Ran

Synopsis: Japanese warlord Hidetori Ichimonji decides the time has come to retire and divide his fiefdom among his three sons. His eldest and middle sons - Taro and Jiro - agree with his decision and promise to support him for his remaining days. The youngest son Saburo disagrees with all of them arguing that there is little likelihood the three brothers will remain united. Insulted by his son's brashness, the warlord banishes Saburo. As the warlord begins his retirement, he quickly realizes that his two eldest sons selfish and have no intention of keeping their promises. It leads to war and only banished Saburo can possibly save him.

Genre: Action, Drama

Director(s): Akira Kurosawa

Actors: Tatsuya Nakadai, Akira Terao, Jinpachi Nezu, Daisuke Ryû

Production: Rialto Pictures

Won 1 Oscar. Another 28 wins & 21 nominations.


IMDB:: 8.2
Metacritic:: 96
Rotten Tomatoes:: 96%

Ran Movie Quotes »

Collection Edit Watch PDF Buy

: R
Year:: 1985
: 162 min
: 1,202 Views

00:
02:52,172 -- 00:02:55,299
The arrow that brought down the boar
2
00:
02:55,425 -- 00:02:58,927
beIonged to Lord lchimonji.
3
00:
02:59,721 -- 00:03:01,763
Drink to him!
4
00:
03:12,233 -- 00:03:14,484
The wily old beast
5
00:
03:14,652 -- 00:03:17,821
shot out right in front of me.
6
00:
03:18,656 -- 00:03:22,618
My horse reared
before l couId aim, off I felI.
7
00:
03:25,914 -- 00:03:27,289
Father,
8
00:
03:27,624 -- 00:03:30,626
shalI we roast the boar?
9
00:
03:31,794 -- 00:03:33,837
He was oId.
10
00:
03:34,005 -- 00:03:36,590
His hide is tough; it stinks.
11
00:
03:36,716 -- 00:03:38,300
IndigestibIe.
12
00:
03:41,804 -- 00:03:44,389
Like me, old Hidetora.
13
00:
03:45,767 -- 00:03:46,808
WouId you eat me?
14
00:
03:47,393 -- 00:03:50,145
You'd stick in our throats.
15
00:
03:50,438 -- 00:03:53,565
That's why I joined your hunt,
16
00:
03:53,733 -- 00:03:56,777
to reinforce our friendship.
17
00:
03:56,945 -- 00:03:58,320
I, too!
18
00:
03:59,030 -- 00:04:00,781
l would cement the bonds
19
00:
04:00,949 -- 00:04:04,159
between the houses
of lchimonji and Ayabe,
20
00:
04:04,327 -- 00:04:07,079
I wouId marry my daughter
21
00:
04:07,247 -- 00:04:09,831
to your son Saburo.
22
00:
04:10,041 -- 00:04:11,416
Hold on!
23
00:
04:11,793 -- 00:04:14,044
That's my own invention.
24
00:
04:14,671 -- 00:04:18,340
Lord Ichimonji,
the day is propitious.
25
00:
04:18,800 -- 00:04:20,759
Give us your answer.
26
00:
04:21,094 -- 00:04:24,846
Whom wiIl you have for Saburo,
27
00:
04:25,014 -- 00:04:28,267
my daughter or Lord Ayabe's?
28
00:
04:31,729 -- 00:04:33,814
Not an easy choice.
29
00:
04:34,190 -- 00:04:35,857
Two daughters
30
00:
04:36,067 -- 00:04:37,734
for one son.
31
00:
04:38,778 -- 00:04:42,739
A pity Jiro, my second son,
aIready has a wife.
32
00:
04:53,084 -- 00:04:54,501
Kyoami!
33
00:
04:54,794 -- 00:04:56,211
Entertain us!
34
00:
05:35,335 -- 00:05:37,669
From the far mountain
35
00:
05:38,921 -- 00:05:41,840
From the near mountain
36
00:
05:42,300 -- 00:05:45,427
Who comes hippety-hopping
37
00:
05:46,012 -- 00:05:49,723
Showing off his handsome ears?
38
00:
05:57,357 -- 00:05:58,732
A hare!
39
00:
06:02,820 -- 00:06:05,655
OnIy one hare, Kyoami?
40
00:
06:06,115 -- 00:06:07,157
Two, I think.
41
00:
06:08,659 -- 00:06:12,913
Hopping here,
to be eaten by Father.
42
00:
06:13,748 -- 00:06:15,457
Saburo, that's rude!
43
00:
06:16,626 -- 00:06:17,793
HoId your tongue!
44
00:
06:41,651 -- 00:06:43,985
The Great Lord is tired.
45
00:
06:45,571 -- 00:06:48,573
Let us withdraw until he wakes.
46
00:
07:06,968 -- 00:07:10,470
This is unIike Father.
He onIy pretends to sleep.
47
00:
07:11,305 -- 00:07:14,724
After Saburo's insult,
how eIse could he save face?
48
00:
07:14,892 -- 00:07:17,477
AIl he did was hunt.
49
00:
08:50,154 -- 00:08:52,113
ln the oId days,
50
00:
08:52,281 -- 00:08:57,661
he'd rout an army
and not be winded.
