Pulp Fiction Page #28

Synopsis: Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson) are hitmen with a penchant for philosophical discussions. In this ultra-hip, multi-strand crime movie, their storyline is interwoven with those of their boss, gangster Marsellus Wallace (Ving Rhames) ; his actress wife, Mia (Uma Thurman) ; struggling boxer Butch Coolidge (Bruce Willis) ; master fixer Winston Wolfe (Harvey Keitel) and a nervous pair of armed robbers, "Pumpkin" (Tim Roth) and "Honey Bunny" (Amanda Plummer).
Genre: Crime, Drama
Director(s): Quentin Tarantino
Production: Miramax Films
  Won 1 Oscar. Another 62 wins & 69 nominations.
 
IMDB:
8.9
Metacritic:
94
Rotten Tomatoes:
94%
R
Year:
1994
154 min
33,014 Views


With the respect it deserves, Butch carefully places the M61

back on the kitchen counter.

Then he exits the apartment, quickly.

EXT. APARTMENT COURTYARD – DAY

Butch, not running, but walking very rapidly, crosses the

courtyard...

...comes out of the apartment building, crosses the street...

...goes through the alley...

...and into his car in one STEADICAM SHOT.

EXT. HONDA – DAY

Butch CRANKS the car into gear and drives away. The big wide

smile of a survivor breaks across his face.

EXT. APARTMENT BUILDING STREET – DAY

The Honda turns down the alley and slowly cruises by his

apartment building.

INT. HONDA – DAY

Butch looks out the window at his former home.

BUTCH:

That's how you're gonna beat 'em,

Butch. They keep underestimatin'

ya.

This makes the boxer laugh out loud. As he laughs, he flips

a tape in the cassette player. When the MUSIC starts, he

SINGS along with it.

He drives by the apartment, but is stopped at the light on

the corner across from Teriyaki Donut.

Butch is still chuckling, singing along with the song, as we

see:

THROUGH THE WINDSHIELD

The big man himself, Marsellus Wallace, exit Teriyaki Donut,

carrying a box of a dozen donuts and two large styrofoam

cups of coffee. He steps off the curb, crossing the street

in front of Butch's car. This is the first time we see

Marsellus clearly.

Laughing boy stops when he sees the big man directly in front

of him.

When Marsellus is in front of Butch's car, he casually glances

to his left, sees Butch, continues walking... then STOPS!

DOUBLE-TAKE:
"Am I really seeing what I'm seeing?"

Butch doesn't wait for the big man to answer his own question.

He STOMPS on the gas pedal.

The little Honda SLAMS into Marsellus, sending him, the donuts

and the coffee HITTING the pavement at thirty miles an hour.

Butch CUTS into cross traffic and is BROAD-SIDED by a gold

Camaro Z-28, BREAKING all the windows in the Honda and sending

it up on the sidewalk.

Butch sits dazed and confused in the crumpled mess of what

at one time was Fabienne's Honda. Blood flows from his

nostrils. The still-functional tape player continues to play.

A PEDESTRIAN pokes his head inside.

PEDESTRIAN:

Jesus, are you okay?

Butch look at him, spaced-out.

BUTCH:

I guess.

Marsellus Wallace lies sprawled out in the street. GAWKERS

gather around the body.

GAWKER #1

(to the others)

He's dead! He's dead!

This jerk's yelling makes Marsellus come to.

TWO PEDESTRIANS help the shaken Butch out of the wreckage.

The woozy Marsellus gets to his feet.

GAWKER #2

If you need a witness in court, I'll

be glad to help. He was a drunken

maniac. He hit you and crashed into

that car.

MARSELLUS:

(still incoherent)

Who?

GAWKER #2

(pointing at Butch)

Him.

Marsellus follows the Gawker's finger and sees Butch Coolidge

down the street, looking a shambles.

MARSELLUS:

Well, I'll be damned.

The big man takes out a .45 Automatic and the Gawkers back

away.

Marsellus starts moving toward Butch.

Butch sees the fierce figure making a wobbly bee-line toward

him.

BUTCH:

Sacre bleu.

Marsellus brings up his weapon and FIRES, but he's so hurt,

shaky and dazed that his arm goes wild.

He HITS a LOOKY-LOO WOMAN in the hip. She falls to the ground,

screaming.

LOOKY-LOO WOMAN

Oh my God, I've been shot!

That's all Butch needs to see. He's outta here.

Marsellus RUNS after him.

The CROWD looks agape.

Butch is in a mad, limping RUN.

The big man's hot on his ass with a cockeyed wobbly run.

Butch cuts across traffic and dashes into a business with a

sign that reads "MASON-DIXIE PAWNSHOP".

INT. MASON-DIXIE PAWNSHOP – DAY

MAYNARD, a hillbilly-lookin' boy, stands behind the counter

of his pawnshop when, all of a sudden, chaos in the form of

Butch RACES into his world.

MAYNARD:

Can I help you wit' somethin'?

BUTCH:

Shut up!

Butch quickly takes measure of the situation, than stands

next to the door.

MAYNARD:

Now you just wait one goddamn minute

Before Maynard can finish his threat, Marsellus CHARGES in.

He doesn't get past the doorway because Butch LANDS his fist

in Marsellus' face.

The gangster's feet go out from under him and the big man

FALLS FLAT on his back.

Outside, two police cars with their SIRENS BLARING race by.

Butch POUNCES on the fallen body, PUNCHING him twice more in

the face.

Butch takes the gun out of Marsellus' hand, than grabs ahold

of his middle finger.

BUTCH:

So you like chasing people, huh?

Rate this script:3.8 / 57 votes

Quentin Tarantino

Quentin Jerome Tarantino (born March 27, 1963) is an American director, writer, and actor. His films are characterized by nonlinear storylines, satirical subject matter, an aestheticization of violence, extended scenes of dialogue, ensemble casts consisting of established and lesser-known performers, references to popular culture, soundtracks primarily containing songs and score pieces from the 1960s to the 1980s, and features of neo-noir film. He is widely considered one of the greatest filmmakers of his generation. more…

All Quentin Tarantino scripts | Quentin Tarantino Scripts

6 fans

Submitted by acronimous on March 30, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Pulp Fiction" Scripts.com. STANDS4 LLC, 2024. Web. 27 Nov. 2024. <https://www.scripts.com/script/pulp_fiction_75>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Pulp Fiction

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In what year was "The Lion King" released?
    A 1993
    B 1995
    C 1994
    D 1996