Pulp Fiction Page #3

Synopsis: Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson) are hitmen with a penchant for philosophical discussions. In this ultra-hip, multi-strand crime movie, their storyline is interwoven with those of their boss, gangster Marsellus Wallace (Ving Rhames) ; his actress wife, Mia (Uma Thurman) ; struggling boxer Butch Coolidge (Bruce Willis) ; master fixer Winston Wolfe (Harvey Keitel) and a nervous pair of armed robbers, "Pumpkin" (Tim Roth) and "Honey Bunny" (Amanda Plummer).
Genre: Crime, Drama
Director(s): Quentin Tarantino
Production: Miramax Films
  Won 1 Oscar. Another 62 wins & 69 nominations.
 
IMDB:
8.9
Metacritic:
94
Rotten Tomatoes:
94%
R
Year:
1994
154 min
33,001 Views


And with that, Pumpkin and Honey Bunny grab their weapons,

stand up and rob the restaurant. Pumpkin's robbery persona

is that of the in-control professional. Honey Bunny's is

that of the psychopathic, hair-triggered, loose cannon.

PUMPKIN:

(yelling to all)

Everybody be cool! This is a robbery!

HONEY BUNNY:

Any of you f***ing pricks move and

I'll execute every motherfucking last

one of you!

CUT TO:

CREDIT SEQUENCE:

"PULP FICTION"

INT. '74 CHEVY (MOVING) – MORNING

An old gas guzzling, dirty, white 1974 Chevy Nova BARRELS

down a homeless-ridden street in Hollywood. In the front

seat are two young fellas – one white, one black – both

wearing cheap black suits with thin black ties under long

green dusters. Their names are VINCENT VEGA (white) and JULES

WINNFIELD (black). Jules is behind the wheel.

JULES:

– Okay now, tell me about the hash

bars?

VINCENT:

What so you want to know?

JULES:

Well, hash is legal there, right?

VINCENT:

Yeah, it's legal, but is ain't a

hundred percent legal. I mean you

can't walk into a restaurant, roll a

joint, and start puffin' away. You're

only supposed to smoke in your home

or certain designated places.

JULES:

Those are hash bars?

VINCENT:

Yeah, it breaks down like this: it's

legal to buy it, it's legal to own

it and, if you're the proprietor of

a hash bar, it's legal to sell it.

It's legal to carry it, which doesn't

really matter 'cause – get a load of

this – if the cops stop you, it's

illegal for this to search you.

Searching you is a right that the

cops in Amsterdam don't have.

JULES:

That did it, man – I'm f***in' goin',

that's all there is to it.

VINCENT:

You'll dig it the most. But you know

what the funniest thing about Europe

is?

JULES:

What?

VINCENT:

It's the little differences. A lotta

the same sh*t we got here, they got

there, but there they're a little

different.

JULES:

Examples?

VINCENT:

Well, in Amsterdam, you can buy beer

in a movie theatre. And I don't mean

in a paper cup either. They give you

a glass of beer, like in a bar. In

Paris, you can buy beer at

MacDonald's. Also, you know what

they call a Quarter Pounder with

Cheese in Paris?

JULES:

They don't call it a Quarter Pounder

with Cheese?

VINCENT:

No, they got the metric system there,

they wouldn't know what the f*** a

Quarter Pounder is.

JULES:

What'd they call it?

VINCENT:

Royale with Cheese.

JULES:

(repeating)

Royale with Cheese. What'd they call

a Big Mac?

VINCENT:

Big Mac's a Big Mac, but they call

it Le Big Mac.

JULES:

Le Big Mac. What do they call a

Whopper?

VINCENT:

I dunno, I didn't go into a Burger

King. But you know what they put on

french fries in Holland instead of

ketchup?

JULES:

What?

VINCENT:

Mayonnaise.

JULES:

Goddamn!

VINCENT:

I seen 'em do it. And I don't mean a

little bit on the side of the plate,

they f***in' drown 'em in it.

JULES:

Uuccch!

CUT TO:

INT. CHEVY (TRUNK) – MORNING

The trunk of the Chevy OPENS UP, Jules and Vincent reach

inside, taking out two .45 Automatics, loading and cocking

them.

JULES:

We should have shotguns for this

kind of deal.

VINCENT:

How many up there?

JULES:

Three or four.

VINCENT:

Counting our guy?

JULES:

I'm not sure.

VINCENT:

So there could be five guys up there?

Rate this script:3.8 / 57 votes

Quentin Tarantino

Quentin Jerome Tarantino (born March 27, 1963) is an American director, writer, and actor. His films are characterized by nonlinear storylines, satirical subject matter, an aestheticization of violence, extended scenes of dialogue, ensemble casts consisting of established and lesser-known performers, references to popular culture, soundtracks primarily containing songs and score pieces from the 1960s to the 1980s, and features of neo-noir film. He is widely considered one of the greatest filmmakers of his generation. more…

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Submitted by acronimous on March 30, 2016

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