Private Gaia 5: The Temptations of Clarisse Page #7
- X
- Year:
- 1998
- 931 Views
- D That's what I want IJ
- JII That's what I want III
- D That's what I want IJ
- JII That's what I want III
Ha-ha. Too much.
Success brought much more
than any of us bargained for.
We were workin' nonstop--
rehearsing, recording, touring--
Not to mention radio promotions,
press interviews and photo sessions.
That's why we were happy to finally
relax at the annual Motown picnic.
Hey, hey, hey.
Lookee here.
Whoever said success makes you
must've had David in mind,
Because he started to become
someone none of us recognized.
he can show up here,
but miss out on rehearsals.
Who's that guy with him?
I don't know.
Must be his driver.
No. You mean his valet.
Well, welcome to the festivities.
Hey, David.
Hello, y'all.
Miss Terrell- Lookin' as fine as ever.
You too, baby.
Miss Terrell.
Tammi.
How you doin'?
What's up, little man?
Hey, Tammi.
How you doin'?
I'm gonna get somethin' to eat.
Do you want somethin '? I??? okay Don?
take too long, baby.
All right.
Hey, Tammi.
Are you gonna take Lamont over to
the sack races like you promised?
Sack races, like I promised.
Sack races!
Come on!
Okay.
All right.
Hope you win somethin'.
How you doin', man?
It's a pleasure to meet you.
I'm Flynn.
Flynn.
All right.
Nice to meet you. I'm Flynn.
Flynn who?
It's just Flynn.
Flynn's my man.
How are you?
Good. I'm enjoyin' this picnic.
Go get that b*tch.
All right.
How y'all doin'? Nice to meet you.
Hey-
- Excuse me.
David, can we talk to you for a second?
Hey, hey, hey.
Yeah. About what?
About rehearsal and about Tammi.
Tammi?
Yeah.
What about Tammi?
Why don't you go
easy with Tammi?
What am I supposed to do? Let her
flirt with every man in the park?
You know how women are.
She just needs some attention.
Yo, I don't trust no woman.
Maybe the problem is, you need
to show her some respect-
Y'all is mama's boys,
And you don't know nothin'
about me and women.
Excuse me.
Whoa.
Hmm.
How you doin'?
What's up, David?
What's goin' on?
All right.
We cum here, okay'?
Where are we gain"?
Where are we gain'?
Come on.
We just got here, David.
You're tryin' to embarrass me in front of all
these people. I wish I hadn't married you-
Did you see that?
Yeah.
J1 I know you wanna leave me J1
J1 But I refuse to let you go J1
I1 If I have to beg and plead
for your sympathy J1
J1 I don't mind 'cause
it means that much to me J1
D Ain't too proud to beg
and you know it III
- They love it when I do that, don't they?
- Yeah, man-
Hey, fellas, how you doin'?
Treats, baby.
Flynn, or whatever your name is,
you need to go.
J1 But if I have to fight
to keep you J1
J1 I don't mind weepin' J1
Okay, Dave.
a little sunshine.
Why don't you take that little
sunshine along with you?
Ooh.
We're gonna be friends.
Good friends.
J1 Ain't too proud J1
Boy, Norman just kept
whippin' us and whippin' us...
The other day, huh?
I don't think I can
get any better, though.
That ain't the way I see it.
Oh, yeah?
Well, hit me up.
For one, you missed
a very important meeting.
Not to mention our last few sessions. I'm
not even gonna count the rehearsals.
And it's probably because of all this
crap you keep shovin' up your damn nose-
Well, maybe I don't need as much
rehearsal as some other folks.
David, this can't go on.
What you got to say, Blue?
"That's right, Otis.
Whatever you say, Otis. "
No, David.
It's like this.
Either you gonna straighten up...
or we're lettin' you go.
Blue, you all right with that?
I'll miss you, but not if
you're hurtin' the group.
Hurtin' the group? I'm the best thing
that ever happened to this damn group!
Nobody's bigger than the group.
Yeah, well, they ain't stupid.
I'm the one sellin' the records.
They cumin' to see me.
They comin' to see
The Temptations.
Ain't nobody comin'
to see you, Otis.
You wish you could
work it the way I do,
But you can't, 'cause there is
only one David Ruffin.
And without him, ha,
The Temps ain't nothin' but
a group in search of a David Ruffin.
As a matter of fact,
I've been thinkin'.
We should call the group...
David Ruffin and The Temptations.
Yeah.
That sound good to me.
Y'all beggin' me not to leave you.
J1 And I refuse to let you go J1
Yeah.
David Ruffin and The Temptations.
Hmm.
What do you say?
That ain't never gonna happen.
Then I'm gone.
Fellas.
Fellas, you know I'm
just kiddin', right?
Come on, you know
I always be kiddin'.
Yo, fellas, we successful now.
Lighten up.
You's too uptight.
Enjoy the fruits.
I'm gonna see you
at rehearsal.
I'm gonna be there on time. I'm
Bye. Thanks for comin' over.
They tickle me.
They believed rne.
I am talking crossover, gentlemen.
Crossover- I'm talking about
broadening our scope,
Getting you out in front of the
mainstream white audience.
Now, I brought
somebody in from L. A.
They're gonna manage
both you and The Supremes.
Rebecca, send Shelly in, please.
Thank you.
So, what's he gonna do?
I'm gonna let him
tell you himself.
Gentlemen, say hello
to your new manager,
Shelly Berger.
- Otis.
- Shelly.
It's a pleasure.
Melvin.
How you doin'? It's a pleasure.
Paul.
Eddie.
I'm a huge fan, fellas.
David's feeling a bit under the weather.
Couldn't be here today-
Why don't you explain
the plan to the guys?
The plan, gentlemen, is to get you
on all the major television shows,
Your own specials,
theater in the round, Las Vegas...
- And the Copacabana.
- How are you gonna do that?
Mr. Gordy's approved a four-week
tour with The Supremes,
And then we cut a new album--
an album with standards.
- Standards? - Talkin' middle-of-the-road,
Burt Bacharach,
"Man of la mancha, "
Henry Mancini.
What's this album supposed to do...
Besides piss off our fans?
It gets us to the Cope, Paul.
And that opens the door
to all the rest.
It all sounds like
great money to me.
Listen, guys.
This is a major step for you
and for Motown.
Look, look.
What's so wrong with what we're doin' now?
Hell, we're the biggest--
- Biggest black group in the business.
- What's wrong with that?
Nothin'.
We're talkin' about bein'
the biggest group, period.
The biggest group in the world.
So, what do you think?
Right now, I really don't think
it matters much what I think.
Gordy says he's gonna put
a lot of money in this project.
It ain't about the money.
I mean, look.
Our music, that's who we are.
Man, radio made us.
Do you really think that the jocks are
gonna get behind a bunch of sellouts?
Come on, man.
Come on.
Why don't you give it a chance?
The "Mellow Mood" album
did what it was supposed to do.
We made it to the Copa.
At least, most of us did.
Where the hell's Ruffin?
You tell me, because I don't know.
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