Ray Page #8
From now on, we're gonna sing,
uh, four-part harmony.
Ethel, I want you to sing,
uh, uh, alto.
Margie, you sing tenor. Pat,
soprano, and Mary Ann, bass.
I ain't no bass.
I'm a soprano.
I'll sing bass.
I mean, where we come from,
we can sing anything.
Mmm-hmm.
sugar, not hog calling.
What?
Oh, that's cold.
Who are you
calling a hog?
Well, if the corncob fits...
You better shut your mouth
before you get...
Wait a minute!
You stop now!
Hey, hey, hey!
What is all the cackling for?
Mary Ann, sweetheart, I wrote
something special for you: A solo.
A solo?
Yeah. C-Come on down here,
let me play it for you.
What kind of man are you?
Why do I love you so?
What kind of man
are you?
Yeah, yeah
When you love me
no more
Ethel!
Ethel! Come here and see
this new piano Ray got.
It's called
a... a... a Wurlitzer.
A what?
You got to see this thing.
It's out of sight.
Baby, I got your
drink here for you.
Don't play that.
Oh, she... she want me to
play something else.
What kind of man are you?
I just can't satisfy
What kind of man are you?
Oh, yeah
No matter how I try
Oh! Oh! Oh!
We got some hell
going on, gentlemen!
Now, this is a car.
This is a car!
Looks like
a damn Wieniemobile!
Lookie here!
Come on,
let's take it for a spin!
Since I'm the boss,
you got to let me drive.
Don't hit nothing,
Ray.
What Kind Of Man Are You?
I'm always left alone
Ooh! You okay?
Yeah.
What room are you in?
Ooh, honey,
you are so nasty.
That's what
I love about you.
No, seriously,
what room are you in?
Uh, I'm in 626.
Yeah.
Baby, I can't wait
till we get to your room!
Here's 626.
Right here.
Where's the key?
You have to get it.
I have to find it?
Is that it?
It might be.
Miss Mary Ann Fisher,
ladies and gentlemen.
Wait till you see what I got
in the goodie bag.
Goodie bag?
Gonna fly you to
the moon, baby.
Let me get
your hand, Ray.
There go three.
That's for you.
I thought you was
my friend, Fathead.
The weight is off.
Don't start with me, Ray.
The weight is off.
It ain't off.
When you get high, man,
and you try to cop,
You gotta have
more discipline.
You know what, man? I ain't
messing up my high tonight,
sitting here with you,
arguing about nothin'.
Look, Fathead,
just tie me off.
Come on, Fathead. Fat.
Take care of your bad
self, you know so damn much.
Later, Margie.
Bye, Fathead.
Damn.
Ain't nothing free
in this world but Jesus.
Hey, Margie.
Yeah?
What do you want?
Do me a favor, sweetheart,
and... and pick that up for me.
You're going to
have to get me off.
I'll do it,
if you let me try some.
Sh*t. No, honey.
This ain't for
no little girls.
I ain't no little girl!
I understand.
It's just that this stuff
will take you places
that you don't want to go.
See, I want to share
that with you.
Listen to me!
If I ever hear about you
doing some drugs
you're through, you hear me?
You believe that more
than you believe in Jesus!
Don't say that,
Ray.
Ray!
Ray, I watch your show
every single night.
And every night
is new to me.
Maybe because
it's new to you.
It's like you live
every single word
and then you
bend some crazy note,
And damn if you
don't break my heart.
You got genius, baby.
I just want to
be a part of that.
Just want to be
a part of that.
You know the night time,
darling
Night and day
Is the right time
Night and day
To be
Night and day
With the one you love, now
Night and day
Say now oh baby
Night and day
When I come home baby, now
Night and day
I want you to hold my hand
Night and day
Yeah, tight as you can
Night and day
I know the night time
Night and day
Whoa, is the right time
Night and day
To be with the one
you love, now
Night and day
You know what
I'm thinking of
Night and day
Whoa!
Sing your song, Margie
Night and day
Baby
Night and day
Baby
Night and day
Oh, baby
Night and day
Do I love you?
Night and day
No one above you
Night and day
Hold me tight
Look at him. Look at his knees shaking.
He's got that
junkie itch.
Because the night time
He's totally hooked.
Oh, is the right time
Yeah, but listen to that
sound. He's brilliant.
You can never trust
a junkie, man.
What do you want me to do?
Listen to him, man.
I said baby
Night and day
Baby
Night and day
Baby
Night and day
Oh, baby
Night and day
Happy birthday!
Happy birthday!
Happy birthday, Ray!
You know what to do.
Take a deep breath.
Go ahead.
He blow them out?
Every single one.
I know the night time
Night and day
Everyday is the right time
Night and day
Night and day
You know
Night and day
You know what, I... I just
want to thank you so very much.
Please, uh, another round of
applause for Miss Margie Hendricks.
Thank you so much,
and good night.
Hey, you see
what time it is?
What's the problem?
The problem is on the
contract. That's the problem.
Ray! Ray! You still
got 20 minutes left.
Okay, what you want to do?
That fool's holding us to
every second of the contract.
Go... go baby-sit him.
I'll take care of it.
It's okay.
You know what, they say we got
a little bit more work to do.
That was the last song
in the book, Ray.
You know, Fathead,
it ain't never the last song.
Now, band, follow me and do
what I do, say what I say.
This is how we gonna do it.
Hey mama,
don't you treat me wrong
Come and love your daddy
all night long
It's all right
Whoa, it's all right
Hey, hey, hey, yeah
See the girl
with the diamond ring
She knows how to
shake that thing
Whoa, it's all right
Hey, hey, hey, yeah
That's what I'm talking about.
Tell your mama,
tell your pa
I'm gonna send you back
to Arkansas
Oh yes, ma'am,
you don't do right
Don't do right
What'd I say?
Tell me what'd I say
Tell me what'd I say
Where can I get
that record from?
I don't know.
It doesn't exist yet.
I'll tell Ray
Oh, no
Mmm
Mmm
Ooh
Ooh
Eee
Eee
Ooh
Ooh
It's all right
Baby, it's all right
Baby, it's all right
Oh, it's all right
Baby, it's all right
Mama, it's all right
Baby, it's all right
It's all right
It's all right
It's all right, now
Yeah, that's it.
Oh, this is it.
I'm telling you, that is
out of sight. That's a hit.
It's fantastic, Ray. But what the
hell are we gonna do with this?
It's too damn long.
Every night we play this, man,
I'm telling you,
it's guaranteed.
Tom, cut the playback!
Come on out here.
Baby, it's all right
You know what, Ray,
you're probably right.
I mean,
I'm sure you're right.
I've never heard
a sound like this before.
But how the hell are
We could cut the second verse,
pop back into the chorus.
Man, you cut that,
I'll cut you in half.
All right, all right,
Ray. Ahem.
We could, uh,
split it up.
Do a Side AISide B
type of thing.
It's been done before.
What the hell, right?
0 fans
Submitted on August 05, 2018
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