Reaper Page #4
It was stolen, man.
Okay, stolen, lost, misplaced.
Doesn't matter.
No money, no pills.
Calm down, all right,
just calm down, old man.
I'm gonna get you your money.
Just give me some time to figure
things out, all right?
You got 'til dawn,
and then I'm out of here.
Well, mighty kind of you.
Mighty kind of you.
Lemme see, smart guy like you,
only two ways you could be taken.
One would be a woman.
Which one was it?
Looked like an angel.
I hope that angel is watching
out for you... tonight.
Toss me a taste, will you?
Just toss me a taste.
What do you think this is,
a charity line?
Give me a break, man,
I need to stay wired, come on!
All right here,
knock yourself out.
Oh, I hope you brought
more than these.
Yeah, sure, here, let me tell
so you can come back later
tonight and try to jack me.
( LAUGHS )
Then I can kill you.
Hello? Hello?
Hello?
Did ya miss me, Missy?
Jesus!
Well, haven't you been
a naughty girl tonight?
And still looking for more.
I don't know what
you're talking about.
When you came here,
I sensed you would be my sister.
That you would come to know me.
Mm, well, I just came here
for a cab. That's all.
Can you... call one?
Taxi for one.
Last Chance... Hotel.
30 minutes or less. If you need
anything. Anything at all...
I'm good. Thank you.
Yeah, yeah, that's the good news, but the
bad news is he's trying to screw us.
Mm-hm, double.
Double! Hell no,
I didn't pay him that.
I mean, I only got half
what he's asking for.
( ELECTRICITY BUZZING )
( BUSY SIGNAL SOUNDING ) Hello?
Boys... I was right.
Brad is a punk.
Now I want you to go to his
hotel and finish things.
One more thing.
When you get the stuff...
get a big green apple
and put it in his mouth...
like one of them stuffed pigs.
Now do it.
Jackpot.
Sorry, Jack.
Damn. Damn.
What?
( FLOOR CREAKING )
Oh, you have got
to be kidding me.
Hey, stranger, remember me?
( ELECTRICITY BUZZING )
Oh!
What the hell's going on?
Natalie?
Oh, it's Natalie now, not Sarah?
Both of you shut up!
All right, calm down, honey.
Oh, your honey over here
What's he talking about?
Well, go on, Natalie, go on,
or whatever your name is.
Shut up, or I'll put a bullet
in both of you.
See, Natalie over here is the woman
that I was telling you about.
And I'm willing to bet she has a whole
lot more than just my money by now.
You so much as breathe,
and I'll shoot.
Ooh, we got a tough girl.
You think we can take her, Jack?
Whoa! Hey!
Yeah-ha.
Next time, I aim higher.
You know, I told myself that I was
going to turn over a new leaf.
But guys like you make me
( ELECTRICITY CRACKLING )
Huh. That's my ride!
Aw, no show?
What, baby, did you want me
to stick around and play?
Natalie, we can work this out.
There is nothing to work out.
You two are a bunch
of low-life criminals.
Unbelievable,
the thief is preaching.
Hey, what's in your purse, huh?
What's in it?
( CAR APPROACHING )
That's my ride.
You boys have a good night.
You don't know
what's coming for you.
Mmph!
Finally got what
you wanted, huh, baby?
You're making a big mistake.
You know what, no, no, because you
already have made a lifetime of them.
I'll get you out,
hang on, I'll get you out.
[BRAD] Rob is sending the bag man.
He don't care who he gotta kill.
( SWITCH CLICKS )
( BUZZES )
( ELECTRICITY BUZZES )
What the hell?
That's our guy.
Shoot his ass!
Where'd he go?
You don't know who
you're messing with.
( STEPS RUNNING )
( GUN C*CKS )
( GROANS )
What the hell, man? Joe.
OPERATOR (ON PHONE): 9-1-1, what
is the nature of your emergency?
Um, the, the nature of the problem is
an emergency in the Last Chance Hotel.
I got a green apple
for you, pig!
( ELECTRICITY BUZZING )
Know... the address?
( SCREAMING CONTINUES )
The address... is, um...
I tried to be righteous, sister.
But no, no, you had to bring
out the filth in me.
Now you're like gonna like
our sin before you die.
No!
( STRUGGLING )
Should I tell them
about your friend in Room 7?
Or are you ready for your
punishment from your brother?
Hail Mary...
Yes! There's a...
Kiss me first,
kiss me first, please!
Ow! Ow!
( CHUCKLES )
Ha-ha, ha-ha, ha,
yeah! Yeah. Yeah.
You're a harlot,
you're not a killer.
Yeah?
You're a har...
That's divine intervention.
No! No! No!
I never called the taxi.
Forbidden fruit, I am going to make
you repent before he comes for you.
( ELECTRICITY BUZZING )
I made a mistake, Reaper!
I was getting her ready for you!
No, Reaper, please!
Mercy! Mercy!
It's here.
Who's here?
Reaper!
Boy, you really have lost it,
haven't you?
There are dead bodies
everywhere!
Get the gag out of his mouth.
Who's dead?
We are.
Be careful!
What's in the bag?
What's in the bag?
That's that religious nut's hat.
The desk clerk downstairs.
Natalie, what exactly
did you see out there?
I don't know, I mean, first he
was there, and then he wasn't.
Get us out of this damn tape!
No!
Listen! You're gonna need all
the help you can get!
Get that machete, cut me loose.
I'm trying.
Think you could just walk away?
Huh?
Where is my money?
Where is it? Huh?
Let her go.
She left us for dead, man.
Get off her
or I'll cut your head off.
Drop your weapon! Drop it!
Ah, stay back! Stay back,
pretty boy, stay back!
Blondie, you all right?
Huh, um, yeah.
All right. Now let's
figure out what's going on.
Wake up, boy.
Now how does a sweet, innocent
little thing like you...
find yourself in a heap
of crap like this?
Don't be fooled, Officer,
she's as rotten as they come.
I don't remember asking you
a damn thing!
What you staring at?
Officer of the law.
That's right.
Let's see what you got here.
Well, well, well... narcotics.
You boys are screwed!
Let me tell you something,
darling.
You are one fine piece of pie.
Officer?
I don't think that you understand that
there's a psycho killer on the loose.
( LAUGHS )
Well, then let's get
our asses out of here.
All right, let's go, boys.
Careful, Officer, she bites.
One more word and you'll be
spitting out those shiny teeth.
( LOUD BANG )
We need to leave.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Reaper" Scripts.com. STANDS4 LLC, 2024. Web. 28 Dec. 2024. <https://www.scripts.com/script/reaper_16647>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In