Pretty Woman Page #10
- R
- Year:
- 1990
- 119 min
- 2,883 Views
MR. THOMAS
Miss Vivian... there's a salon
here in the hotel. Instead of
worrying unnecessarily about table
manners, why don't you just have
your hair done instead?
VIVIAN:
Professionally?
INT. SALON - LATE AFTERNOON
Vivian sits in a salon chair. The last customer, THANE, a
young man of about twenty with his long hair pulled back in a
pony tail, tilts her head one way and then another, eyeing her
professionally.
VIVIAN:
I have a friend who has a friend
who does Cher's wigs.
THANE:
I hate him already.
(a beat)
All set?
VIVIAN:
Yeah... what a ya say we chop
it all off and bleach the tips.
THANE:
Darling? Trust me.
Edward enters and looks around the lobby. No Vivian. Annoyed.
Edward crosses to a house phone and picks it up. He's about
to dial when:
MR. THOMAS
Good evening, Mr. Harris.
Edward looks at him blankly.
MR. THOMAS
Barnard Thomas, manager of the
hotel.
EDWARD:
Of course, yes. If you'll excuse
me just a moment --
MR. THOMAS
I have a message for you from your
"niece", sir.
EDWARD:
My what?
MR. THOMAS
The young lady staying in your
room?
Edward's eyes narrow. He hangs up the phone.
EDWARD:
I think we both know she's not
my niece.
Mr. Thomas looks uncomfortable.
EDWARD (cont'd)
Does this hotel have any problem
with that?
MR. THOMAS
Mr. Harris, a guest of yours, is
treated accordingly. The young
lady asked me to tell you that
she is waiting for you in the
lounge.
EDWARD:
Thank you.
He starts towards the lounge.
MR. THOMAS
Very intriguing young woman, Miss
Vivian.
His tone stops Edward in his tracks.
MR. THOMAS (cont'd)
Have a good evening, sir.
And off he goes, leaving Edward to wonder what the hell
transpired during the afternoon.
INT. HOTEL LOUNGE - NIGHT
Edward enters the lounge. He looks around, not seeing Vivian.
And suddenly his eyes go back to... the beautiful girl with the
beautifully styled hair in the beautiful black cocktail dress
at the piano bar. Edward tries to hide his surprise as Vivian
rises, moves elegantly towards him. She smiles.
VIVIAN:
You're late.
Such a beautiful woman deserves an apology and so, without
thinking:
EDWARD:
I'm sorry.
VIVIAN:
You're forgiven.
She waits expectantly. He holds out an arm. She takes it.
INT. REX RESTAURANT - NIGHT
Vivian comes out of the ladies room. She walks forward past
the MAITRE'D'S station. She stops. She takes a breath... and
then walks forward.
INT. REX - ANOTHER ANGLE - LOOKING DOWN
Vivian moves down a marble starircase, through the elegant
restaurant toward a far table. Her beauty and natural grace
draw approving stares. She is like a queen moving through a
ballroom.
At a secluded table, Edward sits in conversation with two men.
JAMES KROSS, in his early 70's, a bulky self-made millionaire
industrialist. Sitting next to him is his son and second in
command, DAVID KROSS, a handsome man in his early thirties.
All of them rise as Vivian comes to the table. David Kross
holds out Vivian's chair for her. Surprised, she nods her
thanks. In front of her is an enormous placesetting. She
smiles down at the utensils, filled with confidence.
Waiters have placed a delicate salad down in front of each of
them. Vivian proudly reaches for her salad fork. But then she
sees that Kross has picked up the fork closest to his plate and
is digging into his salad with that.
Vivian looks to see what Edward will do. He doesn't seem
interested in eating yet. Neither does David Kross. Feeling
a sudden panic, Vivian puts her fork down.
KROSS:
So young man, I understand you
are trying to take over my
company.
A moment. The abruptness of the question takes Edward back for
a moment. But then he almost smiles.
EDWARD:
Please don't patronize me, Mr.
Kross. Our ages mean nothing
here.
Kross and David look at each other.
DAVID:
Mr. Harris, we know you've
purchased at least twenty percent
of our stock. We also know you
plan to file a formal bid for a
majority share.
EDWARD:
Twenty-five percent.
KROSS:
Mr. Harris, I built Kross
Enterprises myself. I know every
man who ever worked there by his
first name. I know their wives...
and their children. If your
intention is to take over my
company and turn it into a
glorified real estate deal, think
again.
Edward, thankfully, now reaches for his salad fork and begins
to eat. Relieved, Vivian picks up hers. They all eat for a
moment.
EDWARD:
What do you suggest, Mr. Kross?
WAITERS approach, some to clear the salad plates, some to put
down the next course. Vivian, thinking she's got to finish,
quickly stuffs her mouth with the rest of her salad. She is
reluctant to let the Waiter take her fork.
KROSS:
What would it take to buy our
stock back? Name your price.
EDWARD:
To get me in a mood to sell --
double what I paid. But your
company doesn't have enough
capital right now to buy anything.
DAVID:
We're on the verge of closing
a large navy contract. Double
is ridiculous but we can assure
you a healthy profit on your
shares. We would give you a
promissory note...
EDWARD:
You're not getting any navy
contracts.
Vivian can see that both father and son are stunned by this
news.
DAVID:
There's no way you could know
that.
EDWARD:
But I do know. I also know your
lines of credit are over-extended.
If I don't buy your company,
someone else will...
(looking up)
Ah, the escargot.
Escargot are put down in front of everyone. Vivian stares at
them dubiously. She picks up what she assumes is the next
"right" fork. She picks up a snail. The two do not fit.
Flustered, she doesn't know what to do. No one else seems to
be eating. And now a Waiter comes and places escargot forks
at each place. Vivian picks it up with a sigh of relief.
VIVIAN:
(softly, to the Waiter)
Scume me, what are these things?
WAITER:
(bending to whisper)
Escargot, mademoiselle.
EDWARD:
(leaning close to
whisper)
Snails.
Vivian stares at them, horrified. She, like James and David
Kross, no longer seem interested in eating. Edward eats with
pleasure.
EDWARD:
Mr. Kross, I'm not here to sell
you my stock. On the contrary,
I'm here to buy yours.
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"Pretty Woman" Scripts.com. STANDS4 LLC, 2025. Web. 20 Jan. 2025. <https://www.scripts.com/script/pretty_woman_193>.
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