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Point Break Page #11
- R
- Year:
- 1991
- 122 min
- 961 Views
WARCHILD:
(holding his bleeding
nose)
F*** you.
Everybody has backed off a bit, panting.
Utah steps toward Bunker. Like he's maybe going to shake
hands.
UTAH:
What's your name?
BUNKER:
Bunker.
UTAH:
Well, listen, Bunker... I'm actually
kinda glad you found me.
BUNKER:
Yeah? Why?
Johnny answers with a LIGHTNING ROUNDHOUSE that hits with
a CRACK! They can hear it in Pomona.
BUNKER HITS THE GROUND. Flat out. Lights out.
Tone, Archbold and Warchild lunge like dogs.
Bodhi yanks Utah out of the line of fire.
BODHI:
Whoa! Whoa! Hold it, ladies. Give
it a rest.
(to Utah)
Let's go.
He literally turns Utah around.
They begin to walk, stepping over the pieces of Johnny's
board.
BODHI:
(under his breath)
Do me a favor, Johnny, just keep
walking.
Tone starts to go after them. Archbold grabs his arm.
They help Bunker up. Warchild holds he bleeding nose.
Utah and Bodhi start up the stairs, turn a corner and run
HEAD-ON into a huffing PAPPAS.
The big man clocks a battered but intact Utah.
We see him shift gears in his head in 2 tenths of a
second.
PAPPAS:
(out of breath)
Uh, you guys seen a kid, maybe 10,
12, running with a car stereo?
Stole the f***ing CD too, you
believe it?
Utah is grateful for the cover.
UTAH:
No, but there are four guys back
PAPPAS:
Thanks, buddy.
He shoves on.
EXT. PARKING LOT
Bodhi and Utah weave among the cars and motorcycles,
beach-types coming and going.
UTAH:
Friends of yours, huh?
BODHI:
The one you decked is Bunker Wiess.
The big one is his brother,
Warchild. The other two always
hang. They think they're some kinda
UTAH:
What's their program?
BODHI:
They're punks. Nazis. Their brains
are wired wrong. They hurt surfing
because they give nothing back, and
they have no respect for the sea.
They just want to get radical. It's
mindless aggression. They'll never
get it, the spiritual side of it.
UTAH:
You always talk like this? You're
not gonna start chanting or anything
are you?
BODHI:
(laughing)
No.
(beat)
So I was up the beach. I saw it
going down. you didn't hesitate...
they never backed you up an inch.
That's rare in this world.
UTAH:
Thanks for stepping in.
BODHI:
De nada.
Bodhi keeps on walking as Utah reaches his car and stops.
Five paces on, he stops and turns back. A moment of
decision...
UTAH:
Gonna be some people at my house
tonight. Maybe you can make it.
UTAH:
Where?
BODHI:
Come with Tyler. She knows.
Bodhi turns and saunters away. Utah considers his last
words, wondering how well Tyler and Bodhi know each other.
CUT TO:
INT./ EXT. CAR - PCH - SANTA MONICA - DAY
Utah is struggling into a T-shirt as Pappas drives,
intently following a beat-to-sh*t JEEP. Paramilitary
olive-drab and full of surfboards. And razorhead.
PAPPAS:
Ten seconds you're out of sight.
Unbelievable.
Johnny is equipment-juggling now... cradling a cellular
phone at his ear while steadying Pappas' binoculars in
front of his eyes.
UTAH:
You're losin' them.
(into phone)
That's right. Two-denver-four-sam-
niner-five-niner. Late seventies
Jeep.
LONG LENS, JOHNNY'S POV through binoculars. Bunker's jeep
weaves aggressively through traffic ahead. Horns honk.
Tone flips off the driver of a Toyota.
PAPPAS:
Look, if you're gonna go leavin'
your piece and your shield in the
car, you can damn well stay in
sight. Okay?
UTAH:
Okay, Dad.
Low rent street off Washington.
EXTREME LONG LENS on Jeep as it pulls onto the dead front
lawn of a brown stucco house with bars on the windows.
The razorheads get out, pulling boards and wetsuits from
the Jeep. They are dressed now in ripped jeans, GI boots,
sleeveless Megadeth T-shirts, etc.
Watching, we become aware that two of them have brown hair
in a radical style... shaved sides and a short ponytail.
UTAH (V.O.)
The jeep is registered to a Bradley
Wiess. My buddy. Guy's got quite a
sheet.
(into phone)
Yeah, yeah... skip all that. Gimme
the greatest hits. Misdemeanor
possession of cocaine. That's
good...
INT./ EXT. CAR
Utah on the cellular, Pappas behind the wheel as they
slide to a stop half a block from the stucco house.
UTAH:
... Felony B and E, three months in
juvey. Better. Felony assault.
Postgraduate work at Chino.
Excellent. I'm lovin' it. What
about the brother?
(Utah is grinning)
These guys really fit the profile.
PAPPAS:
Remember, all bank robbers are
losers, but not all losers are bank
robbers.
LONG LENS POV of Razorheads house. Through the windows we
see the four moving inside. Tone throws Archbold and
Bunker a Coors from the fridge. Archbold shakes his and
opens it in Warchild's face. Warchild, in no mood, slams
him against the wall. We feel the revved-up, chaotic
energy of the group in silent pantomime.
Bunker is met by a GIRL coming from the back of the house.
She is wearing only panties and a black leather vest.
Short black hair and tattoos stark on her white skin.
Bunker puts one arm around her neck in a head lock embrace
and slides his other hand under her vest. Tone pulls the
curtains.
UTAH:
These are the guys. I can feel it.
I say we lay it on Harp.
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"Point Break" Scripts.com. STANDS4 LLC, 2024. Web. 30 Aug. 2024. <https://www.scripts.com/script/point_break_730>.
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