Quarantine Page #7

Synopsis: A television reporter and her cameraman are assigned to spend the night shift with a Los Angeles Fire Station. After a routine 911 call takes them to a small apartment building, they find police officers already on the scene in response to blood curdling screams coming from one of the apartment units. They soon learn that a woman living in the building has been infected by something unknown. After a few of the residents are viciously attacked, they try to escape with the news crew in tow, only to find that the CDC has quarantined the building. Phones, internet, televisions and cell phone access have been cut-off, and officials are not relaying information to those locked inside. When the quarantine is finally lifted, the only evidence of what took place is the news crew's videotape.
Genre: Horror, Thriller
Director(s): John Erick Dowdle
Production: Screen Gems
  6 nominations.
 
IMDB:
6.0
Metacritic:
53
Rotten Tomatoes:
59%
R
Year:
2008
89 min
$31,691,811
Website
1,381 Views


- No!

Come here. Come.

- Honey!

- She's cuffed.

- Honey!

- Back away.

Back away.

Calm down, calm down, calm down.

- No!

- Father!

- Father!

- What father?

- Her father's sick in bed.

- Nobody told me that.

We thought everyone was down here!

All right, here. Take this.

Get the girl and inject her with it.

- No, no!

- And you, bring everybody down here.

Bring Briana. Okay.

Alright, Kathy, we're gonna get her.

We're gonna bring her down.

- Run, honey!

- We're going up.

- We're not gonna hurt you.

- Get away!

Get away from her! Honey!

Briana!

Run!

Honey!

Briana!

Get away from her!

Oh, God.

Slow down, slow down, slow down.

Okay, okay. All right.

Briana?

Oh, God.

- Where the hell's the old lady?

- The old lady's gone.

Briana?

Okay. Just take it easy, okay?

Briana?

Briana?

Oh, Briana.

- Briana?

- Briana?

Sh*t.

Sh*t, I'm sorry.

Briana?

Oh, sh*t.

Briana?

Oh, I think she's in here, Jake.

Hell...

She's over there. She's over there.

You all right?

Now, I need you

to give me your hand, okay?

Okay?

What happened to her eyes?

Oh, f***!

Please, don't stop! Please, don't!

Go, go!

She bit me! Go, Jake!

- Get out of here!

- Go, go, go!

Come on, go! Let's go!

- Go, go, go!

- They're getting out!

They're getting out!

No, no, no!

Go back, they're getting out!

- Oh, they're getting out!

- Run, run!

Don't go! Wait!

They're getting close! Run!

Run! Run!

Don't leave me.

Angela!

- Don't leave me.

- No, I'm not gonna leave her!

- Please don't leave me!

- We have to get her out of here!

It's not right! It's not right! It's not right!

I'm sorry!

- Come on!

- No, no, not that way! This way!

Hurry up, come on!

Where are the others?

Come on, let's go!

Hurry up!

- Lock it, lock it, lock it!

- Hurry up.

- Were you bitten?

- No.

- You?

- No.

- You?

- No.

Scott?

Scott!

- Were you bitten?

- No.

Angie?

No.

- Hey, what about you?

- No, no.

Hey, you.

On the floor.

- Hey, you been bitten?

- No, no.

Jake, did you find the little girl?

Who gives a sh*t about the little girl?

All right.

We've lost control of the building.

We're f***ed.

Damn it.

I don't understand.

I don't understand!

They were biting her face off!

I don't know

what the f*** is happening!

- Damn it.

- I don't understand.

We could all be infected by now.

We gotta get out of here.

I'm not moving. I'm done.

- I'm not moving.

- Hey, we wait here, we wait here.

- We have to get out of here.

- Listen.

We have to stay here and wait

till somebody come and get us.

They're not gonna come and get us!

- Oh, yes, they will.

- They are not gonna come and get us!

They don't give a sh*t about us!

They're gonna let us die!

They don't care about us!

Scott, we're gonna die!

- Oh, f***.

- She's right.

- Who was that?

- It was the doctor.

What?

- I'm gonna kill you!

- I've been bit!

You left us down there!

You piece of sh*t!

I've been bitten!

