Queen: Days of Our Lives
- Year:
- 2011
- 120 min
- 259 Views
There's been a lot of rumours lately 'bout
certain band for Queen, the rumour said that
we are going to split up. What do you think?
SHOUTS OF "No!"
They're talking from here.
So forget those rumours. We're going to stay
together until we f***ing well die, I'm sure of it!
"One Vision"
Hey!
There really wasn't much sex...
Well, there wasn't much drugs.
You wouldn't be able to do that now.
# One man
# One goal
# One mission... #
For that moment,
we kind of owned the world.
Where's the modesty gone?
There isn't any.
# One solution... #
Press are never quite understood,
A lot of the press took against them.
# Yeah, one God... #
England doesn't really think we're that cool.
But I mean I don't want some arsehole critic
to tell me that.
You might as well paint a target
on your head and go, "Shoot me!"
I think when you go all the way up,
the only place is to come down.
Controversy Behind Sun City
I wish I'd never heard of the place!
# I'm gonna tell you there's
no black and no white... #
Whenever the band came under pressure, there
would be a walk-out, a separation, a row.
# One worldwide vision... #
We were at a crucial point.
We might have had to break up.
The arguments were creative, then
it would become personal. Of course.
There is an inward jealousy.
They're all wondering & all waiting to see if my
album is going to do better than the last Queen album.
Freddie took to the gay scene like David
Attenborough making a wildlife programme.
I just want to pack in as much of
life and having a good time as much as I can.
'London - the Imperial College
of Science and Technology,
'meeting place for space scientists
from 50 nations,
'specialists who will help develop the equipment which
has taken mankind to the new age of space exploration. '
We've got Brian May on guitar.
APPLAUSE:
I was studying Physics as an undergraduate
here, but Astronomy was always my thing.
And so I did the Astronomy
post-graduate for a PhD.
When we were at school, me and
my mates had a group called 1984.
When I left for university,
the singer we had, Tim Staffell,
a new group together called Smile.
We've got Roger Meddows-Taylor
on percussion.
There was a noticeboard here
where you would pin items
of interest to musicians, so I put
a notice saying "drummer wanted".
"We need Ginger Baker/Mitch Mitchell
type drummer. "
I booked this little jazz club room here and
Roger brought his kit and I brought a guitar.
That was the first time
we played together.
# When she was done
# She hung them up... #
Something happened, I have to say. We thought,
"There is some kind of special sound to this. "
# Goodbye, April Lady... #
I guess we had the same sort
of sound in our heads.
# Goodbye, April Lady
# You've done a lot for the folks
in this town... #
Freddie Mercury on vocals.
APPLAUSE:
Freddie came from
a colonial background.
He was born in Zanzibar and he went
to boarding school in India.
I first met Freddie
There was a piano down there
and Freddie would do
this flowery style on the piano.
It was very Mozart and effective, but unique. You'd
never seen anybody play the piano like that before.
The first time he sang, I knew straight
away that that voice was going places.
# The minute you walked in the joint
# I could see
you were a man of distinction
# A real big spender
# Good-looking, so refined
# Say, wouldn't you like to know
what's going on in my mind...? #
I used to follow Smile a lot. We were
friends. I used to go to their shows.
Freddie was waiting in the wings,
literally, and advising us on what to do.
He would say, "You're brilliant,
but you should do this and this... "
What did you see in what Brian and
Roger were doing with Smile? Nothing!
I think he had in the back of his mind
some idea about maybe working with us.
Freddie told everybody that he was going to be
a pop star and we didn't take it that seriously.
He was sitting over there one night. I walked in and
he put his head in his hands, looking really depressed.
I said, "What's the matter with you?" He
said, "I'm not going to be a pop star. "
and he said,
"I'm going to be... a legend. "
# Hey, big spender
# Spend a little time with me... #
Although we had a lot of successful
gigs and we played colleges, pubs
and clubs up and down the country,
we just never got anywhere.
Smile made a single
which did nothing at all,
then Tim, our singer, got an offer
from someone else called Humpy Bong.
So Tim sodded off to that.
Freddie got us. He said, "Come on,
you can't give up. I want to sing. "
So we decided
that we'd take the plunge.
And it was then that I sort of
thought about the name Queen.
Why Queen? I don't know.
At the time, it was outrageous.
So here we have the main hall.
In 1973, this is where Queen played.
This is really the first proper,
advertised gig we ever did
and it's certainly the first review we ever
got by Rosemary Horide of what was then Disc.
From the very beginning, Freddie was absolutely
remarkable for stagecraft. He had a presence
unlike anything I'd seen. I'd been
a music journalist for a long time.
Freddie, even from those days, had an ability to
work an audience and they would eat out of his hand.
He could turn his hand round like that and
do that and the audience would stand up.
# I have sinned, dear Father
# Father, I have sinned
# Try and help me, Father
# Won't you let me in?
# Liar!
# Oh, nobody... #
It was the first moment when I thought, "Something's
happening here and people know what we're about. "
When they came along, there had been
a denim rock movement,
if you like, with Status Quo,
Uriah Heep.
I think Queen were an incredible
breath of fresh air in rock music.
They had brilliant songs.
Freddie Mercury was
an absolutely charismatic front man.
# Liar... #
Brian May was just this brilliant guitarist
and Roger Taylor was a phenomenal drummer.
And you had that guy
that played bass.
We spent a couple of years looking for a bass
player. It was very hard to find the right guy.
Then we found John.
Deacon John on bass.
APPLAUSE:
I came along
as a bit of an outsider at first.
It did take me quite a few years
to grow more into the group
and find myself at home, really.
Before we signed to a record label, we
actually signed to Trident Productions,
a management company run by the Sheffield
brothers who had a studio in the middle of Soho.
Recording our first album, we were
all students finishing off our degrees.
We had to do it
in what time was available
because the studio was being
booked up all the time.
We had to go in sometimes
at two in the morning
and sometimes finishing at six in the morning,
all those weird times that nobody wanted.
You know, you could see the working girls
at night through their lace curtains,
so while we were mixing,
we'd have a little bit of diversion.
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