Rise: Blood Hunter Page #2

Synopsis: The snoopy reporter Sadie Blake is called by her nerd colleague Ethan Mills that has deciphered a code and found an address in Koreatown from information of the Goth Tricia Rawlins about a bloody cult. Sadie does not give attention to Ethan, but when she sees on the front page of the news that Tricia has been found dead in a dumpster in Koreatown, she decides to visit the address. She finds an abandoned house with a gruesome basement full of blood and she immediately drives to Ethan's apartment. She finds the place in a complete mess and is abducted by a stranger and taken to Bishop, who wants to know what Tricia has told her. Then, Bishop and his mate Eve kill Sadie and they have a necrophilic threesome with her body. Later, Sadie awakes in the freezer of the morgue and sooner she realizes that she is a vampire and promises revenge to her sire.
Director(s): Sebastian Gutierrez
Production: IDP Distribution
 
IMDB:
4.9
Rotten Tomatoes:
33%
R
Year:
2007
97 min
$59,371
Website
148 Views


that they speak while they sleep.

Those that cannot be quiet and

those that have something to say.

There is only a form of killing Bishop.

But before you will have that

to choose among what you want

and what you need.

- I want be alive again.

- Not you can.

Wonder to yourself what you want now.

I want to impede them to make him/her

the same thing to other people.

- We will make it.

- But how the encounter?

I will guide you in your search.

Rourke.

Eve.

Harrison.

Poe.

Bidhop.

How do you know their name?

I know some people.

I will take you until here, then

you will have to continue here.

I will give you some tools.

This is so that you feed.

And when does he/she finish?

Not I can make it.

Not I will kill innocent people.

In all war there is low, Sadie.

And you don't deceive yourself. Nobody is innocent.

Nobody.

From now on, you spread

that to accept your dark side.

You were born again, Sadie.

He/she listens your interior voice.

- In what can I serve you?

- I need a room.

It is well. To happen

the night or per hour?

Different rates.

I need the room

where Rourke is.

Of what do I have face?

Not ask unless you want to know.

- Do you want clothes of Dayana?

- Not I know Dayana.

- To shave?

- Let us begin again.

Wonder in what you can serve me.

- In what can I serve you?

- In what room is Rourke?

- Hear!

- What do you want?

To you.

Miss, what devils did he/she make there up?

He/she calls to the police.

Tell me where I find Eve.

- Who are?

- Where is she?

You nailed it to me very deep.

If you believe that I forgot

the question that I made you

- you are in a serious error.

- Not I know where it is.

- Do I call to the police?

- That was what I told you.

I believe that it should be in Red Angel.

- Do you believe?

- I can take you.

If it is so important.

You won't feel well when

kill for the first time.

But then it will be you easy to eat.

Not let him to affect you.

It was.

- Now.

- Curse.

What was what you told me in the track?

That he/she could not dance

because it was very hot.

How hot!

He/she greets.

She is my sister.

What devils it is

making with that crossbow?

Go, go. Sadie Blake.

Comely to that have

a million questions.

Tell to the boy that leaves.

It is well.

Bishop had already finished

of eating up and you didn't die.

So he/she told me that I finished.

But I never saw anybody resist so much.

You had too much blood.

I knew that you wanted to stay.

It is well.

So you did feel pity?

You have to stop to hate what you are.

I began you, but you finished alone.

- Alone in the morgue.

- Of what are you speaking?

The conversion takes three days.

It is a very delicate process.

It is necessary to know how to make it.

You transformed into one

of us because that

- it was what you wanted.

- Not I am as you.

- Sure?

- Not I am as you.

- And how is Arturo?

- It belongs one to you.

Not it belongs only one to us.

He controlled everything.

Until Bishop got tired.

Didn't he/she tell you anything of that?

Not you would have made anything

if you knew the truth.

What truth?

That he wants to get rid of Bishop.

I prayed because you arrived, Sadie Blake.

- Is that what you want?

- Not I will have what I want.

Then, make what you came to make.

And good luck.

Harrison will be who betrays Bishop.

