Primary Colors Page #4

Synopsis: Jack Stanton is running for president. The election is seen through the eyes of young Henry Burton. Along the way Stanton must deal with a sex scandal.
Genre: Comedy, Drama
Director(s): Mike Nichols
Production: Universal
  Nominated for 2 Oscars. Another 10 wins & 29 nominations.
 
IMDB:
6.7
Metacritic:
70
Rotten Tomatoes:
80%
R
Year:
1998
143 min
661 Views


the liberals.

-You'll lose them anyway.

-Richard?

Give him a poke. We'll look better

when he drops out.

When who drops out? Ozio's 24

points ahead of us.

Exactly. If he's willing to

acknowledge us...

then he's the stupidest f***ing

Italian since Nero...

or he's not going to race.

He'll sit and snipe.

-Doesn't matter. I won't do it.

Susan, I'm not going negative. Any

jackass can bum down a barn.

-It's self-defense.

-I'm not doing it!

Shane!

Come back, Shane.

Run for president.

How you doing, Henry?

Uh, fine.

There was a bender on

the interstate.

I'm on my way to meet the

family, so cancel Howard.

Yeah, okay.

And, um, governor, look...

about the Teachers

Union dinner...

I know how much I lay on you.

I know how hard you work for me,

and I'm honored by it.

I'm honored.

-But I should have thought...

-Forget it.

Now, get out of that office

and rest.

Open a bottle of Chablis. What are

you doing this weekend, Henry?

Setting up a list of meeting...

Do you think it's possible to

get yourself laid?

-Sir?

-I'm serious.

I don't want you too homy to

think straight when we need...

to start rolling. What are you

going thanksgiving?

You said you mama's in Beverly

Hills, so if you're free...

come spend it with Susan,

Jackie and me. It's not...

like being with your mama...

but we're family, too.

Thank you. Yes, I'd like that.

Good, good.

And, the reason I won't

take on Ozio...

is so I don't give that bastard the

power to make me the bastard.

All right? See you, Henry.

Right.

Dear Lord, thank you for what

we're about to receive.

Okay, son. Here we go.

Happy Thanksgiving,

everybody.

Who are all these people?

-Most are from shelters.

-You're kidding.

They come every year. That's

the good news.

The bad news is, he also

invites his friends.

People he's been collecting so he

can take them aboard when he sails.

Some of them really suck.

Henry? Daisy?

She has the same problem.

Meet Lucille Kaufman, an old

friend of mine from New York.

I marched with your

grandfather.

Lucille and I went to

law school.

You're Jack's coordinator? Do

something about his clothes.

And the campaign posters. And

Arlen Sporken too.

I'm swamped, or I'd join the

campaign full-time.

Henry, I want you to meet

my son, Jackie.

This is our family doctor,

Dr. Beauregard.

You and Jack must find a way to

educate them Yankees.

Maybe if they both wear capes.

This is Randy Culligan. I gave Randy

his first job as a law clerk.

Folks, may I have your

attention?

Folks, you'll know me. I'm

Jackie Stanton's mama.

How about if we sing

a chorus of...

"You Are My Sunshine"...

in honor of the great governors

of the South?

You are my sunshine

My only sunshine

You make me happy when

skies are gray

You're kidding. You're kidding.

Hey! Hey!

Wait, wait.

Ozio just dropped out.

That's fantastic! Yes!

Gentlemen, welcome to the

first debate of the...

Democratic Presidential Primary.

Remember to keep your responses

to one minute.

God, I'm so nervous,

I'm sick.

-Health care.

-What I want to say about health care is...

while it's vital that every American

be covered...

it's also vital that we conserve

as well as expend.

We're providing a safety net

for folks on welfare...

-Oh, sh*t.

Oh, man...

-What did you see?

-Nothing. No one.

You're missing one of the great

a**holes of our time.

I can't help feeling sad as I

listen to Senator Martin.

I remember a time when being

a Democrat...

meant more than just giving welfare

recipients a safety net.

It meant giving them

a ladder...

giving them a way to climb

back to an equal height.

If we don't control spending...

and shore up the economy of

this country, it will go under.

-This is a new economic era.

-Who are we shoring the economy up for?

Your bond-holding fat cats?

No, not just bond holders. Ordinary

men and women will benefit, too.

Why is he doing this?

Because he just has to get on the

good side of Lawrence Harris.

A lower deficit means

working families...

will have lower mortgage rates.

Okay, not bad, but shut up.

Now Governor Nilson's

idea has merit.

We must provide jobs for

those who need work.

Jack, excuse me.

What, if anything are

you against?

I'm against doing nothing while

people are suffering.

I'm against dismissing any idea that

might help because it isn't my idea.

Senator, you've met

these people.

