Raging Bull Page #8
- R
- Year:
- 1980
- 129 min
- 1,251 Views
VICKIE pulls away from JOEY, and goes back to the
table.
The table area:
JOEY arrives at the table. He grabsVICKIE.
JOEY (CONT'D)
I said, let's go.
SALVY:
Joey, relax. You're taking this the
wrong way. Why don't you sit down
and have a drink?
JOEY:
Excuse me, I'm talking to my sister
in-law.
SALVY:
Excuse me for living.
JOEY:
What do you think, I'm blind? My
brother's breaking his ass in a
ring, and you're here with his
wife.
SALVY:
Hey Joey, I'm here with Patsy and
Vera and Sandy. And Vickie just
happened to come along. We're just
trying to have a good time. What do
you want from me? So, why don't you
just take it easy before this gets
out of hand.
As the conversation gets louder, PEOPLE begin to
notice. PAUL, the owner (a tough-looking, well
dressed guy), and some BOUNCERS also become aware
of the argument.
JOEY:
Get the f*** outa here. What did
you do, take your gangster pills
today? I'll tear your f***in' head
off your shoulders!
JOEY goes for SALVY. PEOPLE react.
The GIRLS begin to scream. VICKIE exits. JOEY
notices her leave, and calls after her.
JOEY (CONT'D)
Hey, wait --
PAUL comes over and stops the fight.
PAUL:
Ain't you forgettin' something?
Ain't there never supposed to be no
trouble in this joint?
SALVY and JOEY give each other looks. JOEY goes out
after VICKIE.
EXT. COPACABANA - NIGHT
JOEY looks up the street for VICKIE. She is gone.
SALVY and PATSY come out of the entrance.
SALVY:
Hey Joey, whadda ya lookin' to die
young?
JOEY:
(as he turns and lashes
into Salvy and Patsy)
I'll suck your eyes out! I'll
f***in' take the two of you.
After a few moments, PAUL and the BOUNCERS from the
Copa come out. The BOUNCERS pull PATSY away. They
try to separate SALVY and JOEY, but can't.
JOEY savagely beats SALVY on the Copa steps and in
the street against the parked cars.
JOEY (CONT'D)
F***in' low-life, cocksucker, etc.
...
SALVY tries to fight back, but JOEY is too tough
for him. SALVY hits the pavement. JOEY kicks him.
PAUL, PATSY, and the BOUNCERS finally pull JOEY
away. PATSY tries to go after JOEY again, but PAUL
stops him.
PATSY:
(to Paul)
Don't f***in' put your hands on me!
You're gonna near about this, Paul.
PAUL:
(to Patsy)
Get the f*** outa here. Don't come
trouble -- I don't care who you
are!
(to Joey)
Get outa here. Go on.
JOEY looks back at him, and then walks away.
INT. THE BACK ROOM OF THE DEBONAIR SOCIAL CLUB
The room is furnished with a few round tables and
some chairs; it is somewhat reminiscent of an old
fashioned candy store.
TOMMY COMO, SALVY, PATSY and JOEY are present.
SALVY's face is bruised from the beating JOEY gave
him.
COMO:
All rightg I don't have to hear any
more. I think I understand what
happened. I understand it was your
brother's wife and there was
probably a misunderstanding. I'm
not sayin' Salvy shouldn't have
acted the way he did. But, Joey,
you don't raise your hands. You
don't do that kind of thing. This
time we forget about it but no more
after this. You understand?
JOEY:
Yeah, I understand, Tommy.
COMO:
All right, you guys, shake hands.
SALVY, JOEY, and PATSY shake hands.
COMO (CONT'D)
Go 'head. Be friends. That's it.
(to Salvy and Patsy)
All right, lemme be alone with him
for a minute.
SALVY and PATSY exit.
There is a pause.
COMO (CONT'D)
Aside from everything else, your
family all right?
JOEY:
Yeah, they're good. They're good,
Tommy.
