Purple Noon Page #2
- PG-13
- Year:
- 1960
- 118 min
- 891 Views
Which is ironic,
since he's the one who sent me here.
He thought I was too smart...
for a poor kid.
To look distinguished,
which is a low-class ambition,
never use a meat knife with fish.
What's more,
knives aren't held like that.
Like this.
Just trying to help.
Can you steer a course?
I think so.
southeast.
We'll bring up your coffee.
I wouldn't accept half
of what you put him through.
It's fun, seeing how much he'll take.
- Stop being so nasty.
- Don't feel sorry for him.
If that's what you think,
why'd you go to Rome with him?
Are you bored being with just me?
Darling, are you crazy?
If you are, I'd rather leave now.
Where?
My love, don't be silly.
Listen,
he'll be the one leaving.
Right away, if you like.
Then it'll be just the two of us.
Like before.
Are you nuts?
Give me a hand!
Jump! She'll scrape the hull!
- Jump! Well tow it!
- I can't! I'm afraid!
- Of what?
- The sea!
I don't give a damn!
It's your fault, now jump!
Philippe!
Philippe! What are you doing?
That'll teach you!
Marge!
The dinghy is gone.
Tom!
He's got terrible sunstroke.
This time, you went too far.
What kind of game
are you playing with him?
Were you like that
when you were 15?
Strange kids.
He's not a childhood friend.
He made it up.
I've never seen him before.
He's amazing!
Are you sure you're not mistaken?
I don't think so.
He's chilly.
Go get his sweater.
BANK OF VENICE... ACCOUNT #5908
BALANCE:
I like you,
so I don't want to hurt you.
When we get to Taormina...
- It'd be better if I left?
- Yes.
He's not like this
when we're alone.
Believe me, going home
is what's best for you.
I'm sorry.
Do you understand?
Perfectly.
I understand you love
a Philippe that doesn't exist.
The sweater?
He's too sick.
Cover him with blankets.
Thatll do.
You okay?
Yeah.
You know,
I meant it as a joke,
but it went wrong.
Forget it.
It's my fault...
I have this stupid fear of the water.
No, it's my fault.
How's the sunburn?
Getting better.
Nine of spades.
Actually, didn't you want to kill me
when you got out of the dinghy?
Not when I got out,
but a few times before.
How very interesting...
- What did you say?
- Nothing!
Were joking.
That's why you took
my bank statements?
Exactly.
so you kill me, and you're rich?
Don't miss a trick, do you?
You'd get caught immediately.
- Not necessarily.
I might not look it,
but I've got lots of imagination.
She's listening.
Quick, say something, anything.
- Eight of spades, eight of hearts!
- A voyage.
Ah, Taormina, Etna!
- Philippe!
- The stick and the...
- Carrot!
- Carrot!
Philippe.
Yes.
Philippe!
Yes!
Come here.
I need your opinion.
Listen.
- To what?
- The new preface.
"Fra Angelico
can be considered a link
between Gothic painting
and Renaissance painting."
- Haven't I read that before?
- Just wait.
Maybe later.
Now's not a good time.
- See? You don't care about my work.
- Of course I do!
You don't love me.
What's your problem?
My feelings for you have nothing
to do with Fra Angelico!
- You mock everything I do.
- Oh, boy.
First, that's not true.
second, calling Fra Angelico
a "link' is quite tactless.
Pardon me.
- And this?
Is this tactful?
What's that?
- A souvenir from the Coliseum?
- It's not from there.
Don't start this again, I beg you.
Don't ruin everything!
I love you and you know it!
Now leave me alone!
- It's that easy?
Everything I do is dumb,
but you do great things! As if!
At least I do something.
- You call that work?
I do. And if it bothers you,
I can easily do it elsewhere!
- Fine! Off you go!
- Philippe, don't touch that!
- Go work somewhere else!
- Don't do it!
Get the hell out!
- Marge.
- No!
Marge.
What's going on?
What's wrong, sweetie?
- Bring me ashore.
- What?
- Bring me ashore.
She wants to go ashore.
Fine!
I don't understand.
If you want me to go...
Okay.
Marge!
Where are you going?
I don't know.
To Mongibello?
Maybe.
Marge.
Thanks.
I'm going to Mongibello.
I can't leave her like that.
Now that we're alone,
- With pleasure.
Assuming you kill me.
Okay.
Then what?
- I bury you reverently.
- And then?
Faking your signature,
I sign your letters of credit.
- It's not that easy!
- I learn quickly.
Of course.
The earring.
Was it you?
- No.
Come on, don't lie.
Okay, I admit it.
Well settle that later.
I caught you in front of the mirror
imitating me.
Do it again.
I said, "Marge. My love, my angel.
That nasty man will never separate us.
I won't go back to San Francisco
and he won't get his $5,000.
I won't allow anything
The stakes:
the watch my fathergave you against $2,500.
Poker. One hand only.
Bringing me back
would've gotten you twice that.
We're not going to san Francisco?
I love Marge.
Let. s do it.
One card.
Well?
Flush.
Damn! Two pair.
Ill write you a check.
You cheated to lose.
You broke up a three of a kind.
I won't be bought off so cheaply.
$2,500 isn't bad.
small change.
Even $5,000 doesn't interest me.
I can have it all.
How?
I have a plan.
Imitate my signature.
Do it.
It takes practice.
Like I said, Ill learn.
Even if you fake my signature,
you'd never manage a whole letter!
I'd use your typewriter.
They are easily identifiable.
What if I throw it overboard?
What then?
That'd be naughty of you.
It's yours.
Marge!
Miserable wretch.
Marge?
Philippe!
I thought you were Philippe.
Where is he?
- Philippe!
- Marge.
He's not here.
He didnt want to come back?
Thanks, Tom.
I'm glad you're here.
Did he go off with Freddy?
Is he in Rome?
I'm babbling.
Why didn't he come back?
Is he still angry?
Yes.
Will he be gone long?
You must know if he took his things.
Tell me, Tom, please.
He didn't take anything.
He asked you to get his things.
You don't look very proud of your job.
I won't run after him.
His bathrobe.
The rest is in the boat.
Miss! I saw the boat.
I have mail for Mr. Greenleaf.
- Thanks.
- Bye.
He left his boat with you?
Just like him.
Takes the typewriter
and forgets his pajamas.
Ill get changed.
Get going.
Ill go with you. Philippe should
get this letter immediately.
He owes 500,000 lire
for the boat and I'm broke.
I'm really stuck.
I'm going back to Paris.
Be reasonable.
Give me the letter,
Ill make sure he gets it.
No.
HOTEL PARADISE:
Mr. Ripley!
Your passport.
Thanks.
Even if you're selling it,
you still owe us 500,000 lire.
Plus, you want an advance.
Ill have to speak to the director.
Sign this, please.
It's a sales agreement
for your boat.
It's too late in the season
to fetch a good price.
- Sure... I'll send it to you.
- As you wish.
You're still in Mongibello?
- No, Rome.
At the Hotel Excelsior.
- Good-bye, Mr. Greenleaf.
- Greenleaf.
I reserved a room.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Purple Noon" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/purple_noon_15999>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In