Pleasantville Page #22
DAVID:
(a whisper)
We better go.
EXT. MAIN STREET. NIGHT.
Darkness has fallen and the streetlamps have come on. Some
debris is scattered around the street and distant sounds of
the mob still fill the air. David rolls back into town with
the headlights off.
CLOSER. CAR.
MARGARET:
Where are they?
DAVID:
I'm not sure.
They head down Main St. and turn the comer on Walnut. All at
once, a weird ORANGE LIGHT bathes the car ...
REVERSE ANGLE. THEIR POV.
A BONFIRE has been lit in the middle of the street between the
library and the barber shop. Twenty to thirty people are
gathered around it still whooping and hollering as the bright
ORANGE FLAMES shoot into the air.
ANGLE. CAR.
David pulls over by the curb, and their eyes go wide ...
REVERSE ANGLE.
From closer up, it becomes clear what they're burning. Huge
piles of library books have been dumped onto the sidewalk,
waiting their turn on the pyre. There is a strange celebratory
atmosphere as they chuck book after book on the flames, with
the glee of a teenager tossing a firecracker. David sees
something and bolts from the car ...
DAVID:
Oh my God.
Jennifer is locked in some strange wrestling match with Biff.
He clutches a book over her head while she tugs at his wrist
trying to stop him from throwing it on the fire ...
JENNIFER:
Don't! Just let go.
BIFF:
It's better, Mary Sue.
JENNIFER:
I said, NO!
(yanking it)
... I've read like one book in my
whole life and I'll be damned if I
let you throw it on that fire ...
Jennifer wrestles with him for a couple of seconds and then
suddenly kicks Biff in the groin. He doubles over in agony
when Jennifer snatches the book and bolts in the other
direction.
DIFFERENT ANGLE. STREET.
She sprints up the street and is just passing the barber shop
when a hand reaches out and grabs her. Jennifer starts to
scream but David puts a hand to her mouth.
DAVID:
(a whisper)
It's okay. It's me.
CUT TO:
WIDE SHOT. SODA SHOP. OTHER SIDE OF MAIN STREET.
The crowd has moved on and all that is left is the dark
wreckage of the soda shop. Several stools lie out in the
street and shards of brightly painted glass are scattered
around the sidewalk. It is eerily quiet.
WIDER.
David, Betty and Margaret sit silently in the car, across the
street with the lights off. He unlatches the door handle and
gets out slowly. The rest of them follow him into the empty
street as they move silently toward the soda shop, like some
platoon on patrol.
REVERSE ANGLE.
As they get closer, more of the wreckage comes into view. Half
a booth ... a soda spigot ... After a moment or two Jennifer
looks up and gasps.
CLOSER.
Several teenagers step out of the shadows. They have scraped
faces and ripped clothing--the signs. Most are dazed and ALL
OF THEM ARE IN COLOR. After a second or two, more appear:
Mary Jane ... Lisa Anne ... The boy who was reading Huck
Finn...
ANGLE. DAVID.
The kids turn to him as if he has some kind of answer. Of
course he doesn't. The sounds of the Mob still carry through
the air from somewhere off in the distance.
DAVID:
Let's go inside.
INT. SODA SHOP.
The place is just sad. All the remnants of what they had are
strewn around the floor, The jukebox is turned over. The
stools are ripped out of the floor. Betty looks over at the
corner where he painted her ... The easel is smashed to bits.
ANGLE. BETTY.
She brings a knuckle to her lip and David puts an arm around
her and draws her close. After a moment or two they HEAR a
weird SCRAPING sound.
DAVID:
Hello?
The SCRAPING SOUND stops. They all look to the open door and
after a second or two, Mr. Johnson appears holding a broom and
dustpan.
MR. JOHNSON
Just thought I'd try to tidy it up
a bit.
Betty runs across and throws her arms around him. The
teenagers watch as she holds him tight.
MR. JOHNSON (CONT)
It's okay. Once we sweep it up it'll
Betty stifles a sob as he strokes her hair. No one says
anything while they just embrace for a moment. Finally ...
DAVID:
Well he's right. Come on. Let's turn
these booths back up. "Mary Sue",
why don't you help me slide this in
front of the door. We'll be okay in
here.
They respond to the tone of leadership. One by one the kids
start to pitch in, sifting their way through the wreckage.
Jennifer and David slide a barricade in front of the door as
the kids try to put their shop back together.
CUT TO:
INT. TOWN HALL. (CHAMBER OF COMMERCE MEETING) NIGHT.
Big Bob stands at the podium addressing a packed house. The
atmosphere is odd: somewhere between a bake-off and a
lynching. People sit in the aisles and in the window sills.
Bob points his finger.
BOB:
This is not the answer people.
The crowd quiets a bit. He leans over the lectern.
BOB (CONT)
No matter how upset we may get, or
how frustrated we may be, we're
not gonna solve our problems out
in the street. It's just the wrong
way to do it. We have to have a
"Code of Conduct" we can all agree
to live by.
His tone grows softer--more concerned ...
BOB (CONT)
Now, I asked George and Burt here
to sketch out some ideas-and I
think they've done a terrific job.
(beat/
scans the crowd)
If we all agree on these then we
can take a vote and I think we'll
start to move in the right direction.
ANGLE. CROWD.
They murmur and nod ...
BOB:
(reading from the
CODE OF CONDUCT")
"ONE:
All public disruption andacts of vandalism are to cease
immediately."
EXT. BONFIRE. NIGHT.
It is still ablaze with books. As Bob continues to READ in
VOICE OVER, a firetruck comes screeching up to the curb.
SHOT. FIRETRUCK.
The same fireman who learned to use the hose before pulls
several yards of it from the back of the truck. He can barely
contain his excitement as he gets to open the valve and
extinguish the raging bonfire ...
BOB:
"TWO:
All citizens of Pleasantvillecourteous and "pleasant" manner ..."
SERIES OF SHOTS. LAMPPOSTS.
The CODE OF CONDUCT is nailed to lampposts and tree trunks in
rapid succession. It is plastered on walls and in shop
windows ...
SODA SHOP.
Debris is still strewn around the street. A dim light
emanates from inside.
INT. SODA SHOP.
It looks like a scene from the French Revolution. Ten to
fifteen kids huddle behind the barricade while David reads
the code of conduct out loud by flashlight.
LISA ANNE:
"Courteous and Pleasant manner."
That doesn't sound too bad.
David just looks at her then continues.
DAVID:
(reading from THE CODE)
"THREE:
The area commonly known asLover's Lane as well as the
Pleasantville Public Library shall
be closed until further notice."
This sends a murmur amongst the kids.
DAVID (CONT)
"FOUR:
The only permissiblefollowing:
Pat Boone, JohnnyMathis, Perry Como, Jack Jones,
The marches of John Phillips
Souza or the Star Spangled
music be tolerated that is not of
a temperate or "pleasant" nature."
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"Pleasantville" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/pleasantville_498>.
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