Raising Arizona Page #18
- PG-13
- Year:
- 1987
- 94 min
- 1,402 Views
Hi lets go with the other barrel.
The shot chews up the front grill, shatters one headlight
and blows out the other front tire. The hood of the car flies
open.
The car is squealing to a halt and Gale and Evelle pile out,
still bellowing.
GALE:
Goddamnit H.I., ain't we got enough
to contend with?
Ed is running over to Gale and Evelle's car, throwing open
the back door to look for the baby but coming out only with
Dr. Spock's Baby and Child Care.
Evelle is staggering around in shock, looking in disbelief
at his own blue body.
ED:
Where's the baby?
Evelle points this way and that, in a state of confusion.
EVELLE:
I think we left him on the roof of
the... he must be back at the...
Hi and Ed are climbing into their car.
GALE:
Let us come with you!
Hi and Ed are already peeling out.
GALE:
...He's our baby too!
Sitting placidly in his car seat that sits in the middle of
the road in front of the bank.
We can hear the wail of the police siren still approaching.
As we hold on Nathan Jr. we hear the distant booming of a
shotgun.
As we boom up to show the empty street beyond the baby, we
hear the crack of return fire and furiously squealing brakes.
The screech culminates in a loud explosion that snaps off
the siren wail. The police car is apparently history.
From beyond the crest of the road ahead a ball of flame has
leapt up with the explosion. As the explosion echoes and
fades we hear the deep rumble of an approaching engine.
Lenny Smalls' motorcycle appears over the rise. Framed against
fire and smoke, he is coming directly toward us, and the
baby.
As they top a rise coming from the other direction. We see
the baby sitting in the middle of the street, and Lenny fast
approaching from the background.
The extremely low wide shot, locked down to the speeding
bike, shows us rushing toward the rear of Nathan Jr's car
seat.
With a clank of chains Lenny's hand drops down into frame,
palm forward, tensing to scoop up the car seat that we are
almost upon.
A tattoo on Lenny's wrist reads "No Prisoners."
REVERSE:
Low shot with Nathan Jr. in the foreground.
He is scooped up and out of frame as Lenny roars by.
ON LENNY:
Roaring along. He hooks the car seat over his handlebars.
Lenny is approaching. Under her breath:
ED:
What is he?
HI:
...D'you see him too?
Lenny is sawing a shotgun out of his back holster and leveling
it at the oncoming car.
Lenny is sighting down the gun, swinging it around as he
approaches the car.
The shotgun spits orange flame and the windshield explodes
in.
Lenny roars by.
LENNY'S POV
The baby on the handlebars in the foreground; the road rushing
by beyond him.
The bike banks into a hard turn.
Shooting through where the windshield used to be, cutting in
at the end of the skid as the car rocks to a halt.
Hi and Ed are raising their heads. Facing forward, they do
not see Lenny approaching again through the rear window.
He is sawing out his second shotgun.
Hi looks around, reaches and pulls Ed down beneath him just
as:
KA-BOOM! - The second shotgun roars and the back window spits
in.
As Lenny roars past the back window he casually flips
something in.
Folded over in the front seat. Below them something bounces
into and around the leg well - Lenny's grenade.
EXT. CAR
As the two front doors fly open and Hi and Ed spill out - Hi
from the driver's side, heading for the far side of the road,
and Ed from the passenger side.
ON ED:
As she dives for cover behind a parked car. Beyond her -
KABOOM! - their car explodes and bounces, pouring black smoke.
ON HI:
The explosion flings him to the ground in the middle of the
street.
Looking up the street to where Lenny is wheeling his bike in
a U-turn. He is not finished yet.
Hi flat on his back, woozily shaking his head.
He weakly raises himself on his elbows to look down the
street.
HI'S POV
Looking down the length of his own body. His legs stretch
away in a V.
Crashing down from a wheelie, Lenny's roaring bike is almost
upon him - aiming up the middle of the V.
HI:
He rolls. As the bike is roaring by:
HI'S HAND
Reaches and snags a chain on Lenny's passing boot.
HI:
Dragged several yards before the boot shakes him off, leaving
him on his stomach in the middle of the road.
Hi looks up the road.
HI'S POV
Lenny is again sluing the bike around.
Smoking as it skids around in the foreground, completing its
turn.
Boom up Lenny's back to reveal Ed stomping straight up the
street toward him - unarmed, unafraid.
ED:
I want that baby!
BACK TO HI:
He reaches back to pull up his shirt, revealing a gun tucked
in his pants in the small of his back. He grabs the gun.
OVER LENNY'S SHOULDER
As Ed closes in.
ED:
Gimme that baby, you warthog from
hell!
Lenny's arms rise into frame. With a roll of his wrists two
knives appear in his hands.
BACK TO HI:
On his stomach, sighting down the gun toward Lenny.
HIS POV:
Ed stepping into his line of fire, blocking Lenny.
FROM BEHIND LENNY
Raising an arm to stab.
Ed stoops to scoop the baby from the car seat, revealing:
Hi, behind her. He fires.
LENNYS HAND:
Drilled by Hi's bullet, drops its knife.
The exit wound spurts, not flesh and blood, but a brief jet
of fire.
LENNY:
Quick as a flash hurling the other knife at Hi.
HI:
As the knife stings the gun out of his hand.
KNIFE ON THE GROUND AT LENNY'S FEET
Lenny bends to scoop up the knife he dropped.
TRACKING BEHIND ED
As she runs toward the bank, clutching Nathan Jr. to her
chest.
INT. BANK
As Ed bursts in. The floor is littered with obedient hayseeds.
From where he lies prone:
OLD TIMER:
Just lie down on the floor, missie.
BANG:
The front door bursts open before Lenny's roaring hog.It sails off a step into the sunken atrium, and lands with a
CRASH amidst the hayseeds.
TRACKING BEHIND ED
As she runs for the back door and pushes through it.
TRACKING BEHIND LENNY
As he slaloms through the wildly scattering hayseeds.
With a whipcrack effect he looks left, then right. He jerks
the bike right, to where an alleyway flanks the side of the
bank.
ALLEYWAY:
Ed is running up the alley toward the front of the bank as
Lenny enters. He roars after her.
LENNY'S POV
Roaring down the alley.
As the bike approaches behind her.
BACK TO LENNY'S POV
Closing on Ed as she reaches the mouth of the alley. A plank
swings into frame, straight at the camera.
REVERSE:
Matching action as Hi finishes swinging the plank into Lenny's
face.
Lenny hits the ground hard as his bike spins out from under
him.
THE BIKE:
Riderless, twisting crazily into the street where it
collapses.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Raising Arizona" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/raising_arizona_981>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In