But I notice you that not

confuse their disability

with weakness.

He/she will only give you to Bishop

when you give him/her what needs.

And he/she has very specific likes.

There you will find Bishop.

Now, veto.

Sr. Harrison, we see each other in the hell.

Is it well, young lady?

We go, man, we already happen for this reason.

- But I am coming closer.

- To achieve that they say goodbye to me.

From now on,

you will become invisible.

And I will maintain you to the so much of everything.

He/she remembers that I was me who

he/she brought you to this place.

It is well.

I know how much it means this for you.

You don't know it.

I meant that I can imagine it.

And he/she wanted them to have you

assigned the case officially...

It is well, Joe. I will play ball.

We go, Sadie, you don't have so much urgency.

Without caring how much

lie you to yourself,

your heart is not able to

against your nature.

To face Bishop,

you have to be strong.

If not, all this will have been in vain.

Veto the demon!

- Thank you.

- To where do you go?

Sacred Brbara.

But I conform to with

that you leave me to the north.

- My name is Alex.

- Are you of there?

Yes, I came to visit some friends.

We had a party.

Are you hungry?

I am well. Thank you.

- Not you are police, or yes?

- Do I have police print?

That wanted them.

I asked you because

he/she will offer herb.

Ahead. It doesn't bother me.

And then, Alex, are you married?

- Children that to maintain?

- Not that I know.

Girlfriend?

No, truly not.

What do you make?

You already know how we are the women.

Yes, nobody understands them.

Because I go to the grain.

In fact, yes I have girlfriend.

We all lie at some time.

- He/she looks, allow me to finish this.

- Don't worry about me.

Will you come, or will you only look?

Give me a time to relax the view.

They had never told me that.

He/she would make any thing for

to relax the view with you.

To take among my

arms and to take you to house.

Meanwhile, a towel reach me.

At what time is the party tonight?

To the stocking night.

And at what time do we eat?

Are you never hungry?

As.

You speak to me of your family.

Not I speak a lot with my father.

My mom became to

to marry and he/she lives in Reindeer.

And I have a sister that

he/she was born one minute before me.

He/she won't believe me when he/she speaks to him/her of you.

To what do you refer?

We go. Hetero, single,

rich, with sense of humor.

With class. There was never

well-known to somebody as you.

Why did you notice me?

Comely to that were

an adorable virgin.

- To what do you refer?

- Did you bleed a lot?

The first time.

Seriously you do want to know it?

They say that the sex and the murder are those

only pleasures that the man has left you/they.

You are getting scared.

Did I catch you for a moment, truth?

Don't serve the youth, Poe a lot.

He/she has to be walked with

care. The rich bachelors and

elegant almost always

they are some sicticos.

It is true.

- For the Australian crocodiles.

- Did you speak seriously?

As for what?

At about that the sex

and the murder is those

- the man's pleasures.

- That seems in these times.

- Not I wanted to sound reactionary.

- And for what reason will you use me?

For both.

Date the turn slowly. Very slowly.

Give me the telephone.

- Where is Bishop?

- He/she didn't tell it to me.

I will facilitate you the things.

You left it in a place.

I cannot say it. He would kill me.

Not he/she will have opportunity.

He/she is escaping. Not he/she knows anything about you.

He/she believes that a policeman pursues him.

What police?

Rate this script:0.0 / 0 votes

Sebastian Gutierrez

Sebastian Gutierrez is a Venezuelan film director, screenwriter and film producer. known for writing the screenplays to the films Gothika, Snakes on a Plane, The Eye and The Big Bounce, and writing and ... more…

All Sebastian Gutierrez scripts | Sebastian Gutierrez Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Rise: Blood Hunter" Scripts.com. STANDS4 LLC, 2024. Web. 18 Dec. 2024. <https://www.scripts.com/script/rise:_blood_hunter_16978>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Rise: Blood Hunter

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is one key element that makes dialogue in a screenplay effective?
    A Natural-sounding speech that reveals character and advances the plot
    B Excessive use of slang
    C Long monologues
    D Overly complex vocabulary