Pulp Fiction Page #40

Synopsis: Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson) are hitmen with a penchant for philosophical discussions. In this ultra-hip, multi-strand crime movie, their storyline is interwoven with those of their boss, gangster Marsellus Wallace (Ving Rhames) ; his actress wife, Mia (Uma Thurman) ; struggling boxer Butch Coolidge (Bruce Willis) ; master fixer Winston Wolfe (Harvey Keitel) and a nervous pair of armed robbers, "Pumpkin" (Tim Roth) and "Honey Bunny" (Amanda Plummer).
Genre: Crime, Drama
Director(s): Quentin Tarantino
Production: Miramax Films
  Won 1 Oscar. Another 62 wins & 69 nominations.
 
IMDB:
8.9
Metacritic:
94
Rotten Tomatoes:
94%
R
Year:
1994
154 min
33,016 Views


Winston turns to leave.

JULES:

Mr. Wolf.

He turns around.

JULES:

I was a pleasure watchin' you work.

The Wolf smiles.

WINSTON:

Call me Winston.

He turns and banters with Raquel as they get in the Porsche.

WINSTON:

You hear that, young lady? Respect.

You could lean a lot from those two

fine specimens. Respect for one's

elders shows character.

RAQUEL:

I have character.

WINSTON:

Just because you are a character

doesn't mean you have character.

RAQUEL:

Oh you're so funny, oh you're so

funny.

The Porsche SHOOTS OFF down the road.

The two men left alone look at each other.

JULES:

Wanna share a cab?

VINCENT:

You know I could go for some

breakfast. Want to have breakfast

with me?

JULES:

Sure.

INT. COFFEE SHOP – MORNING

Jules and Vincent sit at a booth. In front of Vincent is a

big stack of pancakes and sausages, which he eats with gusto.

Jules, on the other hand, just has a cup of coffee and a

muffin. He seems far away in thought. The Waitress pours a

refill for both men,

VINCENT:

Thanks a bunch.

(to Jules, who's

nursing his coffee)

Want a sausage?

JULES:

Naw, I don't eat pork.

VINCENT:

Are you Jewish?

JULES:

I ain't Jewish man, I just don't dig

on swine.

VINCENT:

Why not?

JULES:

They're filthy animals. I don't eat

filthy animals.

VINCENT:

Sausages taste good. Pork chops taste

good.

JULES:

A sewer rat may taste like pumpkin

pie. I'll never know 'cause even if

it did, I wouldn't eat the filthy

muthafucka. Pigs sleep and root in

sh*t. That's a filthy animal. I don't

wanna eat nothin' that ain't got

enough sense to disregard its own

feces.

VINCENT:

How about dogs? Dogs eat their own

feces.

JULES:

I don't eat dog either.

VINCENT:

Yes, but do you consider a dog to be

a filthy animal?

JULES:

I wouldn't go so far as to call a

dog filthy, but they're definitely

dirty. But a dog's got personality.

And personality goes a long way.

VINCENT:

So by that rationale, if a pig had a

better personality, he's cease to be

a filthy animal?

JULES:

We'd have to be talkin' 'bout one

muthafuckin' charmin' pig. It'd

have to be the Cary Grant of pigs.

The two men laugh.

VINCENT:

Good for you. Lighten up a little.

You been sittin' there all quiet.

JULES:

I just been sittin' here thinkin'.

VINCENT:

(mouthful of food)

About what?

JULES:

The miracle we witnessed.

VINCENT:

The miracle you witnessed. I witnessed

a freak occurrence.

JULES:

Do you know that a miracle is?

VINCENT:

An act of God.

JULES:

What's an act of God?

VINCENT:

I guess it's when God makes the

impossible possible. And I'm sorry

Jules, but I don't think what happened

this morning qualifies.

JULES:

Don't you see, Vince, that sh*t don't

matter. You're judging this thing

the wrong way. It's not about what.

It could be God stopped the bullets,

he changed Coke into Pepsi, he found

my f***in' car keys. You don't judge

sh*t like this based on merit. Whether

or not what we experienced was an

according-to-Hoyle miracle is

insignificant. What is significant

is I felt God's touch, God got

involved.

VINCENT:

But why?

JULES:

That's what's f***in' wit' me! I

don't know why. But I can't go back

to sleep.

Rate this script:3.8 / 57 votes

Quentin Tarantino

Quentin Jerome Tarantino (born March 27, 1963) is an American director, writer, and actor. His films are characterized by nonlinear storylines, satirical subject matter, an aestheticization of violence, extended scenes of dialogue, ensemble casts consisting of established and lesser-known performers, references to popular culture, soundtracks primarily containing songs and score pieces from the 1960s to the 1980s, and features of neo-noir film. He is widely considered one of the greatest filmmakers of his generation. more…

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Submitted by acronimous on March 30, 2016

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