Pleasantville Page #10
It is really rocking now. More cars are lined up along the
edge of the lake as the REAL (AND NASTY) VERSION OF TOOTY
FRUITY (BY LITTLE RICHARD) PLAYS OS:
LIL RICHARD (VO)
"... Got a gal--her name is Sue. She
knows just what to do ..."
SERIES OF SHOTS. (MONTAGE)
PARKER LIVING ROOM.
TOOTY FRUITY CONTINUES AS DAVID FLIPS FRANTICALLY THROUGH THE
CHANNELS LOOKING FOR DICK VAN DYKE. THERE IS ONLY A PEPSODENT
COMMERCIAL. HE SHAKES HIS HEAD ...
INT. HIGH SCHOOL GYM (MUSIC CONT ...)
The Pleasantville Lions lose a game late in the second half.
The scoreboard reads 84 to 16 ...
INT. PARKER LIVING ROOM. (MUSIC CONT ...)
David examines the back of the TV set ...
INT. FURNITURE STORE. (MUSIC CONT...)
A large group of customers is huddled in a circle, staring at
an item on the display floor, like it is the monolith in
"2001". They seem both confused and absolutely mesmerized as
the CAMERA PUSHES IN TO REVEAL: a double bed ...
INT. PARKER LIVING ROOM. (MUSIC CONT ...)
David sits on the floor with a weird look of resignation as a
Brillcream commercial plays in front of him ...
LIL RICHARD (OS)
"... A wop bop a loo bop--a wop bam
boom!"
SODA SHOP. NIGHT. ON DAVID.
He heads toward work with his apron and his paper hat, but
he's clearly disconcerted. David stops and stares at A BRIGHT
RED HOT ROD parked at the front door of the restaurant. He
shakes his head.
SODA SHOP.
The place has been transformed. What was cheery and benign a
couple of days before, has gotten a little bit dangerous. The
letterman sweaters have been replaced by leather jackets. The
Pat Boone and Johnny Mathis have given way to real Rock and
Roll. There is a James Dean/Marlon Brando edge in the air.
Somebody has played the flip side.
ANGLE. DAVID.
He enters the soda shop adjusting his paper hat. A young
couple makes out passionately in the doorway--all tongues and
hands. When they break David sees that the girl's cheeks are
FLUSHED WITH RED. He stares at her for a beat as they return
to normal. David shakes his head.
FOLLOWING HIM.
He crosses to the counter and grabs his pencil and little pad
of paper. Various things have already GONE TO COLOR AROUND
THE ROOM:
The JUKE BOX ... The COKE SIGN .. THE NAUGAHIDESTOOLS ... David crosses to one of the booths where his
sister's arm is draped over Biff's shoulder.
DAVID:
What'll it be?
BIFF:
(still chipper as ever)
Gee whizz, Bud. Guess I'll just have the
usual. Cheeseburger and a cherry coke.
Bud has already written it down. He glances over at his
sister.
JENNIFER:
Me too. Sounds swell.
DAVID:
(pointed)
Really? It seems so fattening.
Before she can answer he smiles to himself and crosses behind
the counter. Bud posts the order and turns to Mr. Johnson.
DAVID (CONT)
Two cheeseburgers, two cherry cokes.
MR. JOHNSON
(staring straight ahead)
There aren't any cheeseburgers.
DAVID:
(exasperated)
Look. I thought we talked about this, I
thought we said ...
MR. JOHNSON
Oh--what's the point, Bud?
CLOSER.
Mr. Johnson. looks up at him with a weird kind of emptiness
in his eyes. David grabs his arm.
DAVID:
C'mere.
He pulls him along the counter toward a little office
storeroom in the back. He yanks him inside and shuts the
door.
INT. STOREROOM.
It is just as cheery as the rest of the place. There is a
small table with a telephone on it. A Texaco calendar shows a
happy family motoring in their Rambler.
DAVID:
What did you say?
Mr. Johnson glances down with a little shame and confusion.
MR. JOHNSON
Well ... I'm not sure I see the point
anymore.
DAVID:
What are you talking about! You make
hamburgers! That is the point!
MR. JOHNSON
No I know ... I know I do ...
(he pauses, then looks up)
But it's always the same, you know?
Grill the bun, flip the meat, melt the
cheese ... It never changes. It never
DAVID:
Just listen to me ...
MR. JOHNSON
(not hearing him)
... Like the other night, when I closed
up by myself. That was different ...
DAVID:
Forget about that!
MR. JOHNSON
Oh ... Okay.
(beat/
lower)
Bud takes a deep breath. He stares at Mr. Johnson, then tries
to speak softly.
DAVID:
Look, you can't always like what you do.
Sometimes you just do it because it's
your job. And even if you don't like it,
you just gotta do it anyway.
MR. JOHNSON
Why?
DAVID:
(exasperated)
So they can have their hamburgers!
This sounds stupid even to David. He shakes his head.
MR. JOHNSON
(like a secret)
You know what I really like?
DAVID:
(warily)
... What's that?
MR. JOHNSON
Christmastime.
David rolls his eyes. Mr. Johnson leans closer, speaking
furtively.
MR. JOHNSON (CONT)
See every year on Dec 3, I get to paint
the Christmas decorations in the window.
And every year, I get to paint a
different thing ...
(beat)
One year it's the North Pole. The next
I do Santa's workshop. Here I'll show
you.
He pulls a photo album from the back of the desk and opens
it for David.
DAVID:
(impressed)
Wow ... That's pretty good ...
MR. JOHNSON
Thanks.
(continuing)
But this morning I was thinking about
it and I realized that I looked forward
to it all year. And then I thought "Gee.
That seems awfully silly. That seems
like an awfully long time to be waiting
for just one moment, don't you think?"
David looks at him speechless.
MR. JOHNSON (CONT)
Well don't you?
DAVID:
I think you should try not to think
about this anymore.
MR. JOHNSON
Really?
DAVID:
Yeah.
MR. JOHNSON
Oh. Okay. I'll try that then.
CUT TO:
INT. BARBERSHOP. DAY
The Barber Pole spins in three shades of gray. Several men
are gathered around the two chairs in the front of Gus' shop.
Besides being the barbershop, it is the bastion of all male
life in Pleasantville. Bud and Mary Sue's "father" (George)
sits in one of the chairs. "Big Bob" McGee, owner of the
drugstore, supermarket and Chevy dealership sits in the
other. He has a crew cut that's getting shorter.
GUS:
Have they ever lost before?
GEORGE:
Basketball? No they sure haven't.
BOB:
Just feels "wrong", that's all.
There are several murmurs.
THIRD PATRON:
Maybe that's where they get that saying,
"can't win 'em all."
GUS:
Yeah. That's a good point, Ralph. They
do have that saying.
BOB:
But they do win 'em all, Gus. They've
always won 'em all.
GUS:
Well, yeah. That's true too.
More murmurs, Everyone looks straight ahead trying to figure.
CUT TO:
INT. PARKER KITCHEN. DAY.
The women's bridge club has assembled in the Parker kitchen
like it does every Wednesday afternoon. Four women are seated
around the kitchen table with a nice bowl of bridge mix
between them. Betty is sifting next to Marge Jenkins, the
woman who accompanied her daughter to the doctor's office.
MARGE:
(dealing the cards)
... He said it would clear up on its
own if she just stayed away from fried
foods and sweets ...
BETTY:
Well that makes sense.
MARGE:
Except it's spread to her lips now too.
Oh, I don't know.
MARY:
(a THIRD WOMAN)
And you say it's just "red?"
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"Pleasantville" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/pleasantville_498>.
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