Rasathanthram Page #2

Synopsis: Premachandran is a good carpenter well-versed in Thachu-Shastra (Science of Carpentry). He is sought after by many for being true to his profession. Having a painful past and shunned by the rest of his family he lives with his father who supports him wholeheartedly. One day Premachandran notices Kanmani, a poor ill-treated servant girl. When Kanmani decides to end her life Premachandran dissuades her and takes her into his care. To give the slip to her former abusers and to avoid suspicion, Kanmani dresses up as a boy and soon joins Premachandran's team of carpenters. There are repercussions when the girl starts to fall in love with him.
 
IMDB:
6.5
Year:
2006
365 Views


What is there to tell like this.

lt is for his sister and children.

l've worked with chisel

can't get on with the shop,

So thought of coming back and live here.

Forthat l want Preman's support.

Support.?

My dear preman, Go to Beypore and enquire.

There is none to defeat me in carpentry work.

Master, have you seen bell metal.

Arabs spend lakhs of Rupees on that.

ln Beypore it is well known

My chisel's touch will make it as pure gold.

Why do you laugh?

Manikantan Asaari says that

you can't be entrusted with any work.

Hey. What work has he entrusted me.

Do you know people give him

work only because

You are with him. So if l Call you,

you must come.

Not always. l'll get work

if you are with me.

l am sure l need not go for

my in laws free things.

l'll come.- Enough.

But, You should do one thing.

-Yes. What to be done?

You make me and Manikantan Asaari

to quarrel with each other.

Kishore! What are you doing?

Time is 8.30.

Lunch is ready. On the top there is fish curry.

See it doesn't spill.

Boiled egg?- lt is inside the rice.

As if going to work as Collector.

Anyway, it is a job without sawdust and sweat.

Hey, l earn in two days what he earns

from the STD booth in one month.

Anyway it is carpenter's work.

You don't delay, son.

Daddy'll start quarreling. Bye Bye.

Why are you keeping aside?

- For Kunjuttettan.

All these?

ln the morning if he doesn't take

stomach full, he'll be tired.

Then what shall l give to Maniettan?

Mother ... ldli.

- For me also.

You've not finished yet.

- l have finshed.

Vilasini!

You got up late brother? Here, tea.

l think there is more milk in the tea.

- Never mind. lt is milk.

What are all your program, Kunjutta?

l want to take an oil bath in hot waterfirst.

Then after breakfast l want to go to

school for children's admission.

Then after lunch a sound sleep.

That is today's programme.

l didn't ask that.

We'll be here only.

lt is a pleasure to take bath and

have food from wife's house.

That pleasure you can't have hereafter.

Those who can't work and look

afterfamily should not marry.

Don't utter such words. l've seen

chisel and all long before you.

Go to Beypore and enquire who is Kunjuttan.

Forthat no need of going to Beypore.

Who made table for cobbler George?

Table turned out to be a birds cage.

You made a cot for mother

of Subbairfrom Gulf.

That cot broke on the first day

and that lady is bedridden.

You make Almirah, it will be hen-coop.

lf you make hen-coop, l will be rat-trap.

Whatever l say, a Beypore.

lf you say Beypore once again,

l'll burn Beypore.

You talk ill of Beypore?

Beypore is my livelihood.

l'll set right your livelihood today.

Mother, father and uncle are fighting.

Will you raise your hands at me?

Not only hands, l'll raise my legs also.

lts she who needs beating.

She has two children. ls it not?

Whatever may be the problem,

we can settle it by talks.

Come here.-Will you raise

your hands at me?

He is not as intelligent as you.

Be calm for a minute.

Have you forgotten what i told you yesterday.

The plan to take kunjuttettan in

our group is being settled.

Difference of opinion will be

there for everyone.

ls it properto beat each other.

At the time of Birth

At the time of Death

At the time we meet

Why do we quarrel in vain?

Haven't you heard Poet

Poonthanam's lines?-Who?

Can we insist someone to behave as

we like. So one compromise.

From tomorrow Kunjuttetan also

coming with us for work.

Oh God.- Don't talk.

We are all one. lsn't it Manikandan Cheta.

l am with you. OK?

Central-TmG

Farfar away, clouds offer prayers

And sweetly chants the daylight.

Dear Perunthachan,

You created a world with your skill.

