Red Riding Page #13
Eddie knows this place...
114 EXT. LANE & SHANGRILA - NIGHT 114
Eddie follows Paula’s figure up a dark, leafy lane lined with
high walls. Fairy lights are strung in the trees...
Eddie watches Paula buzz the gated grounds of the luxurious
bungalow. “Shangrila”... He watches her slip through and head
up to the house. The gates swing closed after her.
115 INT. REDMOOR CAFE AND MOTEL, ROOM 27 - DAWN 115
An empty bottle. Eddie is in a deep drunken sleep. The room
is trashed.
Sounds of trucks outside the motel. Lights travel across the
dingy room and across his shrine - the photos of
“Shangrila”...
The drawing of the golden crowned Rat Man on a throne is
pinned to the wall. Rat Man dominates Eddie’s shrine to his
investigation; the columns and lists and photographs.
Men are not our judges. We judge men!
116 INT/EXT. VIVA / THE KARACHI SOCIAL CLUB - DAY 116
Eddie parks up outside: THE KARACHI SOCIAL CLUB. He gets out -
heads for the restaurant and club.
117 INT. THE KARACHI SOCIAL CLUB - DAY 117
Eddie comes through the vast red restaurant. Dark, hot
colours. Heavy Indian drapes. Hindu gods. White tablecloths.
Heavy silver. Indian muzak. Empty. WAITERS IN WHITE COLONIAL
UNIFORMS lay out dishes. A FLUNKY comes to Eddie.
EDDIE:
I’m here to see Mr. John Dawson.
FLUNKY:
Mr. Dawson. One second, sir.
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The flunky aims Eddie at the bar where the barmaid - CLARE
STRACHAN - cleans glasses.
Eddie watches the flunky go down the far end to a cordoned
VIP area. John Dawson and Jason King Moustache sit at a *
table. The flunky speaks to Dawson.
CLARE:
What’s it to be, hen?
EDDIE:
On the big man, is it?
Dawson approaches Eddie, grinning.
JOHN DAWSON:
It’s all right, Clare, he’s with
me... Same again, love.
Clare drops her cheery smile. Does as she’s told.
JOHN DAWSON:
(to Eddie)
You look like sh*t.
EDDIE:
Up all night. What’s your excuse?
JOHN DAWSON:
I’ve got my weaknesses, lad.
EDDIE:
Paula Garland one of them?
A second... Then the big man laughs, puts an arm round Eddie
and guides him away...
JOHN DAWSON:
Me and Paula go back a long way.
Old friends.
Three pints are brought on a silver tray. Eddie, John Dawson
and Jason King are seated round the table in the snug. Jason *
lights Eddie’s cigarette.
JOHN DAWSON:
I like this place. It’s private.
Just the wogs and us. That’s how I
like things. Private. Cheers.
The waiter arrives with the food.
JOHN DAWSON:
Another round, Sammy. And bring
over the pud trolley. I want to
show Mr. Dunford some delights.
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John Dawson upends his deep red sauce over yellow rice. He
and Jason King start shovelling it in. *
JOHN DAWSON:
Get stuck in, lad. We don’t stand
on ceremony here. Hope you like
your curry hot.
EDDIE:
I only had it once before.
JOHN DAWSON:
Let me pile a load of this on for
you.
John Dawson loads pickles and yoghurt on a popadum and shoves
it at Eddie. Eddie tentatively tries some. Too hot for him.
JOHN DAWSON:
If you don’t mind me asking, what
are you working on at the moment?
EDDIE:
The Clare Kemplay murder.
JOHN DAWSON:
Bloody appalling. There aren’t
words, are there. They got the
c*nt, didn’t they?
EDDIE:
Looks like it, yeah.
The pints arrive. A waiter pushes a dessert trolley draped
with a sheet.
JOHN DAWSON:
Here we go. I think you know we’ve
got an important investment over at
Hunslet Carr... Feast your eyes.
