Rize Page #4
and came out through here.
I was trying to protect
my mom 'cause he was drunk.
And I was looking at my body,
looking at my baby's body...
and I seen blood.
We didn't know where
Chance was standing
on the right side of me.
I don't know how...
how the bullet hit me...
and the gun was pointed directly
to my little brother's back.
She was holding
my little brother.
It must have been God,
'cause turned the bullet...
from when it hit the middle,
it must have turned the bullet.
It ricocheted off
of something...
and went straight
through my arm.
If the bullet
hadn't have turned...
my little baby.
It would have tore him up.
But it turned, and it got him
right in this arm...
and it went in, and it went out.
I had to go to a crackhouse...
to get my mama
out of the crackhouse.
That's not a good sight
to see as a kid.
I don't remember how old I was.
I just remember that vision.
It hurts, yeah, but that's
what I got krumpness for.
That's why I get krump.
Some people don't feel safe
outside of this place.
I mean, I've seen a lot
of people come from Hollywood...
and come and visit
my home and be like...
"How do you live here?
You live in South Central.
"Oh, it's so...
it's so dangerous."
Like... it's not dangerous.
It's life.
A lot of the kids out here...
they don't have
that push or that drive...
to go and be in Hollywood...
because so many people
have knocked them down already.
So their comfort is the 'hood.
It's scary to go to Hollywood...
if you're coming
from the 'hood...
for the simple fact that
everything is so intimidating.
When I first got
my first glance at Hollywood...
everybody seemed
like this to me...
and I felt like this...
Everybody's so uppity.
Everybody has so many things
going for themselves...
and here I am.
And that's how
the kids here feel.
We're just some...
some gutter kids.
Tell me something.
What has your big homie
in the gangbangin' world...
done for you lately?
I don't have no big homie.
In a gangbanging world?
I'm just Baby Tight Eyez.
I walked in a room...
and the boy
socked me in my head.
So I beat him up real, real bad.
That's what I did.
What are you doing on the 5-5...
whatever hood street
you at, anyway?
I went over there with my dad!
Oh. So's your dad gangin' now?
Daddy's been a gangbanger.
He just started back again?
You could say that.
If I had to go in that 'hood,
as dangerous as it is...
and tell them that...
that you not gonna be
a part of this gang, I will.
If I have to go
to your school...
to show that you ain't
a part of this gang, I will.
I know I'm not
a parent or anything...
but I feel like I have
to be an older mentor...
keep him on the right track...
'cause I know
that's all he needs.
I know he looks up to me.
In some ways, I look up to him.
I never tell him that, but I do.
So all we gonna do
is show him more love...
and he'll overcome this.
He needs to be somewhere
with me...
whether his dad likes it or not.
'Cause his dad doesn't even
Krumpness is
the closed chapter...
of your life of hurt,
sorrow, anguish...
that people don't know about.
Kids these days
have a whole set of anxieties.
Maybe he's angry that he's
seen me work all my life.
We seem to be
in a standstill pattern.
Maybe he's angry
that he doesn't have a dad.
He'll say,
"I just never envisioned...
"that dad wouldn't be here."
Hey, mama, look at this.
"Baby, you're gonna give
yourself a heart attack!
"You know you got asthma!
Who taught you that?"
Cartoonz, they was krump.
I got a black eye.
They said it looked beautiful.
Mama, that's part of dancin'.
That's part of my moves. See?
They like it out there.
They krump.
I used to be a dancer for Tommy.
I, too, as he said...
used to be one of
Tommy the Clown's dancers.
for doin' what he did...
and startin' the movement...
but what we do now
is totally different.
"I thank Tommy
for startin' the movement...
"but we do it different now."
No, you might do it
a little retarded, you know.
It became boring,
and it's, like, you need more.
You need more.
Stop.
Let me alone.
I wanna get krump.
And everybody that got skills,
I want you to go to the front.
If you're not dancing,
please go to the back.
We need hot dancers
in the front.
You look at gangbanging,
it's a competition.
The Crips go against the Bloods.
each other, stuff like that.
So by this clown war
being created...
and the BattleZone
being created...
it's like
that same competition...
but it's on the flip side.
Having so many clown groups,
somebody wants to be the best.
You know, somebody
wants to be number one.
Somebody wants to be number 2.
Somebody wants to be noticed.
So that's how Tommy started
the thing called the BattleZone.
You know how battle-dancin'
was back in the days.
I just brought it back.
With makeup.
- BattleZone.
- BattleZone.
It's like fightin',
like getting out your anger...
but on the dance floor,
with creative moves.
We have the little mama match...
where it's little mamas breakin'
it down, showin' skills.
The community
is, like, "Oh, my God."
We got big boy match.
We bring out the big people.
You don't have
'cause you can do it, too.
These are matches
that we have inside of a ring...
and the crowd, you be the judge.
The crowd judge.
You know, millions watchin'.
I don't care if you get
You better blink that eye like
You got to show your skills.
To me, when I'm dancin'...
I don't care if the ugliness
come out or not...
'cause I'm dancin'. It's me.
So that's the difference
between me and her.
It's, like, a big difference
between La Nia and Miss Prissy.
When you say La Nia,
I was, like, "Whoa."
When you say Miss Prissy,
you're thinking of, like...
a pretty girl, like...
you know, like that.
You'll see a side of Miss Prissy
you've never seen before.
I'm gonna be the total opposite
of my name...
but that's how it happens.
I'm prissy all day,
but at night...
it's something
totally different.
I never lost before. I don't
know how it feels to lose.
They tellin' the people
that they better than us...
'cause, uh, they're
not with us no more?
We couldn't be centered anymore.
So you, they, them,
made Tommy? No.
Different style of paint.
November 15.
Different style of dance.
baby.
Different style of everything.
You goes down.
I guarantee you that.
Here's your Oscar now.
Tommy's got krump!
El Nio Boy,
you goin' down tonight.
You goin' down. I see you
with your little bodyguards...
but they gonna get beat up, too.
Every time I think
about Larry...
it's like, oh, it's over.
I ain't even started
dancing yet, and it's over.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Rize" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/rize_17008>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In