Primal Fear Page #6

Synopsis: Courtroom thriller about a slick, hotshot lawyer who takes the seemingly unwinnable case of a young altar boy accused of murdering an eminent catholic priest.
Genre: Crime, Drama, Mystery
Director(s): Gregory Hoblit
Production: Paramount Pictures
  Nominated for 1 Oscar. Another 10 wins & 11 nominations.
 
IMDB:
7.7
Metacritic:
47
Rotten Tomatoes:
74%
R
Year:
1996
129 min
4,051 Views


Drop it.

- Remember me, huh?!

- My name is Martin Vail.

I don't give a f***!

You have no right!

Every f***ing right! I'm Aaron

Stampler's attorney, you little sh*t!

Now! What do you know

about the Archbishop's murder?

- Nothing.

- Where do you think you're going?

Bullshit! Don't f*** with us.

I swear I know nothing.

What were you doing at Aaron's

house? What were you looking for?

- A tape.

- A tape? A videotape?

- Yeah.

- Of what?

- Sex stuff.

- Sex stuff?

Do I have to draw a picture for you?

Who?

Who?!

Me, Linda.

- And Aaron?

- He shot it, too, for the Archbishop.

Are you telling...

Are you telling me that Archbishop

Rushman is involved with sex stuff?

Yeah, he called it "purging the devil".

He'd say a sermon for ten minutes,

and then he would tell us what to do.

I don't give a f*** what you believe!

Hey, hey, hey. What were you

going to do with the tape?

Trash it. I was gonna throw it away.

One. Just one tape.

One tape.

He'd keep recording over and over.

- Why did you think Aaron had this?

- I don't know.

I thought he got it,

and he went back and killed him.

- He did kill him, right?

- No, he didn't.

Where's this girl? Where's Linda?

She freaked out!

She panicked. She split.

And I'm not expecting any postcards.

Look at me.

Get him out of here, Tommy.

- Where to?

- A warm bunk and three meals a day.

- You can't arrest me! You're no cop!

- I used to be. Does that work for you?

- Look who's here.

- Finish it. It's a good article.

You know the rules.

Don't disturb anything,

don't remove anything or it's my ass.

Yeah, mine too. I won't touch anything.

Excuse me.

...preach the gospel to every...

Hello.

- What are you watching?

- Wait a minute.

Go to her.

Good. Now help her.

That's it, Aaron. Good.

Linda, help out.

Good. Take offher blouse, Aaron.

That's it. Now help him, Linda.

Isn't that sweet, Linda? Good.

That's it.

Now, take him in your mouth.

Here's motive.

Take her from behind.

- Aaron, take her from behind.

- Jesus Christ.

Thanks.

- I wanna talk to you alone.

- We should discuss...

I need to be alone with my client.

Do you trust me?

Yes, yes, of course I do.

Good. Because I don't trust you.

I'll lay it all out for you.

I'm losing this case because

my f***ing client is lying to me.

- I never, never lied...

- Bullshit!

No more bullshit. No more games.

Everybody thinks you did this,

everybody.

Only I believe you,

and I'm that close.

So I want it all out.

Right now, right here.

Did you underline that book?

Hey, hey, look at me.

Did you underline that book?

- N-n-no, I didn't.

- I don't believe you.

- That's bullshit.

- I told...

I don't believe you! I saw the tape!

I saw the tape. I know what he did

to you. I wanna hear it from you.

No! No!

Don't do this.

I want you to tell me the truth.

- You f***ing killed him! You did it!

- No!

You're so full of sh*t! You did it!

Tell me the truth. Don't lie.

You little f***! You killed him!

- You son of a b*tch! You killed him!

- No!

What do you want from me now?

Quit crying! I can't understand

a word you're saying.

You little sissy! You make me sick!

- Look here. Who the f*** are you?

- Who the f*** are you?

This is my cell! Who the f*** are you?

I got you now. You're the lawyer.

You're a lawyer, ain't you? With

your fancy suit. I heard about you.

My, my, you sure f***ed

this one up, counsellor.

Sounds like they're gonna shoot Aaron

so full of poison it'll come out his eyes!

- Where is Aaron?

- He's crying in a corner somewhere.

You scared him off!

You got to deal with me now, boy.

I ought to give you

a beating on principle. Look at me.

You pull that tough-guy sh*t on Aaron

again, I'll kick your ass to Sunday!

- Do you understand me?

- I understand you.

Aaron gets in trouble, he calls you.

You're the man.

Aaron couldn't kick his own ass.

You seen him with the "da-da-da".

Yeah.

Jesus Christ, he can't handle anything.

He sure couldn't handle

all that preacher's blood.

If he'd done like I told him,

we wouldn't be in this mess.

But he got scared and "da".

Ran off and got himself caught,

the stupid little sh*t.

So Aaron did kill Rushman.

Hell no! Jesus Christ,

where did they find you?

Haven't you listened to me?

Aaron doesn't have guts to do nothing.

It was me, boy.

- It was you.

- Yes, it was.

He came crying to me like always,

stuttering and whining.

"I ca-can't take it no more, Roy.

You g-got to help me."

"Please, please, Roy."

I said, "Shut your mouth! Grow up.

Be a man. Take care of yourself."

So your name is Roy?

Oh, Jesus, I'm sorry. Yeah.

What is it? Marty?