51
00:
08:57,828 -- 00:09:00,372
It's impoIite to our guests.
52
00:
09:01,123 -- 00:09:03,041
Kyoami, wake him!
53
00:
09:03,209 -- 00:09:04,376
Father worries me,
54
00:
09:06,254 -- 00:09:08,713
he's barely snoring today.
55
00:
09:12,009 -- 00:09:14,052
Father, what is it?
56
00:
09:14,220 -- 00:09:15,262
Are you ilI?
57
00:
09:21,852 -- 00:09:23,645
A dream...
58
00:
09:36,492 -- 00:09:38,201
I had a dream.
59
00:
09:40,204 -- 00:09:42,372
I was in a strange land.
60
00:
09:44,083 -- 00:09:46,001
A vast wiIderness.
61
00:
09:46,252 -- 00:09:50,213
I went on and on, but met no one.
62
00:
09:51,257 -- 00:09:53,300
I caIled, l shouted,
63
00:
09:53,467 -- 00:09:55,218
but no one answered.
64
00:
09:58,389 -- 00:09:59,973
l was aIone.
65
00:
10:01,934 -- 00:10:05,103
Alone in the wide worId.
66
00:
10:07,607 -- 00:10:08,690
I felt a chiIl...
67
00:
10:26,459 -- 00:10:28,209
Such stupidity!
68
00:
10:28,919 -- 00:10:32,130
Taro's voice pulIed me back.
69
00:
10:33,174 -- 00:10:35,508
I saw my beIoved chiIdren.
70
00:
10:38,763 -- 00:10:40,430
Taro,
71
00:
10:42,308 -- 00:10:43,767
Jiro,
72
00:
10:45,645 -- 00:10:46,853
Saburo.
73
00:
10:49,148 -- 00:10:52,317
Father, l've never seen you
like this.
74
00:
10:52,652 -- 00:10:53,693
It's not right.
75
00:
10:53,861 -- 00:10:56,071
Quiet, Saburo!
76
00:
10:56,238 -- 00:10:59,366
Be thankful we have his affection.
77
00:
10:59,617 -- 00:11:01,284
I'm puzzIed, too.
78
00:
11:01,452 -- 00:11:04,371
l can scarcely beIieve my ears.
79
00:
11:04,955 -- 00:11:08,416
NormaIly, aIl he asks
is our obedience.
80
00:
11:09,377 -- 00:11:11,252
That's affection enough.
81
00:
11:14,173 -- 00:11:15,548
AlI right.
82
00:
11:22,640 -- 00:11:24,724
I've been considering an idea,
83
00:
11:25,184 -- 00:11:27,894
and l've reached a decision.
84
00:
11:28,896 -- 00:11:31,439
I want to telI it to you.
85
00:
11:32,566 -- 00:11:36,069
Now is a good time to do it
86
00:
11:36,445 -- 00:11:38,446
while we have with us
87
00:
11:38,614 -- 00:11:41,491
Lords Fujimaki and Ayabe.
88
00:
11:45,121 -- 00:11:46,496
Bring them!
89
00:
11:57,049 -- 00:11:59,676
l, Hidetora Ichimonji,
90
00:
12:03,347 -- 00:12:07,934
was born in that smaIl castle
in the mountains.
91
00:
12:09,562 -- 00:12:15,358
At that time, the entire pIain
seethed with constant battle.
92
00:
12:15,484 -- 00:12:17,610
Many Iords vied for power.
93
00:
12:19,613 -- 00:12:22,240
At the age of seventeen,
94
00:
12:24,285 -- 00:12:26,953
l flew my banner over that castIe.
95
00:
12:28,372 -- 00:12:30,999
I waged wars for fifty years,
96
00:
12:32,960 -- 00:12:36,171
and at Iast the plain was mine.
97
00:
12:38,716 -- 00:12:42,802
I hoisted my colours
over the main castIe.
98
00:
12:43,971 -- 00:12:45,680
l spent more years
99
00:
12:45,806 -- 00:12:50,268
fighting lance to lance
with these two gentlemen.
100
00:
12:50,978 -- 00:12:53,772
Now, the moment has come
101
00:
12:53,939 -- 00:12:56,441
to stabIe the steeds of war
102
00:
12:56,609 -- 00:12:59,194
and give free rein to peace.
103
00:
13:02,198 -- 00:13:04,991
But old Hidetora
104
00:
13:05,159 -- 00:13:07,368
is seventy years old.
105
00:
13:14,794 -- 00:13:17,545
l hereby cede totaI authority
106
00:
13:18,756 -- 00:13:21,132
over alI my dominions
107
00:
13:21,383 -- 00:13:23,009
to my eIdest son Taro.
108
00:
13:24,970 -- 00:13:26,888
My Lord, this is so sudden...
109
00:
13:28,057 -- 00:13:29,599
Not at aIl.
110
00:
13:29,767 -- 00:13:33,269
I've thought Iong and hard.
111
00:
13:33,896 -- 00:13:35,730
There comes a time
112
00:
13:37,691 -- 00:13:39,567
to step aside,
113
00:
13:39,735 -- 00:13:43,613
and pass on the reins
to younger hands.
114
00:
13:43,948 -- 00:13:47,075
l say to you:
that time is now!
115
00:
13:47,243 -- 00:13:49,327
This is my wilI.
116
00:
13:50,162 -- 00:13:54,165
Taro is now head of the Ichimonjis,
117
00:
13:54,667 -- 00:13:56,626

