Rio Lobo Page #4

Synopsis: Col. Cord McNally an ex union officer teams up with a couple of ex Johnny Rebs to search for the traitor who sold information to the South during the Civil War. Their quest brings them to the town of Rio Lobo where they help recover this little Texas town from ruthless outlaws who are led by the traitor they were looking for.
Director(s): Howard Hawks
Production: Twentieth Century Fox Home Entertainment
 
IMDB:
6.8
Rotten Tomatoes:
71%
G
Year:
1970
114 min
751 Views


- Who took my clothes off?

- I did.

- Why?

- We flipped a coin and I won.

- I've never heard anything...

Haven't you heard of loosening

a person's clothes when they faint?

Oh, yes.

I guess I'm acting like an idiot, aren't I?

- I'd say almost.

- Yeah, I'd say so, too.

You suppose I could have a drink?

- You're not gonna faint again, are you?

- No, Mr McNally.

Do you only take a drink

when you're about to faint?

I'd hardly say that, miss.

You all right?

Oh, didn't I hear you say something

about going to Rio Lobo?

- You did.

- Good. I'm going with you.

- You? Oh, no you're not.

- Don't be silly.

How much do you know about

Rio Lobo? You've never been there.

You don't know where to go,

who to talk to or who's an enemy.

- I can help.

- Why do you want to go?

I want to get my wagon.

Old Charlie wanted me to have it.

Every time I think about him I...

- Anyway, it's all I own.

- You can't ride in that outfit.

If you get me a horse

I'll be ready in ten minutes.

When you get the troops paraded,

let me know. I'll be in the bar.

There she is.

I'll take that.

- How far is it to Rio Lobo?

- 70 or 80 miles.

- Took three days on the stage.

- It'll take us longer.

We forgot something.

Can she ride? Can you?

- Which side do you get on?

- Left side. I knew it.

- You're a good teacher, Frenchy!

- Yeah.

This looks a good place to bed down.

It's cold, but it'll get colder.

I'll see what I can find to make a fire.

Shasta, you don't have a bottle

of that snake oil, do you?

- I just happen to have some.

- Good.

Hey, what are you so happy about,

Colonel?

Well, I've had about

the right number of drinks,

and I am warm, and I'm relaxed.

Well, if you gentle people...

...can manage without me,

I shall go to sleep. Good night.

I'm freezing.

This will help.

Don't do that. I don't like it.

- I'm sorry. I was going to...

- I'm tired of being pawed.

What happened?

What made you say that?

- Why go into it?

- Because I'd like to know.

All right.

I was married.

It wasn't a good marriage.

He couldn't drink, but he did anyway.

And when he did, he wasn't good.

When he drank, he'd gamble.

And when he lost,

he thought he'd been cheated.

I don't know if he was or not.

But the other guy was faster

and a good shot.

So I had to get a job.

Do you know

what it's like to work in a saloon?

- No.

- They never leave you alone.

Never.

Then good old Charlie Simms

came along.

The only man who was ever nice to me.

And they killed him.

- Do you have any more questions?

- Yeah. What are you gonna do now?

- I'm going to bed.

- I mean after this is all over?

I going to get Charlie's wagon

and then I'm going to... I don't know.

You can't run a medicine show

by yourself.

I'm pretty good at getting people

to buy that Apache Herb Tonic.

Something will turn up.

It always does.

You know... I like you.

- Why?

- Cos you don't cry.

Oh, but I do. You saw me.

You cried for your friend,

not for yourself.

There's a lot of difference.

Don't be nice to me, please.

Wait.

- I didn't figure...

- Didn't you want me to do that?

Sure I did. But I'm generally

the one who starts it.

That's why I started it.

Cos now I know when it'll stop.

Well, I would...

Oh, good night.

Pierre, see these poles above me?

- Mm-hm.

- I can't figure out what they're for.

They're all burnt.

I'd say they were used

by the Indians to bury their dead.

They put the bodies on the poles

and burned them.

- Probably, you're sleeping on a skull...

- What?

Hey! Hey!

How about waking up?

- How did she get here?

- Ask her.

Hey, you!

- How'd you get here.

- When you were sleeping. It was cold.

Why me? Why didn't you pick on him?

He's young. I thought...

Well, you're older.

- You're comfortable.

- Comfortable?

I've been called a lot of things,

but "comfortable"!

I'll say this. You're a lot better

than a hot brick to keep a man warm.

It's nice to be appreciated.

- Is that coffee I smell?

- It is. Get up and have some.

Rise and shine.

Come on.

- This is Rio Lobo. Take a look.

- Looks quiet enough.

It's too late to start anything now.

Where does Tuscarora's girlfriend live?

You said we could hole up there.

Yes, she's on the edge of town.

There's a corral nearby for the horses.

Can we get there without being seen?

Yes, if you can get across the street.

- Take a look, Frenchy.

- Right.

It's me, Shasta. Hurry, Maria.

Oh, Shasta.

Listen, these are friends of Tuscarora's.

They're here to help Mr Phillips.

This is Captain Cordona.

And this is Colonel McNally.

- We need somewhere to stay tonight.

- But the horses...?

- It's not good to have them here.

- Where's a good place?

Over there's an empty house. See?

You will find a corral on your right.

- All right. I'll take them.

- Be careful. They're watching.

- Why did you come back here?

- Maria, it's a long story.

But first, tell me what have Ketcham

and the Sheriff been doing?

They've been after Phillips

to sell his ranch.

- Has he sold it?

- I don't know.

I haven't seen Tuscarora

since you went away.

Everybody is afraid here.

The Sheriff's men

are watching everywhere.

- They're watching this house?

- Everywhere.

It's not safe for you to stay here.

We have to stay here tonight.

We haven't eaten.

I'm sorry, I didn't think.

I'll just prepare something for you.

I'm sorry. Someone's chasing me.

I've no other place to go.

- You don't have to go.

- What?

You can stay here.

- Could you put that light out?

- As you wish.

Thanks. Don't stand

in the middle of the room.

- Can you see anyone?

- I don't see a soul.

- Would you like me to look?

- I'm looking.

- Yes, but I could go outside.

- You'd better put some clothes on first.

- As you wish.

- No, I didn't mean that.

- I don't think you should go out there.

- Well... we could stay here.

I have plenty of tortillas and beans

and chilli and even some wine.

- Sounds good. I wish I could stay.

- Why not?

Because I think they're gone now.

I must get back to my friends.

- I'm sorry.

- I don't know how to thank you.

- You don't have to.

- My name is Pierre. What's yours?

- Thank you, Amelita.

- Wait a minute.

It's all right.

That smells good.

- Come in.

- Where have you been?

I put the horses away

and I was hiding.

- Hiding? From whom?

- From the people that watch the town.

- I told you. Where were you?

- In a house of a girl.

A girl? Pretty fast worker.

Where did you meet her?

I crashed the door and there she was.

She's pretty. Dark hair.

- And I think her name's Amelita.

- I know her. She's a friend of mine.

- Well, she helped me.

- I hope you had fun.

Stop it.

What are we gonna do now?

We'll stay here tonight.

In the morning I'll go into town

to see what I can find out.

Why don't we go into Phillip's ranch...

If they're watching this town,

they're certainly watching the ranch.

- The Sheriff knows you, doesn't he?

- He does.

He'll want to know

what you're doing here.

Rate this script:0.0 / 0 votes

Burton Wohl

All Burton Wohl scripts | Burton Wohl Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Rio Lobo" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/rio_lobo_16966>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who wrote the screenplay for "Chinatown"?
    A William Goldman
    B Robert Towne
    C Francis Ford Coppola
    D John Milius