Reaper Page #4

Synopsis: A death row inmate survives his execution and returns as a supernatural force known as the "Reaper", an unholy creature that descends upon an unsuspecting town. This mysterious community is full of drifters and criminals (Danny Trejo, Vinnie Jones) who must now band together to defeat the "Reaper" or perish into the depths of hell.
Genre: Crime, Horror, Sci-Fi
Director(s): Wen-Han Shih
Production: Helios Productions
 
IMDB:
5.1
NOT RATED
Year:
2014
90 min
Website
119 Views


It was stolen, man.

Okay, stolen, lost, misplaced.

Doesn't matter.

No money, no pills.

Calm down, all right,

just calm down, old man.

I'm gonna get you your money.

Just give me some time to figure

things out, all right?

You got 'til dawn,

and then I'm out of here.

Well, mighty kind of you.

Mighty kind of you.

Lemme see, smart guy like you,

only two ways you could be taken.

One would be a woman.

The other would be a woman.

Which one was it?

Looked like an angel.

I hope that angel is watching

out for you... tonight.

( DOOR CLOSES )

Toss me a taste, will you?

Just toss me a taste.

What do you think this is,

a charity line?

Give me a break, man,

I need to stay wired, come on!

All right here,

knock yourself out.

Oh, I hope you brought

more than these.

Yeah, sure, here, let me tell

you where my stash is...

so you can come back later

tonight and try to jack me.

( LAUGHS )

( METAL BLADE SCRAPING )

Then I can kill you.

( EERIE MUSIC PLAYING )

( KEYS JINGLING )

Hello? Hello?

( RINGS BELL )

Hello?

Did ya miss me, Missy?

Jesus!

Well, haven't you been

a naughty girl tonight?

And still looking for more.

I don't know what

you're talking about.

When you came here,

I sensed you would be my sister.

That you would come to know me.

Mm, well, I just came here

for a cab. That's all.

Can you... call one?

( DIALS PHONE )

Taxi for one.

Last Chance... Hotel.

( HANGS UP PHONE )

30 minutes or less. If you need

anything. Anything at all...

I'm good. Thank you.

( EERIE MUSIC FADES UP )

Yeah, yeah, that's the good news, but the

bad news is he's trying to screw us.

Mm-hm, double.

Double! Hell no,

I didn't pay him that.

I mean, I only got half

what he's asking for.

( ELECTRICITY BUZZING )

( BUSY SIGNAL SOUNDING ) Hello?

Boys... I was right.

Brad is a punk.

Now I want you to go to his

hotel and finish things.

One more thing.

When you get the stuff...

get a big green apple

and put it in his mouth...

like one of them stuffed pigs.

Now do it.

Jackpot.

Sorry, Jack.

Damn. Damn.

What?

( FLOOR CREAKING )

Oh, you have got

to be kidding me.

( DRAMATIC MUSIC FADES UP )

Hey, stranger, remember me?

( ELECTRICITY BUZZING )

Oh!

What the hell's going on?

Natalie?

Oh, it's Natalie now, not Sarah?

Both of you shut up!

All right, calm down, honey.

Oh, your honey over here

is a conniving little thief.

What's he talking about?

Well, go on, Natalie, go on,

or whatever your name is.

Shut up, or I'll put a bullet

in both of you.

See, Natalie over here is the woman

that I was telling you about.

And I'm willing to bet she has a whole

lot more than just my money by now.

You so much as breathe,

and I'll shoot.

Ooh, we got a tough girl.

You think we can take her, Jack?

Whoa! Hey!

Yeah-ha.

Next time, I aim higher.

( EERIE MUSIC PLAYING )

( TAPE RIPPING )

You know, I told myself that I was

going to turn over a new leaf.

But guys like you make me

feel so good about being bad.

( ELECTRICITY CRACKLING )

( LOUD BANGING )

Huh. That's my ride!

Aw, no show?

What, baby, did you want me

to stick around and play?

Natalie, we can work this out.

There is nothing to work out.

You two are a bunch

of low-life criminals.

Unbelievable,

the thief is preaching.

Hey, what's in your purse, huh?

What's in it?

( CAR APPROACHING )

That's my ride.

You boys have a good night.

You don't know

what's coming for you.

Mmph!

Finally got what

you wanted, huh, baby?

You're making a big mistake.

