Playback Page #11
BRANDON:
I stopped him.
CLARENDON:
And if he fails, he at least has
the good manners to apologize.
BRANDON:
I don't exactly regard Larry
Mitchell's pick-ups...
Clarendon turns back on him. Then--
CLARENDON:
(to Betty, with
courtly gesture)
We haven't been introduced. But if
you'll overlook that, I'm sure
that between us we can contrive a
graceful exit.
BETTY:
(smiling at him
warmly)
Thank you very much.
They go towards the door side by side.
Brandon turns and CAMERA PANS HIM BACK TO BAR where Killaine
has remained motionless, his drink untasted.
BRANDON:
Would it have helped if I'd knocked
him down?
KILLAINE:
Hardly. Who's the girl?
BRANDON:
Somebody Mitchell picked up on the
train. I don't even know her name.
KILLAINE:
She doesn't look like a girl who
would let herself be picked up on
a train.
BRANDON:
That's what I thought, at first.
(a beat)
Maybe somebody else ought to have
thrown this party.
(a beat)
With my liquor of course.
DISSOLVE TO:
INT. ROYAL HOTEL - BETTY'S BEDROOM -- NIGHT
CLOSE SHOT:
Face of traveling clock on a night table. Room is dark,
lit only by moonlight. Hands of the clock stand almost
11:
15. Ticking is HEARD faintly. A little smoke driftsacross the face of the clock.
CAMERA PANS BACK ALONG THE SMOKE to Betty lying in bed,
her eyes wide open. Somewhere outside a CHURCH CLOCK CHIMES
the quarter hour. The last strokes of the clock are drowned
out by a sudden peal of THUNDER. Betty jerks upright in
bed. The thunder frightens her. There is another LOUDER
peal, this time preceded by a FLASH of LIGHTENING which
LIGHTS UP HER FACE. She shuts her eyes against it. The
THUNDERSTORM grows suddenly HEAVY. Repeated FLASHES of
LIGHTENING across her FACE and peals of THUNDER.
CAMERA MOVES IN ON HER EYES which are frozen.
FLASHBACK:
INT. COUNTY COURTHOUSE - GREENWATER NORTH CAROLINA --
NIGHT:
And everything has changed except Betty's expression. The
FLASHES go on, but they are now seen to be FLASHBULBS of
NEWSPAPER CAMERAMEN. Betty is dressed very soberly and is
standing just inside the door of a courtroom with a jail
matron beside her.
The CAMERA KEEPS PULLING BACK AWAY FROM BETTY, and the
entire courtroom is seen.
It is late at night in the county courthouse GREENWATER,
NORTH CAROLINA. There is an excited buzzing of conversation.
A BAILIFF is RAPPING for order.
The JURY is sitting, grim faced and silent, in the box.
The Judge is not on the bench yet.
Betty is led along the side corridor then through the bar
where DEFENSE ATTORNEY, a haggard, dark-haired young man,
stands waiting for her.
(NOTE:
All Southern accents except Betty's in this scene)BAILIFF:
(shouting)
Everybody stand up! His Honor,
Judge Hopkinson! Court now in
session!
Everybody stands up. Betty and the jail matron and the
young attorney face towards the bench.
CAMERA SHOWS THE PROSECUTING ATTORNEY, also standing up at
his table.
CAMERA PANS OVER TO THE DOOR OF THE JUDGES CHAMBERS. He
walks slowly to the bench, stands for a moment behind it,
looking out over the courtroom, then sits down. He is a
distinguished courtly Southerner of the best type, an old
man but very erect. When he sits, all the spectators and
lawyers sit down.
The double doors at the back are closed and a BAILIFF stands
with his back to them. Suddenly, one of the doors is pushed
open, almost knocking the Bailiff out of the way.
He turns angrily as HENRY KINSOLVING enters. The Bailiff
seeing who it is, stands aside. Henry Kinsolving is an
arrogant, bitter man about 60 years old, with the stamp of
power and authority. He marches down the center aisle of
the court through the bar, and sits at the table near the
PROSECUTOR. The Judge stares down at him coldly.
JUDGE:
Mr. Bailiff, please make room for
Mr. Henry Kinsolving, outside the
bar of the court.
Henry Kinsolving springs to his feet and glares at the
Judge. Then he turns and goes through the gate of the bar
and sits down outside in a chair the Bailiff places for
him solicitously. There is a general shuffling of feet and
JUDGE:
(slowly and
impressively)
Before the Jury renders its verdict,
the Court wishes to warn those
present that there is to be no
demonstrations of any kind. No
person is to leave the courtroom
until the Court rises.
(he glances towards
press table)
I repeat... no one is to leave the
courtroom.
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"Playback" Scripts.com. STANDS4 LLC, 2025. Web. 1 Feb. 2025. <https://www.scripts.com/script/playback_406>.
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