Rate this script:5.0 / 2 votes

Akira Kurosawa

After training as a painter (he storyboards his films as full-scale paintings), Kurosawa entered the film industry in 1936 as an assistant director, eventually making his directorial debut with Sanshiro Sugata (1943). Within a few years, Kurosawa had achieved sufficient stature to allow him greater creative freedom. Drunken Angel (1948)--"Drunken Angel"--was the first film he made without extensive studio interference, and marked his first collaboration with Toshirô Mifune. In the coming decades, the two would make 16 movies together, and Mifune became as closely associated with Kurosawa's films as was John Wayne with the films of Kurosawa's idol, John Ford. After working in a wide range of genres, Kurosawa made his international breakthrough film Rashomon (1950) in 1950. It won the top prize at the Venice Film Festival, and first revealed the richness of Japanese cinema to the West. The next few years saw the low-key, touching Ikiru (1952) (Living), the epic Seven Samurai (1954), the barbaric, riveting Shakespeare adaptation Throne of Blood (1957), and a fun pair of samurai comedies Yojimbo (1961) and Sanjuro (1962). After a lean period in the late 1960s and early 1970s, though, Kurosawa attempted suicide. He survived, and made a small, personal, low-budget picture with Dodes'ka-den (1970), a larger-scale Russian co-production Dersu Uzala (1975) and, with the help of admirers Francis Ford Coppola and George Lucas, the samurai tale Kagemusha (1980), which Kurosawa described as a dry run for Ran (1985), an epic adaptation of Shakespeare's "King Lear." He continued to work into his eighties with the more personal Dreams (1990), Rhapsody in August (1991) and Maadadayo (1993). Kurosawa's films have always been more popular in the West than in his native Japan, where critics have viewed his adaptations of Western genres and authors (William Shakespeare, Fyodor Dostoevsky, Maxim Gorky and Evan Hunter) with suspicion - but he's revered by American and European film-makers, who remade Rashomon (1950) as The Outrage (1964), Seven Samurai (1954), as The Magnificent Seven (1960), Yojimbo (1961), as A Fistful of Dollars (1964) and The Hidden Fortress (1958), as Star Wars: Episode IV - A New Hope (1977). more…

All Akira Kurosawa scripts | Akira Kurosawa Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

Notify me of new comments via email.

Translation

Translate and read this script in other languages:

Select another language:

Citation

Use the citation below to add this screenplay to your bibliography:

Style:MLAChicagoAPA

"Ran" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/ran_16572>.

Ran

Discuss this script with the community:

0 Comments

Translation

Translate and read this script in other languages:

Citation

Use the citation below to add this screenplay to your bibliography:

We need you!

Help us build the largest writers community and scripts collection on the web!

The Web's Largest Resource for

Movie & Play Scripts

A Member Of The STANDS4 Network

Browse Scripts.com

Ran

Soundtrack

The Studio:

ScreenWriting Tool

Quiz

Are you a screenwriting master?

What is the purpose of a "beat sheet" in screenwriting?