He's been bitten.

He's been bitten, get back!

Close those doors!

Somebody close

those f***ing doors!

It won't hold him.

It's not gonna hold him for long.

- Get back.

- She's bleeding!

She's bleeding!

Sadie?

No.

We have to kill her.

No. No.

Hey, hey, hey,

you're not gonna f***ing touch her!

We gotta get out. Gotta get out.

Gotta get out of here.

Gotta get out of here. Come on.

Help me get out of here!

Let me get out of here! Please!

Hey! Hey!

Please! Hey!

Hey! Hey!

Please, get me--

Oh, my God!

Sniper!

Scott.

They're not gonna let us out

of here alive, are they?

No.

I don't think so.

- There might be a way out.

- What?

Jake, there might be a way out.

How? How do we get out of here?

Listen, Jake.

There is a drain cover in the basement

that joins up with the sewers.

- We need the key, we need the key.

- The keys are in our apartment.

Come with us!

Come with us!

You have to come with us!

I won't leave him. I can't leave him.

Leave him alone.

Oh, my God!

We have to get out of here!

We have to get the key!

The key's in Yuri's apartment!

- How do you know where he lives?

- You made the list of residents!

Where does he live?

- I can't remember where it's at!

- You have to think about it.

- Think, think, think.

- I don't know, I don't know.

- Think!

- I don't know which apartment it is!

I don't know which apartment it is!

Mailboxes, mailboxes!

Mailboxes.

Yeah, get the hammer.

- Grab the hammer.

- I got it, I got it!

- Go.

- Keep moving.

Oh, keep moving, man!

Keep moving!

I'm coming!

Where is it? Which one is it?

Hurry.

Yuri Ivanov, 3B.

Three. Get to the elevator.

- Three. Oh, God.

- Oh, sh*t.

Get to the elevator.

But the electricity?

It should run on auxiliary power.

We're good.

She's cuffed, we can get behind.

Come on. Come on.

Come on!

- Oh, God.

- Get in!

Get in!

Get in, get in!

Hurry! Hurry! Hurry!

Close the f***ing door!

Easy, easy.

But it's gonna stop at two!

We're gonna stop at two!

- The light, the light, the light!

- I'll get it!

- I'm fixing it, come on!

- The light!

Come on. Come on,

you should get that hammer, Jake.

They won't close. They won't close.

It's go... it's gonna go.

Oh, it's gonna go...

- Oh, sh*t!

- Scott!

Scott!

Scott!

Get off me!

No!

Get up! Come on!

Get up!

Get up!

Scott, I've been bitten!

- I've been bitten!

- No, you haven't!

No, you haven't! I saw it!

I was bitten!

Angie, Angie, they didn't get you.

You didn't get bitten.

- Come on, Angie. Angie.

- I was bitten!

Look at me, Angie. Come on, baby.

Baby, come on, look at me. Look at me!

Look at me!

- Man, let's go.

- Get off me! Look at me.

- No.

- Get off me!

You did not get bit.

You did not get bit. Look at me.

You did not get bit.

Trust me. You did not.

- I saw it, I saw it.

- We have to go.

- Let's go!

- No. Let's go, baby.

Come on. Come on! Let's go!

This is 3B right here. Right here.

All clear.

- Keep the light on my hands, Scott!

- Okay.

- Find them.

- I don't see it, I don't see.

- The light, the light, the light!

- I'm bringing it back to you!

Nothing.

I don't...

No, no, he wouldn't leave them in there!

Hey, he wouldn't leave them in there!

Come on.

Hurry.

Find the keys.

He's the one that... Who's...?

Go back to the desk.

- Yeah.

- Find the keys, baby.

Come on.

I got them, but I don't know which one it is!

I don't know, just take them all!

- Which one is it, Scott?

- Take them all!

Come on.

Angela, Angela,

I need you to be quiet.

We need to get three flights of stairs

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John Erick Dowdle

John Erick Dowdle (born December 1973) is an American film director and screenwriter, best known for horror films. He usually works with his brother Drew Dowdle as a producer and co-screenwriter. more…

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Submitted on August 05, 2018

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