COMO:
What is it with you? Can't you
talk? You got like a funny
attitude. I can't figure you out,
Joey. What's with you and the quick
answers? You wanna get outa here
fast?
JOEY:
Aw, Tommy, c'mon, it ain't that.
COMO:
Look Joey, I wanna tell you
something. Your brother ain't gonna
get nowhere without us -- nowhere.
And I'm tellin' you between the two
of us, it's gettin' to the point
where it's gettin' to be a real
embarrassment to me, a real
embarrassment.
JOEY:
How can he embarrass you?
COMO:
He's an embarrassment because
Frankie and the other guys are
expectin' me to do something about
it, and I'm lookin' very bad.
I can't deliver a kid from my own
neighborhood. Why's he make it so
hard on himself? He comes to me, I
can make it easier for him.
JOEY:
Tommy, Jake respects you. He won't
even say hello to anybody else --
you know that. But you know when
Jake gets set on somethin', Jesus
Christ Almighty could get off the
f***in' cross and he ain't gonna
talk him out of it. I'm his kid
brother. I got no say with Jake on
this. He thinks he can buck
everybody and make it on his own.
COMO:
Make it on his own? Does he know
the kind of money involved? I mean
the real money. He thinks he's
gonna become champ on his own?
We're gonna sit by and see some nut
come in there and hold one of the
most important titles in the world?
A nut who don't listen to nobody or
respect nobody? Is he really crazy?
Listen, Joey, you understand, you
tell him. I don't care how great he
is or how colorful. He could beat
all the Sugar Ray Robinsons and all
the Janiros he wants to. He ain't
gonna get a shot at the title
without us. I'm not askin' you to
do another thing except get that
message into that thick head!
EXT. SHORERAVEN POOL - DAY
Another day. JOEY, fully clothed, opens the gate
and looks around.
JAKE is sitting alone near the deep end. JOEY walks
over to him.
JOEY:
Whatcha doin'?
JAKE:
I remember the first time I met
Vickie... I know there's somethin'
up. I know she's doin' somethin',
but I can't catch her...
JOEY:
Maybe she's afraid you're gonna hit
her so she can't talk to you the
way she wants to.
JAKE:
What do you mean?
JOEY:
Try talkin' to her. She's your wife
-- ask her what's the matter.
JAKE:
When I'm away, did you ever notice
anythin' funny with her? Tell me
the truth.
JOEY:
Jack, if there was anything funny,
I would tell you.
JAKE:
I want you to keep an eye on her
when I'm not here. Understand?
JOEY:
Sure, I'll keep an eye on her.
JAKE:
What did Tommy say?
JOEY:
I got good news, and I got bad
news. The good news is you got your
shot at the title. The bad news
is...
JAKE:
(interrupting, resigned)
Yeah, I know.
INT. WORTH STREET BASEMENT - DAY
As BILLY FOX steps off the scales, EDDIE EAGAN
calls out:
EAGAN:
Billy Fox, 173 3/4 pounds.
JOEY removes JAKE's leopard-skin robe as he steps
on the scale. The REPORTERS crowd around.
EAGAN (CONT'D)
Jake LaMotta, 167 pounds.
JAKE'S HANDLERS urge him with words of
encouragement as they walk toward his dressing
room.
INT. JAKE'S DRESSING ROOM - DAY
EAGAN walks over.
JAKE:
What's up, Colonel?
EAGAN:
I'd like to talk to Jake a minute.
JOEY:
Sure.
EAGAN:
everybody's been saying, Jake.
JAKE:
What who's been sayin'?
EAGAN:
You were a big favorite in this
fight. Then two days ago the odds
start jumping all over the place
until you're a 12-5 underdog.
JAKE:
I don't follow no gamblin'
Commissioner. I'm just a fighter.
EAGAN:
Now the fight's off the books
altogether. Meyer Lansky couldn't
get a bet down on this fight. Some
people are saying you're going into
the tank.
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"Raging Bull" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/raging_bull_932>.
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