Ragamuffin Page #5
like a prince J3
J3 If they lay me
with my fathers J3
J3 Or with my ashes scattered
on the wind I don't care J?
J3 Because when I leave
I want to go out
like Elijah J3
J7 With a whirlwind
to fuel my chariot of fire J3
J3 And when I look
back on the stars J3
J3 It'll be
like a candle light
in Central Park J?
DD:
J3 It won't break
DD:
(Rich, oft?
Eventually, the label
gave me a shot'
and they signed me
After a few months,
called, we//,
Rich Mullins.
[no audio]
After that,
I went on tour with Amy
and opened
at her concerts.
I found
that being on the road
was much more enjoyable
than being in the studio.
Maybe it's because I didn't'
like Nashville very much,
I den '2' know.
Music was always
something that was
a pan' of me,
something I
needed to share.
Now I
was reaching so many people
every night', if was exciting,
despite all
the corporate politics
that went with it.
But it's funny
how you can meet hundreds
(Amy)
Thank you, thank you.
And still feel
almost completely alone.
Thank you all
so much.
We're going to take
and be right back
in a few minutes.
[continuing applause]
There he is!
Tell us!
Here's our rock star!
She does that so way
better than you, man.
Yeah, she's
really talented.
How are you feeling?
Ah. Okay, let's go,
let's go, let's go.
Who's smoking?
Hey.
Ohhh.
So proud of you.
Wayne.
Hey,Dad.
You look like a girl
with that long hair.
You need
a hair cut, boy.
[sigh]
You haven't seen me
in months and that's
what you have to say?
It's only a joke.
Don't be
so damn sensitive.
can wear their hair
however they want
these days.
Rich, would you mind
coming back on at the end
and doing the rain thing?
Absolutely.
You've got
a very talented son here.
You must be
a very proud father.
No, I'm proud
of all my kids.
Two boys,
two girls,
and a--piano player.
[clears throat]
I got to go.
What we're going to do,
we're going to make rain, okay?
So what I'm going to do
is break you guys up
into three groups.
This one's about here.
[soft sound
from crowd]
Nice.
[snapping fingers gently]
[soft patting]
[sound of rain]
[loud sound of rain]
[phone ringing]
[phone ringing]
Come on,
pick up.
(Jess)
Hello?
Jess!
[flatly]
Oh.
It's me.
Hey, Richard.
Sorry I didn't make it.
Oh, no,
that's fine.
Hey, listen,
what are you
doing next weekend?
The tour is coming
through Cincinnati--
Rich, I'm engaged.
[rolling thunder]
I'm sorry.
I just,
I don't know,
I just--
I thought
you should know.
(Rich, off)
You know,
I'm not a real--
I don't know--
I have no interest
in anybody else.
The woman I'm in love with
is married to someone
else so--
that's the way it--
that's the way it goes,
and I don't mind that.
I think
maybe God wanted me
to be celibate.
The way he accomplished
that was to break
my heart.
So the song
you wrote for your wedding,
Doubly Good,
you gave to Amy Grant. Why?
Some things
you just have
to walk away from,
you know.
And some things
you don't have
a choice.
The woman I love
That's the way it goes.
Well, if that's the case,
then it seems to me
that song
is exceptionally cruel.
Why is that?
Well, because it implies
that if God hasn't given you
a love
that's tender
and someone who's true
then he hasn't been
doubly good to you.
Well, God
doesn't have to be
singly good to any of us.
(Rich, off)
We all have it better
than we deserve so...
we should be thankful
for what we have.
[piano playing]
[humming]
[no audio]
[phone ringing]
[phone ringing]
[phone ringing]
[tape recorder clicks]
[piano playing slowly]
[humming]
[same tune playing
with more instruments]
It's good.
That's horrible.
I like it.
Bryan?
Maybe if we
just changed--
No, I don't want to--
I don't want to change--
I don't want
to do it at all.
It's exactly this that made
me not want to come
to Nashville.
Yeah, you made
that clear, Mullins.
But no one's holding
a gun to your head here.
We're just trying to help.
Well, you're not helping.
Look, my songs aren't
fill-in-the-blanks,
you guys.
You can't just put the word
"Jesus" in a few more times
and expect it to be better.
Rich, you already have
a lot of longing
and brokenness
in your other songs,
which is good.
Maybe if you
just had happier lyrics.
I'm not trying to be
a Christian pop star, guys.
I'm just trying to say
something true.
Okay?
I don't want to change
my music.
Yeah? Well,
things change.
You sure don't seem
to mind the new car,
the new house, right?
Don't mess with my songs.
Rich, we don't want to mess
with your songs, okay?
But in order for people
to hear your music,
we have to sell records.
And in order
to sell records,
we have to get
the sound right.
Yeah!
The problem is the sound.
The problem is me.
I got it.
I get it.
What are
you doing?
You can't leave,
we're in the middle
of a session!
You don't want to hear
anything I have to say
to you right now.
He's never going
to sing this song.
Well, if he
doesn't sing this one,
he's going to have to come
up with something else.
We still got
one more slot to fill.
You know,
he has more talent
than anyone I've ever seen.
What if he never gets
off the ground?
[soft guitar playing]
[soft knocking]
[phone ringing]
Hello?
(Gary, over phone)
Hey, Rich.
Hey, Gary.
What's up, man?
I know you're slammed,
but I got a friend
who's asking
for a favor.
Would you have
time to do a show?
Man, I don't know.
We're kind of behind
on this thing.
Thelabers
all over
me about it.
It's on a Native
American reservation.
Really?
Yeah, but it's
all the way out
in Arizona.
It's, like,
a million miles
from Nashville.
I know
you're super busy
working on the new album.
Yeah, I'll do it.
(Rich, off)
Truth was I couldn't
get away fast enough.
a retreat on the moon
from the record company.
The only thing I knew
about the reservation
was that it
and it was
in the middle
of nowhere.
I really had no idea
what to expect.
Driving through
the reservation
was like being
in another world.
It was beautiful there,
but sad at the same time.
Children played
in rundown streets.
Some people
barely left
their homes at all.
There's need here.
Great need.
I ended up staying
a few days here
working with
I was able to get
to know some of the kids
and hear their stories.
The good and the bad.
It was one of the most
real experiences
in my life.
I didn't want it to end.
(man)
Lights out
in ten minutes.
Hey, Rich.
How's it going, man?
I really like
your shirt.
Oh, thanks.
Yeah, I love this one.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Ragamuffin" Scripts.com. STANDS4 LLC, 2024. Web. 13 Nov. 2024. <https://www.scripts.com/script/ragamuffin_16519>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In