Rising Sun Page #5

Synopsis: At the offices of a Japanese corporation, during a party, a woman, who's evidently a professional mistress, is found dead, apparently after some rough sex. A police detective, Web Smith is called in to investigate but before getting there, he gets a call from someone who instructs him to pick up John Connor, a former police Captain and expert on Japanese affairs. When they arrive there Web thinks that everything is obvious but Connor tells him that there's a lot more going on.
Genre: Action, Crime, Drama
Director(s): Philip Kaufman
Production: Twentieth Century Fox Home Entertainment
  1 win & 1 nomination.
 
IMDB:
6.2
Metacritic:
56
Rotten Tomatoes:
34%
R
Year:
1993
129 min
728 Views


- I kept his passport.

- (Graham) His f***in' passport? Jesus!

Get his ass, not his passport.

What are you waiting for? You want "banzai"

carved on her ass with a samurai sword?

Let's go get this Eddie Sock-It-To-Me.

I'm gonna break your arms, my friend.

I'm gonna love breaking your f***ing arms.

Come on, Web.

(Perry) The old guy sucker punched me.

- If I see him again, he's dead meat.

- Oh, forget it.

Good evening, Jeff. Mr Sakamura in?

- Huh?

- (mumbles)

(gun is cocked)

Easy, big fella.

Just like old times, Web.

Do you miss it? A night out with the boys?

- Sure beats all that diplomacy sh*t.

- I thought no violence.

Last thing we want.

The guy's a murderer, Spider-san.

LAPD takes no chances.

Yeah, but we do take prisoners. Right?

- Listen, why did Connor let this guy walk?

- I can't say.

What is he about?

The guy's always careful not to offend their...

What is it we're not supposed to offend?

F*** 'em, they break the law.

- If that brands me as a reactionary...

- (man) We're in position. Stand by.

Moving in.

What does that mean anyway, reactionary? Is

that a dirty word? Like racist, or something?

All this talk of race. Whatever happened

to good and evil, or "He did it"?

A guy did it, you catch him.

(Eddie speaks Japanese)

Plundering our natural resources.

F***in' guys are into everything.

(whispers in Japanese)

What time you got, Web?

2:
1 0.

(Graham) Make a note. At 2:1 1 ,

suspect was apprehended.

Eddie Sakamura calling. It's urgent.

I must speak about missing disk.

(alarm)

Eddie!

- (Smith) Police. Get down!

- (Graham) Nobody move!

- Stay where you are. Don't move.

- Where'd he go?

- You son of a b*tch.

- Get off of me.

There he goes.

Ah, sh*t!

What the hell is wrong with you? Get off!

You're nuts. Get off of me.

Get that son of a b*tch.

- I'm a police officer.

- You're a piece of sh*t!

(man on radio) 8-Adam-65, I'm in pursuit

of 1 87 suspect, eastbound, Sunset.

(woman) All units stand by.

8-Adam-65, in pursuit, eastbound, Sunset.

(Graham) Stay back, I want him alive.

Holy sh*t!

Damn, damn, damn, damn.

The coroner's officials have taken possession

of the charred remains of Edward Sakamura.

The crash took place after a high-speed...

We tried to take him, but he ran, Chief.

Burnt beyond recognition.

The guy's a cinder.

You got proof Sakamura

committed the murder?

- Absolutely. Got it all recorded. Right?

- Absolutely.

- You did everything by the book?

- By the book.

- Absolutely, Chief. By the book.

- Absolutely.

But everything was not

absolutely by the book.

- Absolutely not.

- And when did you discover this?

(phone rings)

- Yeah?

- (man) Lieutenant Smith?

This is division dispatcher.

Uncleared messages.

- All right. Go ahead.

- 5:
27am, Captain Connor.

Oh, Connor.

He said to give you a wake-up call at seven

and to meet him at the golf club

at exactly 9:
1 5am.

All right, all right. Anything else?

Let's see... Nope.

- What about last night?

- You got all your messages last night.

No, I didn't call in last night.

Yeah, you did.

Let's see... Yep.

2:
33. Your clearance number was given

and messages were transmitted.

Oh. Look, I forgot.

Can you give those messages to me again?

All right, just a sec.

What were you doing last night?

Uh...

- Sort of helping my career.

- Is that good?

Yeah, it's always good. Cos you gotta

look out for yourself in this life.

Grandma says you gotta look out

for other people.

Yeah. Well, you gotta do that, too.

That's why everybody's so busy all the time.

So is that what business is?

Business? No, business is...

Business is...

I can't explain it to you right now.

Is that why Mommy says

you don't have a head for business?

- Lieutenant Smith? Here we go.

- Yeah.

Daddy, why does Mommy call you a loser?

- Out.

- 1 1 :
45. Ken Shubik, "LA Times". Please call.