With illusory trees,

You built a palace of dreams.

Fashion a small form for my soul!

Help the chief with the planks...

Pass on the chisel and sticks.

Central-TmG

Teak tree forthe carpenters

to make sculptures.

Country wood forthe workers to make pillars.

Afew flowers for me to make a pearl necklace!

The flagmast nearthe temple,

The old tree in the garden with

his touch becomes gold.

The twist of the story!

Farfar away, clouds offer prayers

And sweetly chants the daylight.

Central-TmG

Tomorrow you bring the hammer

to make carvings.

Clay forthe women to make rice pots

With an illusory yardstick,

l will remove sorrows!

Make mosques and old houses

Temples and theirthreshold

With his touch becomes gold.

You learn the moral of the story!

Farfar away, clouds offer prayers

And sweetly chants the daylight.

Dear Perunthachan, you created

a world with your skill.

With illusory trees,

you built a palace of dreams.

Fashion a small form for my soul!

Help the chief with the planks..

Pass on the chisel and sticks

Brother, this frame does not fit.

Length is less.

lt was correct.

- lt is not fitting anywhere.

What? Oh why did you cut it?

ls it right size?

For bottom and top, the work is completed.

This is forthe side.

- Then you could've told me.

Prema, He has cut the frame into two.!

lf you've any doubt you could've

asked Kunjuttetta.

l didn't have doubt.

When owner comes what shall l tell?

Oh God!

We, in Beypore....

lf you speak a word about Beypore,

l'll change your shape.

Kunjuttetta, Come here.

You go and get 4 tea.

One without sugar.- For brother?

You are the only person....

Who's this?

Manikanda, my wife told

you've started woodwork.

l've come last night.

l was in the estate.

l didn't know that you are the worker.

Knew that you were not here

so l did not come.

All are new people. ls that man with

the moustache not there?

Aravindan.

- He is in Gulf.

This is the land l gave.

Yes, l know it.

When buying he didn't tell that

it's for a house. He is in Gulf.

They are people known to me.

The buyer is Vasudevan's father.

- He was the driver here.

That are all old stories.

Manikanda. See that shed there when rain comes

water will drop through the wall.

Tile might have broken.

Tiles are changed. l think something

wrong with the rafter.

You must come and repair it.

Yes l'll do it while going in the evening

This is only a few minutes work.

Then l'll come in the lunch time.

Termites are there. A major part

of the rafter is gone.

Then take the timber.

- Okay.

You get down and see Preman.

-Yes

Central-TmG

What happened?

Don't be scared.

l've not seen anything.

Hey. Open the door.

Oh her bath at this time.

l'll beat you.- Oh slowly.

When l tried to remove the termites,

it has fallen.

Stop. Hey stand there.

When she is told to do a work she wont.

Oh ! Going to become a beauty queen.

Stand there.

She is a poor girl, Master.

She has not done anything wrong.

They won't think that they

do it in front of others.

Seeing that l felt very much.

They dragged her and still beating.

They will beat, if necessary they will kill.

Who is going to ask.

Roy was running a brandy shop in Salem.

A Tamilian woman brought this girl about

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Sathyan Anthikad

Sathyan Anthikad is an Indian film director, screenwriter, and lyricist best known for his family dramas in Malayalam cinema. Sathyan has created many critical and commercially successful films, especially when working with Sreenivasan as the scriptwriter. His popular films include T. P. Balagopalan M.A. (1986), Gandhinagar 2nd Street (1986), Nadodikkattu (1987), Varavelpu (1989), Mazhavilkavadi (1989), Sasneham (1990), Sandesam (1991), My Dear Muthachan (1992), Santhanagopalam (1994), Thooval Kottaram (1996), Irattakuttikalude Achan (1997), Veendum Chila Veettukaryangal (1999), Kochu Kochu Santhoshangal (2000), Manassinakkare (2003), and Rasatanthram (2006). Actors Mohanlal and Jayaram embodied the typical Sathyan Anthikkad protagonist in most of the films. On the other hand, Sathyan Anthikad had tried making movies in different genres as well but because of their lower success rate at the box-office he hasn't pursued to make more of them. Some of his such films include Pappan Priyappetta Pappan (1986), Artham (1989), Samooham (1993), and Pingami (1994). more…

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Submitted on August 05, 2018

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