Requiem for a Killer Page #3
- Bosse well.
- I cannot do it.
It's too much pressure.
I stop.
I'll tell
Ferrieres.
I will replace.
- No.
You can do it. What
did you do with me, it's great.
- I cannot deceive
throughout the work.
- With the cuts,
It's not like Wagner. If you
gaining strength at intermission ...
... It will pass,
I'm sure.
- It's too risky.
- We will work ..
... Every day.
There is no risk.
I swear.
"Who May Abide Purpose"
"Messiah"
- It's a trick of geishas.
Imperative ...
... That the target to sleep.
There, of leaping, a quickie
and deep in the eardrum.
Slightly upward,
to the brain.
It leaves no trace.
[Soft music]
[Knocking]
- There is the bartender
blow up the bell.
Glenfiddich,
You would not miss it?
- Good evening, Rico.
- Good evening.
Oh, sh*t, I'm sorry.
- It does not matter.
I'm coming.
- What a shame.
Things seemed
so incurred.
- The first
is in three days.
That leaves him more time.
- It's too late.
Before the few results
achieved so far ...
... My clients have changed ...
... Option.
- "Changed option '?
- I used all my influence,
but you are no longer on the spot.
It's final.
- And Lucretia?
- His ambiguous relationship with the target
a problem.
... Than it has learned
more than intended.
It was a professional.
- I always nights
sh*t in the mountains.
We think we will pioncer
the open air and it ruminates.
It Gamberg. It goes round in circles.
This is the altitude.
It is a funny job.
I mean, you and me.
Always on the road
never the same story.
Never the same people.
Not attached.
Lie.
Mainly lie.
To his family, friends,
everyone, in fact.
My father, it's been 20 rods
he thinks I am mechanically.
It cares balls.
What you serve them,
like soup ...
... To your family?
What you say to your grandmother ..
... When you stuck for Christmas
to know how are you?
When she asks you why
you're not yet married at your age?
You said what?
Butes you people ..
... Against the money?
That "a family in this context,
it's complicated?
Not manageable?
You tell him that?
Well no, of course.
You tell her the job,
it rolls and the money returned.
Then she smiled, pleased,
reassured. It has something to hold ...
... Until next year.
That leaves you time
to find other crap.
For sure.
It is not an easy job.
Would be better ...
... Nothing happens to Alexander.
I think you've understood.
[Soft music]
- Soprano blocked
Germany ...
... A gardener
disappears ...
... And percussionist
in the hospital?
That's a lot there.
- He broke his hip.
- It must be replaced.
Like I
nothing else to do.
You will only
Repeat with Olga.
- It's little!
- It's like that.
[Suspense music]
Anna?
This is a disaster.
Your agent arrives.
It should be at the airport.
- My agent?
- I did not see Hartmann
in 8 years festival ..
... And they send me Spielmeyer
before the first.
The staff is
hardly complete.
It's too early.
They do not care about me.
[Disturbing music]
Mr. Spielmeyer!
- Hello.
- M. de Ferrieres, the director ...
Mr. ... Spielmeyer, my agent.
- Nice to meet you.
- You have a good trip?
- Yes, thank you.
Hello, Anna.
- Hello.
- It is a pleasure to have you.
Enjoy the castle.
- Make my luggage.
I see my room later.
- All right.
not proceeded as planned.
I'll catch up. I have time.
- OK, Lucretius,
I'll keep it simple.
They withdrew the contract.
- What?
- It's been two weeks
you're there.
We got fired.
the coup, with a new contract.
In addition to Alexander,
there has your name on the list.
That's why I'm here.
We have to be drawn.
We need to take cover,
the time it settles.
We start tomorrow morning.
D "Until then, I'll get
who are dealing with.
- Ludovic Blin ...
... Our conductor,
Mr. Spielmeyer.
- Nice to meet you.
I would have spoken well of Anna,
- Do not worry.
It will be at the top first.
- I hope.
- The seafood in the country
the fondue is the vice!
Great idea, Mister Child.
- I owe you one of Chablis.
- I was told that
you go back ...
... A distillery in Scotland.
- You are well informed.
- It's very pretty, Scotland.
- Are you the owner?
- This is it, after a long
legal battle.
The stills
turn ...
... In September.
- You'll have time
to sing?
- Unfortunately not.
- You are going to stop?
- This is the last time.
- If the urge
to sing ...
... You again, I'm here.
For Hartmann.
[Disturbing music]
- And for tonight?
- A pro will not
dangerous until tomorrow.
Time to take its brands.
And tomorrow, we'll be away.
This is our first failure.
I would like
find the bastard ...
... Which we replaced.
But tomorrow, we are nearing dawn.
- D 'agreement. Tomorrow.
- See you tomorrow, yeah.
[Agonizing music]
Muffled cries
I winnowed, me.
I have not slept
of the night.
I'll be good
for a nap.
But first we must
Because both.
I want a full topo
your friend the killer.
The new.
I want it all
what you know.
[Coughing]
I'm listening.
- I know nothing about the new.
Otherwise ...
... I would have already occupied.
You're who?
A cop?
- That's it.
- How did you know?
- We knew there was a contract
the Scots. We came to see.
We had nothing on you.
- What do you want?
- The guy Safe
your replacement.
Since you are out of the game ..
I'm ready ...
to you the hell alone.
I want a hand ..
... To raise the bastard.
You are better placed.
- Did you need us.
- I have something complete
on you and the little one.
Details, photos, prints,
DNA, everything.
I am posted here.
It will happen tomorrow on my desk.
A phone call ...
... A prolonged absence,
and colleagues will open ...
... The mail.
This is normal, right?
The slightest blurs ...
... I'll drown in the pond.
- You've decided to give me a total
on this contract?
Your buddy, Rico is a cop.
He came you locked up.
- It's nothing. I have done nothing.
- He will watch.
- I know. He warned me.
- You had planned to tell me?
- I'm sorry.
- Sorry? You piss me off, Lucretia.
We start over. Change of plan.
- What?
- The cop keeps us
by the balls.
If it helps get
the new, he leaves us.
If you come out of this whole mess,
Yes it was Christmas.
- Who is the conductor?
- A French, very good.
Everyone
to tear it off.
- A conductor
French?
It exists?
- The Director?
- Difficult.
The festival is his baby.
I cannot imagine doing anything else.
Unless you are in a submarine
- The conductor?
- Same.
Too competent. In the circuit
from a lease. I doubt it.
- The soprano?
- It comes
to arrive.
Sounds great, but I think so.
She also is a star.
- It remains the orchestra
and staff.
- I found nothing.
- Did you have a hard look.
[Soft music]
- He's Marco.
Way too cool
for concern.
Besides, it is Katarina,
percussionist.
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"Requiem for a Killer" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/requiem_for_a_killer_16798>.
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