Point Break Page #23
- R
- Year:
- 1991
- 122 min
- 998 Views
UTAH (RADIO)
Whoooaaah! Shhiiittt! Whoooaaah!
BODHI:
I'll take that as a yes.
One by one they stabilize. Falling face down, knees bent,
they angle their hands and feet minutely to move
laterally. Utah flails, the last to trim out. But he's
holding his own.
Grommet, working his duckfeet, pitches himself into a wild
spin, rotating like a dervish in a head down dive. He
flares out and "flies" back to the others.
Rocketing through the void at 120 mph they seem to
paradoxically hang above the world, almost unmoving... on
a separate plane of existence.
A hurricane of wind. Wild HOOTING.
Despite his terror, Johnny has to grin at Nathaniel,
falling butt first like he's sitting on a big inner tube
in the pool.
ROACH:
Whip it out dudes! Cheap sex with
the cosmos!
BODHI:
Ten thousand feet. Let's do it.
The group stabilizes, moving together.
First Bodhi and Roach link arms, trimming constantly.
Concentrating. Nathaniel flips over onto his stomach and
maneuvers toward them. He grabs Roach's arm.
Grommet works his way next to Nathaniel. Locks in.
They need Utah to complete the ring.
Four faces beckoning to him, distorted by the hurricane
wind.
BODHI:
Come on Johnny. Get in here!
Johnny moves his hands like flippers and glides clumsily
toward them. Bodhi and Grommet grab him. He's in.
A perfect five-man star.
BODHI:
Relax, brah. I got you, I got you.
GROMMET:
Righteous-ass speedstar, dudes!
BODHI:
You diggin' this?
UTAH:
Great! GREAT!
Johnny is exhilarated more than he could have thought.
Screaming down through the dawn sky at 130.
Locked into the ring. Part of something.
Connected to these guys far above the planet.
Less far every second... Bodhi's chest altimeter reads
6,000 feet.
BODHI:
Purty-thirty and we're meat waffles,
folks. See ya downtown!
He releases Roach's arm and the star disintegrates,
drifting apart.
Bodhi stays with Utah, falling parallel to the horizon,
facing each other, holding hands. 4000 feet. Airspeed
140.
Grommet pulls his ripcord. He seems to be jerked upward
by a great force. Suddenly he is far above, a brightly
colored disc of fabric.
Utah is suddenly aware of the earth rushing up at him.
Nathaniel pulls, then Roach. They shoot upward,
disappearing.
Bodhi and Utah fall on, alone.
BODHI:
You gonna pull?
UTAH:
After you, Alfonse. I insist!
Bodhi looks at Utah. A slow grin. The meter on his chest
harness reads 2000 ft. 150 mph. 12 seconds to Valhalla.
BODHI:
Don't screw around man, pull it!
UTAH:
You do it... you first!
BODHI:
One thousand feet. Pull the goddamn
cord!
UTAH:
You first!
BODHI:
Okay!
Bodhi reaches out suddenly and pulls Utah's ripcord
handle.
He waves goodbye as Johnny's canopy deploys. Utah is
jerked upward. He feels his weight hanging brutally in
the harness.
Johnny looks down.
Impossibly close to the ground. Bodhi's canopy BURSTS
OUT, an explosion of color. Below him is the shimmering
mirror of a LARGE RESERVOIR. Two seconds later the bright
yellow canopy meets its reflection and goes slack. An
explosion of white water marks Bodhi's impact.
LOW ANGLE AT WATER LEVEL as Utah hits.
IN SLOW MOTION a glorious wall of backlit spray shouts
skyward.
Molten glass falling back in the bright desert dawn.
Utah surfaces, sputtering, and shucks out of the harness.
He floats like a jellyfish, gasping for breath.
UTAH:
Jesus Christ. I gotta be losin' it.
CUT TO:
EXT. AIRFIELD - DAY
Bodhi walks toward us, dripping wet and grinning.
He wraps his arm around Utah's shoulders as the others
walk up.
They're all soaked and stoked.
BODHI:
Ya see... I told you Johnny U was
gonna be just fine!
Roach and the others clap him on the back. A moment of
acceptance into the tribe. Utah isn't sure what it means
yet.
BODHI:
C'mere. There's something you need
to see.
Bodhi leads him toward a PLAIN UTILITY VAN parked nearby.
It was there earlier but Utah had no reason to notice it.
Bodhi opens the rear doors and motions Johnny inside.
Utah, puzzled and suddenly alert, steps in. Bodhi
follows.
INT. VAN - DAY
The interior is empty except for several canvas duffel
bags and a small portable VCR. It is one of the new sales
presentation models, with deck and monitor together in one
tiny unit.
UTAH:
What's this?
BODHI:
Insurance policy. Now this is going
to sting a bit, but it's for your
own growth, brah. Press play.
Utah hits the button and an image comes up on the tiny
screen.
TIGHT ON SCREEN. A night shot. Rosie the biker has Tyler
in a powerful grip. Her hands are cuffed behind her, and
her mouth is taped. He has his switchblade up to her
throat. Her eyes are wild, but with rage, not fear.
She's trying to struggle out of his grip, kicking at him
viciously.
He controls her efficiently.
Bodhi stops the tape.
BODHI:
She's a wild one, isn't she...
Special Agent Utah?
Utah lunges, pinning Bodhi to the wall of the van... an
elbow across his throat.
UTAH:
You're a f***ing dead man--
BODHI:
(gasping for breath)
Whoa, whoa!! Think it through! I'm
the only one knows where they are.
Just let me talk for a second.
Johnny pulls back. Barely in control.
UTAH:
Talk.
BODHI:
She'll be fine, Rosie won't do
anything. At least not as long as I
meet him at a certain place and time,
about... let's see...
(he looks at his
dive Rolex)
... six hours from now.
Utah's voice sounds kind of strangled.
UTAH:
You call him... right now... and
tell him to let her go.
BODHI:
Sorry, can't do it, brah. He's on
the road. And where they're going
there's no phones. Damn, I hate
this Johnny, I really do. I hate
violence. See, that's why I need
Rosie. I could never make this
thing work, myself. No way I could
hold a knife to Tyler's throat, man!
She was my woman, once. We shared
time in this world. But Rosie, he's
kind of a... mechanism. Once you
set him in motion, he won't stop.
That's his gift, a kind of...
blankness. Noon comes, straight up,
he'll gut her like a pig and try not
to get any on his shoes. Nothing I
can do, unless I get there.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Point Break" Scripts.com. STANDS4 LLC, 2024. Web. 26 Nov. 2024. <https://www.scripts.com/script/point_break_730>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In