Marty, I'm dying for a smoke.

Do you have a cigarette?

- No, I quit.

- F*** that.

Can't live without them.

Got to be a butt here.

Roy.

Roy, tell me about Linda.

Linda?

Who the f*** cares about Linda?

I care about Linda.

I'd like to know about her.

That little tramp. Everybody

had a piece of her, you know.

She had Aaron wrapped up so tight,

he thought she was his girlfriend.

She broke his heart.

So that's why you had to kill Rushman.

Because of the sex stuff.

You've seen the tape.

Answer me, you son of a b*tch!

Do you think I'm playing with you?

I will break your f***ing neck!

- I'll ask again. Have you seen it?

- Of course I saw the tape.

Dammit, I told him, "Get that tape.

It's motive, you a**hole!"

This'll f*** everthing up.

Don't you show that to anyone!

- Do you understand me?!

- Yeah.

- Aaron.

- Damn!

Mist...

Mister Vail?

Yeah, I'm right here, Aaron.

He did it. The little f*** did it.

How could I have missed that?

- Am I gonna need stitches?

- No.

He didn't do it. Aaron has no idea

what just happened in there.

I kept seeing the signs. The big ones.

Abusive background, these repeated

blackouts, the ellipses in thought.

He's ambidextrous. I tried to tell you.

You may be thrilled by all this,

but I'm f***ed. I don't have a case.

Textbook multiple personality disorder.

Put me on the stand. I'll testify.

He's insane.

I can't. I can't change plea

in the middle of a trial.

The judge would never allow it.

Insanity is the hardest thing to prove.

OK.

My professional opinion.

This is not a criminal

we're dealing with. He's a sick kid.

He's sitting in a cell,

and that's not where he belongs.

You got an aspirin?

Come on, Connerman, ask it.

Ask what?

The question

you wanted to ask me before.

I don't understand, Mr Vail.

"How can you defend someone

if you know they did it?"

"How can you defend these

f***ing scumbags?" Isn't that it?

All those f***ing coy questions,

all that bullshit.

Bottom line is:

"How can you do what you do?"

You think it's the money, don't you?

The money's nice.

The money's very, very nice, Jack.

The first thing I ask a new client is:

"You been saving up for a rainy day?"

"Guess what? It's raining."

You think it's because I want to see

my face on magazine covers?

My 1 5 seconds on TV? I love it.

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Steve Shagan

Stephen H. "Steve" Shagan (October 25, 1927 – November 30, 2015) was an American novelist, screenwriter, and television and film producer. Shagan was born in Brooklyn, New York to Rachel (née Rosenzweig) and Barnard H. "Barney" Shagan. Barney ran a pharmacy, Shagan's Pharmacy, at 49 Atlantic Avenue, Brooklyn, New York, with his brother, Samuel. After Barney's death the pharmacy went bankrupt and Samuel liquidated the assets at public auction in 1949. Steve dropped out of high school and joined the United States Coast Guard when World War II broke out. While in the Coast Guard he started writing to pass the time.Shagan came to Hollywood in 1958 with his wife, Elizabeth Florance "Betty" Ricker, whom he married on November 18, 1956 in New York City. At first he did odd jobs, like as a stagehand at a little theater and pulling cables at MGM Studios in the middle of the night. Eventually he started working on scripts and then produced the Tarzan television show on location in Mexico. Betty talked him into quitting and just concentrate on writing. Betty, a former fashion model, was the daughter of Philomena (née Pisano) and Al Ricker. Her mother, a dancer, later remarried, to Mayo J. Duca, a Boston jazz trumpet player. Philomena Pisano was the daughter of Katherine "Kitty" Bingham and Fred Anthony Pisano, of the musical-comedy vaudeville team of Pisano and Bingham.Shagan wrote the screenplay for and co-produced the 1973 film Save the Tiger, for which he was nominated for the Academy Award for Best Original Screenplay and won a Writers Guild of America Award. His novelization of Save the Tiger, which was his first novel, was actually published a year prior to the film's release. He had written the script first, and while he was shopping it around Hollywood, he wrote the novel to help him deal with the stress of trying to sell the script, which took two years to get produced. As he was finishing the book his typewriter broke and author Harold Robbins loaned him his.Shagan went on to write the novel City of Angels and its film adaptation, Hustle, both released in 1975. He then wrote the screenplay for and co-produced Voyage of the Damned, for which he received another Academy Award nomination, this time for Best Adapted Screenplay. This was followed by Nightwing, which he adapted from the novel of same name by Martin Cruz Smith. He then adapted his 1979 novel The Formula into a 1980 film of the same name, which he also co-produced and which reunited him with Save the Tiger director John G. Avildsen. Of the performances by Brando and Scott in The Formula, Steve Shagan reportedly stated: "I sensed a loss of purpose, a feeling that they didn't want to work any more and had come to think of acting as playing with choo-choo trains."Subsequent films written by Shagan include The Sicilian, which he adapted from the novel by Mario Puzo, and Primal Fear, based on the novel by William Diehl. Shagan also wrote the teleplay for the made-for-television movie Gotti, for which he was nominated for an Emmy Award for Outstanding Writing for a Miniseries or a Special. Shagan died at his home in Los Angeles, California, on November 30, 2015. more…

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Submitted on August 05, 2018

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    "Primal Fear" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/primal_fear_16220>.

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