Message reads,

"The Weasel's checking up on you."

- The Weasel?

- Yeah. Then 2:
1 0 this morning,

Mr Eddie Sakamura...

- Eddie Sakamura?

- Correct. 2:
1 0am.

Message reads,

"Urgent. Must speak about missing disk."

- (man) Nice shot.

- (men speak Japanese)

Hey! I gotta talk to you.

We gotta have a conversation.

Oh, sh*t! Whoa, whoa. Whoa.

Yoshida-san, I'm embarrassed

by this crude interruption.

You must play your stroke again. No penalty.

- Ken Shubik.

- Hey, Ken. Web Smith.

- Where you been. Did you get my message?

- Yeah, about the Weasel.

Last night, I'm working late at the paper,

I see the Weasel arrive, dressed in his tux.

He goes right to the library.

I could tell the ambitious little turd

had the scent of blood.

He's still here.

I ask Lilly, the librarian,

what he's checking out.

"A cop,"she says. "A cop named Web Smith."

- What?

- Yep. Web, the guy's a scumbag for hire.

He used to do jobs

for the studios and realtors.

The little turd just got

a new Mercedes 500SL.

Pretty good on a reporter's salary.

Wonder who he's working for now.

You get on the wrong side

of somebody last night?

Maybe.

Against me?

Yeah, against you and a Lieutenant

Tom Graham a couple of years ago.

There was a hearing. It was bullshit.

It might be bullshit,

but I thought you'd better know.

Smells like something heavy coming down.

What happened to the disk? Where is it?

We left it with you when we went to get Eddie.

And you got Eddie.

Oh, yes. It was all over the paper.

But there was no mention of the murdered

girl on the Nakamoto boardroom table, right?

We left the disk with you.

It is against the rules...

The rules?

- Whose rules?

- The rules.

The chief says we f***ed up.

He's blaming us...

The Japanese have a saying,

"Fix the problem, not the blame."

Find out what's f***ed up and fix it.

Nobody gets blamed.

We're always after who f***ed up.

Their way's better.

Oh. "Their way is better",

you wake me up to tell me that?

Wake you up? That'll be the day.

Keep it, sport. Next time try a parking meter.

- Captain Connor?

- Yes.

- A gift from Mr Hanada.

- Oh. Thank you. I appreciate it.

Most welcome. Most welcome.

You must have really

took those guys this morning.

- No. I lost.

- Lost? Guys didn't look all that good.

They're not.

It's difficult to lose

without making it too obvious.

- That way they don't lose face.

- Saving face.

Sounds more to me like you were kissing ass.

Not exactly. I've done services for those men

in the past, and we've shared information.

They said that Eddie's death

will have repercussions.

Yeah, right.

I'm sorry. The guy was a fugitive.

He killed the girl.

- I doubt it.

- You doubt it?

Well, I saw it on the disk.

Did you?

It's the only space available to us.

We analyse commercials and network news

to see how the public's being tricked.

Problem is, most students want to learn

the tricks so they can use them to get ahead.

OK, everybody. Class is over.

Ice-skating rink upstairs.

The ice melts down here.

Speaking of ice, Captain, she's been at it since

Rate this script:0.0 / 0 votes

Philip Kaufman

Philip Kaufman (born October 23, 1936) is an American film director and screenwriter who has directed fifteen films over a career spanning more than five decades. He has been described as a "maverick" and an "iconoclast," notable for his versatility and independence. He is considered an "auteur", whose films have always expressed his personal vision.His choice of topics has been eclectic and sometimes controversial, having adapted novels with diverse themes and stories. Kaufman's works have included genres such as realism, horror, fantasy, erotica, Westerns, underworld crime, and inner city gangs. Examples are Milan Kundera's The Unbearable Lightness of Being (1988), Michael Crichton's Rising Sun (1993), a remake of Invasion of the Body Snatchers (1978), and the erotic writings of Anaïs Nin's Henry & June. His film The Wanderers (1979) has achieved cult status. But his greatest success was Tom Wolfe's true-life The Right Stuff, which received eight Academy Award nominations, including Best Picture. According to film historian Annette Insdorf, "no other living American director has so consistently and successfully made movies for adults, tackling sensuality, artistic creation, and manipulation by authorities." Other critics note that Kaufman's films are "strong on mood and atmosphere," with powerful cinematography and a "lyrical, poetic style" to portray different historic periods. His later films have a somewhat European style, but the stories always "stress individualism and integrity, and are clearly American." more…

All Philip Kaufman scripts | Philip Kaufman Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Rising Sun" Scripts.com. STANDS4 LLC, 2024. Web. 26 Jul 2024. <https://www.scripts.com/script/rising_sun_16986>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Rising Sun

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is "exposition" in screenwriting?
    A The dialogue between characters
    B The climax of the story
    C The introduction of background information
    D The ending of the story