Watching them will
make you worse.
BECA:
At least they’re different.
AUBREY:
Hands in...
The Bellas sloppily puts their hands in.
AUBREY (CONT’D)
Remember. “AHHH” on three. One,
two...
MOST LADIES/FAT AMY/STACIE
AHHH!/All of us?/On three.
CYNTHIA ROSE:
(after three)
AHHH!
Aubrey reacts, “I give up.”
71.
A68 CONTINUED:
A68(CONTINUED)
EMCEE:
Let’s give it up for the Barden
Bellas!
The Bellas runs onstage. John and Gail react, shocked.
JOHN:
Wow. This does not look like the
fresh-faced and nubile Bellas we
know.
GAIL:
You’re walking the line, John.
What a nice surprise to see them
mixing things up. It’s refreshing
yet aesthetically displeasing to
the eye.
ON STAGE:
Aubrey, at the mic, blows the pitch pipe and countsoff. Bellas begins “The Sign” with Chloe stepping forward.
CHLOE:
RAMBOON NA BOO YEAH!/I, I GOTTA NEW
LIFE, YOU WOULD HARDLY RECOGNIZE
ME, I’M SO GLAD... (song continues)
JOHN (O.C.)
Well this recruiting free-for-all
has got to be a direct result of
“Vomitgate” from last year.
CHLOE:
IT’S ENOUGH, ENOUGH.
BELLAS:
OO-OOOOOH!
CHLOE:
IT’S ENOUGH TO KNOW THAT I...
Aubrey takes over the mic, and the solo.
AUBREY:
UNDER THE PALE MOON/FOR SO MANY
YEARS I’VE WONDERED WHO YOU ARE/HOW
COULD A PERSON LIKE YOU BRING ME
JOY?
72.
A68 CONTINUED:
(2) A68(CONTINUED)
GAIL (O.C)
All eyes are on Senior Aubrey
Posen. Her voice is in rare form
but she could blow at any moment.
AUBREY:
UNDER THE PALE MOON WHERE I SEE A
LOT OF STARS/IT’S ENOUGH TO KNOW/I
SAW THE SIGN AND IT OPENED UP MY
EYES I SAW THE SIGN...
GAIL:
She held on to her lunch, folks.
But there’s a lot of song left...
QUICK TO:
Back of theatre. Jesse pulls back the curtain andwatches Beca. Bumper taps him on the shoulder.
BUMPER:
Never seen a train wreck before?
Aubrey stays at the mic, and the ladies TRANSITION to The
Bangles, “Eternal Flame.” They sound very pretty, but
there’s still no “wow” factor.
CHLOE:
IS IT BURNING, AN ETERNAL FLAME...
BACKSTAGE with Donald and Uni...
DONALD:
Aubrey sounds pretty good.
UNICYCLE:
I guess. I’m not really into hot
chicks with talent.
The Bellas TRANSITIONS to their final song. The now familiar
“Turn The Beat Around” kicks in. Fat Amy takes the solo.
FAT AMY:
TURN THE BEAT AROUND/LOVE TO HEAR
THE PERCUSSION!/TURN IT UPSIDE DOWN
LOVE TO HEAR THE PERCUSSION...
Fat Amy sings strongly, while the rest of the girls back her
up. The girls dancing is a little cheesy but they sell it.
JOHN:
If I close my eyes and imagine them
as what they used to look like, I’d
say they’re doing an okay job.
73.
A68 CONTINUED:
(3) A68(CONTINUED)
The performance seems like its peaked, until Fat Amy suddenly
lets loose, dancing her ass off, playing with the crowd. The
song ends and everyone loves it. As Bellas hits their final
pose, even Aubrey can’t help a little smile.
The Bellas runs off stage. Back to Gail and John.
GAIL:
The Barden Bellas went deep into
the archive for that song. I
remember singing it with my own a
capella group twenty -- ten years
ago.
JOHN:
And what was the group you
performed with, Gail?
GAIL:
The Minstrel Cycles, John.
EMCEE:
Ladies and gentleman. Barden U’s
Treblemakers.
The lights go all the way down. IN BLACK: The Trebles start
their arrangement to Flo Rida’s, “Right Round.”
BUMPER:
YOU SPIN MY HEAD RIGHT ROUND...
The choreography is ridiculously silly. Beca looks on,
amused at Jesse’s performance. Aubrey clocks this, again.
JOHN:
The bad boys of a cappella just got
a little badder.
GAIL:
They sure did, John. I might have
to excuse myself to freshen up the
downtown.
Benji, in the audience, is enthralled.
74.
A68 CONTINUED:
(4) A68(CONTINUED)
BENJI:
(eyes wet)
Happy tears!!
68 OMIT 68
69 INT. LOBBY - PERFORMING ARTS CENTER - POST SHOW 69
Patrons filter out of the theatre while the Tone’s sing TPain’s
“Bootywork.”
TONE HANGERS:
NOW LET ME SEE THE BOOTY WURK,
BOOTY WURK/BOOTY BOO BOO BOOTY
WORK/LEFT CHEEK, RIGHT CHEEK, LEFT
CHEEK, RIGHT CHEEK.
The Trebles bursting onto the scene. Bumper is holding the
1st place trophy over his head. The Bellas are not far
behind. The Trebles are loud and celebratory and ultimately
interrupt the Tones’ performance.
BUMPER:
When are you clowns going to quit
pretending you’re in college and
get a life?
DONALD:
Yeah! That’s what we call a...
(cupping mouth, mocking)
Sonic. Boom.
FAISON faces off with Donald.
FAISON:
Hey, just because we’ve graduated
doesn’t mean we can’t still get off
performing our oral magic.
JOE LO TRUGLIO:
(pointing)
And don’t think we don’t know what
you did to our van!
ANGLE ON:
Just outside the lobby, the Tone van is parked inthe street. It’s been turned into the Scooby-Doo “Mystery
Machine.”
BUMPER:
A lot of “don’t” in that sentence.
(then to Jason)
75-78.
A68 CONTINUED:
(5) A68(MORE)
(CONTINUED)
Sounds like your wife on your
birthday.
JASON JONES:
Are you looking for what I think
you’re looking for?
JOE LO TRUGLIO:
Fight! Fight!
Bumper hands the trophy over to Jesse. The Bellas and members
of other groups gather to watch this unfold.
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"Pitch Perfect" Scripts.com. STANDS4 LLC, 2025. Web. 24 Feb. 2025. <https://www.scripts.com/script/pitch_perfect_251>.
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