Pitch Perfect Page #4
CHLOE (CONT’D)
Their, um, not particularly
motivated. And then there’s --
ANGLE ON:
The Treblemaker’s big finish.BU TREBLEMAKERS:
LET IT WHIP! (LET’S WHIP IT BABY)
Beca watches as The Trebles bow to applause. In the
distance, she spots Jesse and recognizes him as the “Singing
guy in the Prius.” Just then, a stray football hits Uni in
the head, knocking him to the ground. BACK TO the ladies...
Beca grabs the flier, revealing a tattoo: A preying manthus.
Chloe sees this.
CHLOE:
Hey! I have a tattoo!
BECA:
Oh yeah?
CHLOE:
I sorta went through a punk phase.
I was listening to a lot of
“Evanescence.”
Beca reacts,”O...kay.”
CHLOE (CONT’D)
(hopeful)
So are you interested?
BECA:
I don’t know. Seems pretty lame.
Hearing this, Aubrey steps up to Beca.
AUBREY:
Aca-scuse me? Synchronized lady
dancing to a “Mariah Carey”-chart
topper is not lame.
CHLOE:
We sing all over the world and
compete in national championships.
BECA:
On purpose?
17.
18 CONTINUED:
(4) 18(CONTINUED)
AUBREY:
We played the Cobb Energy
Performing Arts Center you b*tch!
Beca reacts, “Settle.” Chloe plays peacekeeper.
CHLOE:
What Aubrey means to say is that
we’re a close-knit, talented group
of ladies whose dream is to return
to the national finals at Lincoln
Center this year.
(offering sign up sheet)
Help us turn our dreams into a
reality?
BECA:
(to Chloe)
Sorry, I’m not really a singer
so... It was nice meeting you.
Beca walks away. Aubrey starts to lose it.
AUBREY:
What are we going to do?! The
Bellas are finished! Our lives are
ov[er]--
(recoils and covers mouth)
Uhp. Wait, I got it.
CHLOE:
AUBREY:
Yeah. It’s the stress.
CHLOE:
You need some water?
AUBREY:
No. It didn’t come up that far.
19 EXT. OUTSKIRTS OF THE ACTIVITIES FAIR - CONTINUOUS 19
Benji and Jesse walk towards The Trebles.
BENJI:
I’m going to introduce myself.
(covering nervousness)
Everybody be cool. It’s just a
normal day...
18.
18 CONTINUED:
(5) 18(CONTINUED)
Benji approaches Bumper and the gang.
BENJI (CONT’D)
Hi. Benjamin Applebaum.
He firmly shakes Bumper’s hand.
BENJI (CONT’D)
I saw you guys perform at the “Mall
of America” like three years ago.
Changed my life. Haven’t stopped
thinking about you since.
BUMPER:
Thanks, man.
FOOTBALL GUY (O.C.)
Hey, vagina! Throw the ball back!
Uni throws the ball back like a little girl, loses his
balance, and once again falls to the ground, hard.
BENJI:
Bumper, huge fan. Your arrangement
of Lovin’ Spoonful’s “Do You
Believe in Magic” inspired me to
become a certified illusionist.
Benji stuffs a red scarf into his fist, and then holds up his
empty hands. A little piece of the scarf protrudes from
Benji’s enormous fake thumb. He fails the trick a couple of
times. Bumper just stares.
BUMPER:
(to the gang)
I feel like I’m too important for
this. [ALT:
The smell of your“weird” is affecting my vocal
chords.”]
DONALD:
You are.
BENJI:
So why don’t we exchange emails or
maybe totally hang out right now?
JESSE:
Too far.
Jesse grabs Benji and hurries him away.
19.
19 CONTINUED:
19(CONTINUED)
BACK ON:
Beca at the CAMPUS INTERN booth. She grabs anapplication for the “Campus Radio Station,” puts on her
headphones and we DISSOLVE TO:
OMIT 20 - 26
A27 EXT. CAMPUS RADIO STATION - DAY A27
Beca crosses a street and enters the campus radio station.
27 INT. CAMPUS RADIO STATION - DAY 27
A hot MASHUP-STYLE REMIX pumps as we’re tight on Beca, her
eyes transfixed. BECA’S POV: Inside the deejay booth is
LUKE, the smoking-hot, tattooed Station Manager. Beca’s
smitten. The guy, the music... Everything.
After a beat, Luke turns, catching Beca staring. He smiles,
lowers the volume, and opens the deejay booth door.
LUKE:
Hey. You been there long?
BECA:
(flustered)
Um, no, I was, uh... I just got
here. Like now. I wasn’t standing
here for a while or anything...
She awkwardly approaches the booth. Luke stands, official.
LUKE:
Sorry, but freshman aren’t allowed
in the booth.
He steps out and extends his hand. She shakes it like a
nerd.
LUKE (CONT’D)
Luke. Station Manager. You must
be Beca.
Jesse enters, in a rush.
JESSE:
And I’m Jesse.
LUKE:
I’m Luke. And you’re late.
20.
19 CONTINUED:
(2) 19(CONTINUED)
Jesse turns to Beca. A look of realization crosses his face.
JESSE:
Hey, I know you!
BECA:
No, you don’t.
(to Luke, pointed)
He doesn’t.
LUKE:
Okay. You two can figure it out
while you’re stacking CD’s.
Luke points to several crates of CD’s.
LUKE (CONT’D)
When you’re done, there’s more.
You’re gonna be spending a lot of
time together, so please... No sex
on the desk. I’ve been burned
before.
Luke exits back into the booth. Beca watches him, then
exhales heavily.
JESSE:
I do know you. I sang to you. I
remember because you were in a
taxi. Wait, is your dad a taxi
driver?
Ignoring him, Beca starts stacking CD’s. He follows suit.
Beca steals a glance at Luke. Jesse clocks this.
JESSE (CONT’D)
So... Luke’s attractive. Excellent
bone-structure. Full head of hair.
Fancy undershirt. I think we just
met my nemesis.
Beca, frustrated, plops down behind the desk.
BECA:
Man, this sucks. I came here to
play music, not stack it.
JESSE:
Not me. I’m here for one reason
only. I love stackin’ cd’s.
21.
27 CONTINUED:
27(MORE)
(CONTINUED)
I was offered a job at a lab that
tests the effects of marijuana on
your appetite but I said no. I
want to stack cd’s, hopefully in
the vicinity of a semen smeared
desk -- That’s what we think
happened here, right?
BECA:
(playing along)
Too bad I didn’t bring my black
light. Then we’d know for sure.
JESSE:
So what’s your deal? You one of
those girls who’s all dark and
mysterious until she takes off her
glasses and that amazingly scary
ear spike and you realize she was
beautiful the whole time?
BECA:
I don’t wear glasses.
JESSE:
Then you’re halfway there.
(re:
stacking)I am loving this.
BECA:
You’re a weirdo.
JESSE:
Yes I am. And so are you. It’s a
good thing we’re going to be best
friends and/or lovers.
BECA:
Please don’t say “lovers.”
JESSE:
You know, I wouldn’t pass this up.
Once I’m a Treble, I probably won’t
have time for you.
BECA:
You know, I didn’t think you could
find a way to be less attractive to
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Pitch Perfect" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/pitch_perfect_251>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In