Private Gaia 5: The Temptations of Clarisse Page #13
- X
- Year:
- 1998
- 931 Views
Oh, baby, I, uh--
You've made me so happy.
I could cry if I'm happy,
can't I?
I love you.
Oh, my sweet baby boy.
Oh.
J1 Sunshine, blue skies J1
D Please go away IJ
J1 My girl has found another
and gone away J1
D with her went my future D
J1 My life is filled with gloom D
J1 So day after day
I stay locked up in my room J1
III I know to you J1
D but I wish it would rain J1
I! Oh, yeah, yeah, yeah, yeah I!
I spent as much time
as I could with Haze...
Before it was time to tour again.
The good news was that
Melvin was back in action.
But our records on Atlantic
were not happening.
We left there
right after one album.
And for the first time
since we were the dist/ants,
The Temptations
didn't have a record deal.
Although Eddie had been really
successful after he left us,
by this time, his fortunes
were the same as ours...
And he was back to playin' small
clubs like Chappy's Lounge.
D Keep on truckin', baby D
D Got k0 keep on truckin' D
I1 Got to get
to your good lovin' J1
I! Yeah D
D Shame I!
I1 I've let it control me I1
I! Yeah D
III But as long as I am inspired J1
J1 and those lovers talk by the fire J1
I1 Oh, keep on truckin'
baby D
Jil I got to get to your good lovin' III
Thank you.
Thank you very much.
Thank you.
Thank you.
Ladies and gentlemen,
one of the greatest Temptations,
And one of my closest friends,
is in the audience.
Help me welcome Mr. David Ruffin.
Would you be upset if I asked him
to join me for a song?
David and I sang...
on some of The Temptations'
biggest records.
Let's see if we can bring
some of that magic back tonight.
D You surely must know magic, girl IJ
fl Because you
changed my life J7
J1 it was dull and ordinary J1
J1 but you make it
sunny and bright J1
IJNowfl
D I was blessed the day I found you IJ
around you III
J1 You're everything good, girl
and you're all that matters II
Dtomel-l
IJ Baby, you're part
J1 I think each clay D
D Your name's used 'm every phrase D
n my lips say J1
is about you J1
J7 Honey, I can't live
without you J7
D Baby, baby D
D Baby, baby D
D Baby D
J7 You're my everything J7
I! You're my everyming I!
IJ Don't you know, baby
you're my everything III
J7 When my ways were dark J7
J1 Everything I1
J1 And troubles were near J1
I! Oh, you're my everything I!
J1! Ooh Jil
J1 Everything III
Mr. David Ruffin!
You know I'm not sayin'
that you my everything.
I wasn't tryin' to
embarrass you, though.
Man.
I'm gonna tell you, I've been
doin' my own thing for a while.
That applause we got tonight,
that was a Temptations thing.
We were the voices, David.
'course we were.
Still do.
Why don't we do
somethin' about it?
We're Temps, just as much
as Melvin and Otis.
They why don't we
do somethin' about it?
Me and you?
Yeah, that's what I'm sayin'.
I'm serious.
It's crazy.
Why?
First of all, we'll mess it up.
Yeah, you right.
But it could be a lot of fun.
Actually, it could be
a whole lot of fun.
Melvin and I looked up,
And there were
two groups of Temptations.
David and Eddie got with Dennis and two
other guys, and they went out on the road-
And the hardest part
was that we couldn't stop 'em.
D Because of the color of the skin IJ
J1 Run, run, run
but you sure can't hide II
IJ An eye for an eye
J1 Vote for me
and I'll set you free III
D Rap on, brother D
D Rap on D
J1 Well, the only person talkin'
'bout love thy brother II
D is the preacher D
D and it seems nobody's
interested in learnin' III
I! but the teacher D
D Segregation, determination
demonstration, integration III
J7 Aggravation, humiliation
obligation to our nation III
D Ball of confusion III
D Ball of confusion III
J1 That's what the world
is today, hey III
J1 Around and around
and around we go III
J1 Where the world's headed
nobody knows J1
Melvin and I got with Berry,
and went back home to Motown.
Not long after that, someone came up with the
bright idea of putting together a reunion tour.
IJ Oh, great googamooga can't you
hear me talkin' to you now J1
D Ball of confusion III
Sometimes a good idea
should stay an idea.
What's you doin' here so early, man?
It's 1 :
00-I've been callin' you all mornin'.
What's wrong with your phone?
There's nothin'
wrong with my phone.
This place is a mess.
I told you.
All right, listen, man.
This is a big, big, big opportunity.
You with me, Ruff?
What you talkin' 'bout? It's early.
I'm talkin' 'bout Otis.
Motown and them want to put
together a reunion tour.
Who?
Motown, man.
Are you hearin' me? I don't know about
you, but I need this pretty bad.
I knew they'd come crawlin' back
sooner or later. See, David?
That's the same attitude that got
your ass fired in the first place.
I wasn't fired.
I quit.
Yeah. If you could convince
yourself of that,
How's about convincin' yourself
to show up and make this money?
I'll let you call it.
Good.
We gotta meet with Otis and Motown.
'Course we do.
'Cause we the voices,
And we know they want the voices.
- Blue, what's goin' on?
- Hey, Glen, Dennis.
Melvin, can you sign this?
Oh, absolutely.
Could I have your autograph?
Eddie.
How you doin'?
Hey, just like old times.
Thank you.
Even better.
Guys, come on.
We gotta rehearse.
Are you gonna make
another album?
Has anybody seen David?
An hour late is early for David.
Well, we got 15,
20 songs to do, guys.
What's that?
I don't know.
J7 Baby, I'm Iosin' you J7
He's early?
Well, I'll be!
You have got to be kidding.
Feelin' all right?
You got a fa var? Daylight sa
vings ain 't for another month.
And now it's gonna snow in California.
Hey, this is the new me.
I'm on time, and I'm ready to work.
Now, what y'all gonna do?
Excuse us, Mr. Ruffin.
We should work.
This is like Paul's favorite
move right here, right?
Hey! Hey! Hey!
Owl
There be some stiffness
in this room.
Thereis no stifiness. I??? fine.
Come on. To the right.
Ruff, show me that move
you used to do.
I used to come through it, put the
mike behind my back, turn around and--
Oh!
I ain't doin' that.
You know what I mean, right?
Yeah, I know what you mean.
Uh!
Yeah, a circle.
Yeah,
I wanna do this.
He seems to like it.
Get in the line.
There you go.
We still got it.
We've gotta keep it that way.
There you go, man.
Not bad, guys.
Not bad.
But we can do better, and we
can definitely dig deeper.
So just so you know,
if I have to,
I will be hard on you.
You should've never stopped
bein' hard on us.
He's right, 0t.
Some of us need that kind of stuff.
We're rehearsin' same time tomorrow.
How you doin'?
Pretty good.
I'm scared, Ot.
That it might actually
work this time?
Yeah. What you make
of Ruff, man?
One of them drugs he took must've
accidentally fixed his personality-
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Private Gaia 5: The Temptations of Clarisse" Scripts.com. STANDS4 LLC, 2024. Web. 20 Nov. 2024. <https://www.scripts.com/script/private_gaia_5:_the_temptations_of_clarisse_19494>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In