Psycho Shark Page #2

Year:
2010
16 Views


Shizuka finally found a guy she likes!

And now a comment for her!

l don't have a comment. Stop it.

None. l don't have any.

For example, what do you like about him,

or why you fell for him. You have reasons.

You have them.

Why l fell for him?

Well, let's see. That he's tall...

...and he's dark...

Wait, wait, wait. Did you say, ''dark''?

No l didn't!

You did too!

Dark, and of course, external appearances.

- From the first time l laid eyes on him...

- Not Aya's type.

lt's not.

Let's rehearse your confession

to the camera.

No, l don't need to.

Cue.

Well...

...from the beginning, um...

Cameraman; cut, cut, cut.

Don't be shy!

l don't know what to say so suddenly.

Look how she's encroaching on me.

One more time. Think of this camera as him.

Well, from the first time l saw you, l fell in love.

That's enough. l'll do it. Watch me.

l'll do it.

Ready.

Action.

l love you.

That was direct.

That was cute, but lacking in sexiness.

l'll shoot you.

l love you.

Oh, that heart was nice.

What'll we do with this girl?

l have to close this in the end.

Clearly say you love him.

Okay, over there.

Or maybe here.

Yeah, here is all right.

l thought you were very cool

from the first time l met you.

You have to look up.

Huh? Why?

Upturned eyes are mushy.

- lt's effeminate.

- What's the difference?

Upturned eyes are important.

A girl must use upturned eyes.

Really?

Ready, action.

Um, l love you.

And the reporter is...

This is Aya on location

and Kayo, the cameraman.

We've been following Shizuka and Kenji.

Let's see.

A scoop. There they are.

Looking good.

Camera are you ready to move?

Three, two, one, let's go.

Wait a second. The battery!

Huh?

Do something.

- What?

- Do something.

Stick your booty out.

What? l can't do that.

lt's cold!

lt's cold.

My stomach's sticking out.

l'll give you an abdominal massage.

That's funny.

The tape is almost out.

Here. The usual thing.

Thanks. l'll give this to you.

Nice, eh?

He'd be cute if he were this small.

We'll be counting on you again.

l know.

This time is also high caliber.

Wait and look forward to it.

Hey, they're waving.

Hey, that was Aya.

No, don't splash me!

No splashing!

Come here.

Okay.

lt's cold.

l'm not going in.

The camera is rolling.

Then l'll take your place.

- Hello!

- Can't see him!

Sorry, sorry.

Take this.

Oh, is that Kenji?

You can't reach me. Ha ha.

You can't reach me. Ha ha.

Everybody grab some.

- Ewe.

- Grab some.

l'm the only one without any!

Everybody grab some.

- Ewe.

- Grab some.

l'm the only one without any!

REWlND

PLAY:

Whoa!

This is so fun.

l grabbed some.

No, no, don't!

You can't reach me. Ha ha.

Everybody grab some.

- Ewe.

- Grab some.

l'm the only one without any!

FAST FORWARD:

PLAY:

Look what you're doing.

Aya's mustache.

lt smells.

How do you feel about going back to Tokyo

tomorrow? Did you have fun?

lt was fun.

- l don't want to go home.

-Don't want to go?

You say, ''don't'', but you really can't.

Shut up.

Hey, you just don't want to be away, right?

Yeah, l don't want to be away.

l don't want to be away!

Mai! Mai! Get away!

Mai! Mai! Get away!

Mai! Get away!

Mai, Mai!

Mai! Mai!

Mai, Mai!

Get away!

Mai!

Get away, Mai!

What?

Mai!

What? What's wrong?

Mai! Mai!

Mai left it lying around again.

These are the last memories at the beach.

My stomach's sticking out.

l'll give you an abdominal massage.

That's funny.

The tape is almost out.

They're walking together.

How will you confess?

Huh? l'll say, ''l love you!''

That's cute!

She's trying so hard.

That's nice.

Like a romance movie.

lt's refreshing.

Look it's so romantic.

Are they going to kiss?

Hey, look, look.

ls that a present?

Here's a present.

- Huh?

- What?

Why?

What did he do to Shizuka?

Run!

Miki, what are you doing?

Look at this.

What?

Just look.

What is that?

Just wait.

FAST FORWARD:

Huh?

This isn't it.

What do you want to show?

lt's about Kenji.

Could you give me a break?

But the tape.

You really can't stand it. Whatever.

lt's on tape!

Whatever.

Mai, wait!

Don't come.

lf you see you'll understand!

Knock it off.

You'll understand if you look.

Leave me alone.

No. Come on, please.

What are you doing?

What's wrong?

Enough. Everything's fine.

What is this about?

Never mind.

What?

Huh?

What is this?

What?

- The tape. You know, the tape!

- Let's go. Let's go.

- All right?

- Yeah.

Know what? Wait here a second.

l'm going to stay here.

You can go home ahead.

Are you all right?

Yeah.

We'll probably see dolphins today.

- What?

- We'll see dolphins.

Really? Score!

There's a landing over there.

l can't wait.

They're walking together.

FAST FORWARD:

Hey, look, look.

ls that a present?

Here's a present.

- Huh?

- What?

Why?

What did he do to Shizuka?

Run!

Shizuka.

What's wrong?

Please, somebody help.

Stop it.

Please stop!

Somebody help!

Please help.

Hey.

Huh?

Could you close your eyes?

Why?

Just do it.

Um.

Okay.

That tickles. What is it?

Your skin is nice.

Really?

Yeah.

Kenji.

l...

Ouch!

l don't understand. lt's blood.

Stop it.

No!

Mai!

Mai!

Ouch. Let go.

Hi!

Guests!

lt's rolling.

We're in the picture.

We're going to the beach now!

We're going to the beach.

l'm going to swim a lot.

l'm going to create many memories.

lt's the ocean! Awesome!

lt's cool and feels good!

Sexy pose!

Cool.

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Yasutoshi Murakawa

Yasutoshi Murakawa (村川 康敏, Yasutoshi Murakawa, born May 31, 1971) is a Japanese screenwriter. more…

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Submitted on August 05, 2018

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