You know what, no, no, because you

already have made a lifetime of them.

( DOOR CLOSES )

I'll get you out,

hang on, I'll get you out.

[BRAD] Rob is sending the bag man.

He don't care who he gotta kill.

( GUNS COCKING )

( DRAMATIC MUSIC PLAYING )

( SWITCH CLICKS )

( BANGING CONTINUES )

( PLASTIC WRAP CRINKLES )

( BANGING CONTINUES )

( BUZZES )

( ELECTRICITY BUZZES )

What the hell?

That's our guy.

Shoot his ass!

( GUNSHOTS CONTINUE FIRING )

Where'd he go?

You don't know who

you're messing with.

( STEPS RUNNING )

( DRAMATIC MUSIC PLAYING )

( GUN C*CKS )

( GROANS )

( DOOR SLAMS CLOSED )

What the hell, man? Joe.

OPERATOR (ON PHONE): 9-1-1, what

is the nature of your emergency?

Um, the, the nature of the problem is

an emergency in the Last Chance Hotel.

I got a green apple

for you, pig!

( ELECTRICITY BUZZING )

( GUNSHOTS FIRED )

( MUFFLED SCREAMING )

Know... the address?

( SCREAMING CONTINUES )

The address... is, um...

I tried to be righteous, sister.

But no, no, you had to bring

out the filth in me.

Now you're like gonna like

our sin before you die.

No!

( STRUGGLING )

Should I tell them

about your friend in Room 7?

( MUFFLED YELLING )

Or are you ready for your

punishment from your brother?

Hail Mary...

Yes! There's a...

Kiss me first,

kiss me first, please!

Ow! Ow!

( CHUCKLES )

Ha-ha, ha-ha, ha,

yeah! Yeah. Yeah.

You're a harlot,

you're not a killer.

Yeah?

( GUN CLICKS, JAMMING )

You're a har...

That's divine intervention.

No! No! No!

I never called the taxi.

Forbidden fruit, I am going to make

you repent before he comes for you.

( ELECTRICITY BUZZING )

I made a mistake, Reaper!

I was getting her ready for you!

No, Reaper, please!

Mercy! Mercy!

It's here.

Who's here?

Reaper!

Boy, you really have lost it,

haven't you?

There are dead bodies

everywhere!

( MUFFLED SPEECH )

Get the gag out of his mouth.

Who's dead?

We are.

( BANGING ON DOOR )

Be careful!

What's in the bag?

What's in the bag?

That's that religious nut's hat.

The desk clerk downstairs.

Natalie, what exactly

did you see out there?

I don't know, I mean, first he

was there, and then he wasn't.

Get us out of this damn tape!

No!

Listen! You're gonna need all

the help you can get!

Get that machete, cut me loose.

I'm trying.

( TAPE TEARING )

Think you could just walk away?

Huh?

Where is my money?

Where is it? Huh?

Let her go.

She left us for dead, man.

Get off her

or I'll cut your head off.

( LOUD BANG ) ( C*CKS GUN )

Drop your weapon! Drop it!

Ah, stay back! Stay back,

pretty boy, stay back!

Blondie, you all right?

Huh, um, yeah.

All right. Now let's

figure out what's going on.

( POLICE RADIO CHATTER )

Wake up, boy.

Now how does a sweet, innocent

little thing like you...

find yourself in a heap

of crap like this?

Don't be fooled, Officer,

she's as rotten as they come.

I don't remember asking you

a damn thing!

What you staring at?

Officer of the law.

That's right.

Let's see what you got here.

Well, well, well... narcotics.

You boys are screwed!

Let me tell you something,

darling.

You are one fine piece of pie.

Officer?

I don't think that you understand that

there's a psycho killer on the loose.

( LAUGHS )

Well, then let's get

our asses out of here.

All right, let's go, boys.

( DRAMATIC MUSIC FADES UP )

( POLICE RADIO CHATTER )

Careful, Officer, she bites.

One more word and you'll be

spitting out those shiny teeth.

( LOUD BANG )

We need to leave.

Rate this script:5.0 / 2 votes

Mark James

All Mark James scripts | Mark James Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Reaper" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/reaper_16647>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is one key element that makes dialogue in a screenplay effective?
    A Natural-sounding speech that reveals character and advances the plot
    B Long monologues
    C Overly complex vocabulary
    D Excessive use of slang