Dawson pulls off the sheet to reveal a perfect little
architect’s model of the proposed shopping centre.
JOHN DAWSON:
Look it’s got little trees and
everything. What your Yanks call a
shopping mall. You got your high
street chains, your cinema, bowling
alley, caffs, restaurant, all under
one roof. Put a hotel in there and
there’s no need to f*** off home.
EDDIE:
And your pals in the West Yorkshire
Police already cleared the site for
you.
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JOHN DAWSON:
Gypos. Squatters. My land.
EDDIE:
So what’s the problem?
JOHN DAWSON:
I’ve got investors to look after,
haven’t I.
EDDIE:
Bill Molloy one of them?
JOHN DAWSON:
Don’t be a c*nt. Course Bill
Molloy’s one of them. Not the only
copper neither... Give it to him,
Paul.
Jason King pushes an A4 envelope across the rapidly staining *
tablecloth to Eddie. Dawson keeps shovelling food.
JOHN DAWSON:
Open it.
Eddie deliberates. It’s the same size and colour as the
envelope that contained Clare Kemplay’s post-mortem...
JOHN DAWSON:
Take a f***ing look, lad.
A breath. Eddie pulls out large black and white photos.
JOHN DAWSON:
I apologise for the vile content of
these snaps, Mr. Dunford. I hear
you’re a bit of a c*nt man.
The photos:
Glimpses of two men in flagrante. One is BJ. Theother is a older, greying man. John Dawson and Jason King *
continue to stuff themselves.
JOHN DAWSON:
Sticks in the craw, doesn’t it? I
mean, how can they do it?
EDDIE:
Who is it?
JOHN DAWSON:
Who is it?! Bloody hell. How the
mighty have fallen. That’s
Councillor William Shaw, that is;
TGWU representative of the bloody
Labour Party. That’s your Man Most
Likely to Succeed, that is.
John Dawson pulls out a cigar. Jason lights it. *
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JOHN DAWSON:
He’s your n*gger in the whatsit, is
Councillor Shaw. Traitor to the
Cause. It’s a scoop, is what it is.
EDDIE:
Don’t think so.
JOHN DAWSON:
Ambitious lad like yourself? Make
your name with this one.
EDDIE:
You’ve got the wrong boy, Dawson.
JOHN DAWSON:
You going to be a failure all your
life, son?
Cuts deep. A still moment.
JOHN DAWSON:
Come on, Eddie, I need a little
cooperation. You play your part,
son, and we’ll all get what we
want.
EDDIE:
I’m a journalist, for f***’s sake!
JOHN DAWSON:
Like Barry.
EDDIE:
Barry’s dead, isn’t he!
Eddie’s on his feet. Dawson leans across -his hand goes to
Eddie’s balls. He squeezes. Clare watches from the bar.
JOHN DAWSON:
I respected Barry. He was a good
man. His problem was he had his own
agenda...
EDDIE:
That why you had him killed?
Dawson laughs at that one. He squeezes. Eddie yelps.
JOHN DAWSON:
What you going to do, lad? You’re
just a f***ing student with a
notebook.
EDDIE:
I don’t want to be part of this.
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75
JOHN DAWSON:
Tough sh*t. You already are.
Another squeeze makes Eddie shriek.
118 OMITTED 118
119 INT/EXT. VIVA / M1 MOTORWAY - LATE DAY 119
Eddie in the fast lane. Putting distance between him and
Dawson. Radio full up: “Tubular Bells”. The Castleford
turning looms out of the murky day. Eddie swerves across
three lanes of traffic. Horns blare.
120 INT. PAULA GARLAND’S HOUSE, FRONT ROOM - EVENING 120
Robot aliens are eating instant mashed potato on the TV.
Eddie’s slumped on the sofa, half-cut, watching Paula fix a
drink.
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"Red Riding" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/red_riding_22>.
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