Are you saying we do nothing to help

unless we come up with it?

-Nailed him!

-He's toast!

What I meant was...

-Kicking ass and taking names!

-How was it?

-You took it. It was yours.

Governor... March Cunningham,

The Black Advocate.

Were you ever arrested during

the Vietnam war?

No.

You weren't arrested in

Chicago?

No, I was accidentally detained,

then released.

The record was expunged.

How were your released?

They realized it was a mistake. It was

a long time ago. Check your records.

-Come on. We'll be late.

You guys go ahead.

I'll meet you.

What are you doing here?

Why is the Black Advocate

interested in Stanton?

They're not. I am.

I'm finding out who he is because

a friend works for him.

March, don't do this.

Aren't you interested, too? Know

why he was released? He called...

a senator to get him

out of jail...

then persuaded Mayor Daley to

expunge his record.

-So?

He was already so manipulative in

the 60s that he got in bed with...

Daley who busted the protestors

at the Convention.

I don't care. Stanton was never a

radical. He's a politician.

He couldn't get elected with a

record, so he had it expunged.

You want to work for that? A man

who just wants to get elected?

No, I want to work for a man who

fights for right, and...

-watch a Republican get elected.

-Do you know the difference?

I know the difference between a

man who believes what I do...

and lies about it to

get elected...

and one who doesn't give a

f***. I'll take the liar.

-How did he do this to you?

-Do what? What are you...

Why are you making him into the

devil? Get to know him.

Spend a few days

with us here.

I miss you. We could be together.

I think you'd f*** me just to get

good press for Stanton.

We're in trouble.

What does she have?

Why is the Black Advocate

covering Stanton?

They're not. It's... she's...

It's personal.

Don't matter. We're f***ed. If

some little shitty paper...

like the Black Advocate

can dig this up...

then we're flying blind. They'll

all come after us.

I mean, did you see any other

President there tonight?

We're it. We're the f***ing

ball game.

Now every flea that ever nipped his

ass will want a piece of us.

It'll be the war thing, the drug thing,

the woman thing. That's the killer.

-You talk to him about that.

-Me? No. You're the strategy guy.

But you're the body man.

We could talk to Susan.

Are you out of your

f***ing mind?

"Mrs. Stanton, we need to know

who Jack's plugging...

-so we can have spin control".

-Then let's just quit.

If we won't act,...

Rate this script:5.0 / 1 vote

Elaine May

Elaine Iva May (née Berlin; born April 21, 1932) is an American screenwriter, film director, actress, and comedienne. She made her initial impact in the 1950s from her improvisational comedy routines with Mike Nichols, performing as Nichols and May. After her duo with Nichols ended, May subsequently developed a career as a director and screenwriter. Her screenwriting has been twice nominated for the Academy Award, for Heaven Can Wait (1978) and the Nichols-directed Primary Colors (1998). May is celebrated for the string of films she directed in the 1970s: her 1971 black comedy A New Leaf, in which she also starred; her 1972 dark romantic comedy The Heartbreak Kid; and her 1976 gritty drama Mikey and Nicky, starring John Cassavetes and Peter Falk. In 1996, she reunited with Nichols to write the screenplay for The Birdcage, directed by Nichols. After studying acting with theater coach Maria Ouspenskaya in Los Angeles, she moved to Chicago in 1955 and became a founding member of the Compass Players, an improvisational theater group. May began working alongside Nichols, who was also in the group, and together they began writing and performing their own comedy sketches, which were enormously popular. In 1957 they both quit the group to form their own stage act, Nichols and May, in New York. Jack Rollins, who produced most of Woody Allen's films, said their act was "so startling, so new, as fresh as could be. I was stunned by how really good they were."They performed nightly to mostly sold-out shows, in addition to making TV appearances and radio broadcasts. In their comedy act, they created satirical clichés and character types which made fun of the new intellectual, cultural, and social order that was just emerging at the time. In doing so, she was instrumental in removing the stereotype of women being unable to succeed at live comedy. Together, they became an inspiration to many younger comedians, including Lily Tomlin and Steve Martin. After four years, at the height of their fame, they decided to discontinue their act. May became a screenwriter and playwright, along with acting and directing. Their relatively brief time together as comedy stars led New York talk show host Dick Cavett to call their act "one of the comic meteors in the sky." Gerald Nachman noted that "Nichols and May are perhaps the most ardently missed of all the satirical comedians of their era." more…

All Elaine May scripts | Elaine May Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Primary Colors" Scripts.com. STANDS4 LLC, 2024. Web. 27 Jul 2024. <https://www.scripts.com/script/primary_colors_16222>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Primary Colors

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In what year was "Titanic" released?
    A 1996
    B 1999
    C 1997
    D 1998