Road House Page #2

Synopsis: Jefty, owner of a roadhouse in a backwoods town, hires sultry, tough-talking torch singer Lily Stevens against the advice of his manager Pete Morgan. Jefty is smitten with Lily, who in turn exerts her charms on the more resistant Pete. When Pete finally falls for her and she turns down Jefty's marriage proposal, they must face Jefty's murderous jealousy and his twisted plots to "punish" the two.
Director(s): Jean Negulesco
Production: 20th Century Fox Film Corporation
  1 nomination.
 
IMDB:
7.3
Rotten Tomatoes:
100%
PASSED
Year:
1948
95 min
366 Views


#You'd never know it #

# But, buddy I'm a kind of poet #

#And I've got a lot of things to say #

#And when I'm gloomy #

#You've simply

gotta listen to me #

# Until it's talked away #

#Well, that's how it goes #

#And, Joe, I know you're

getting anxious to close #

# So thanks for the cheer #

#Hope you didn't mind my #

# Bending your ear #

#This torch that I've found #

# Must be drowned #

# Or it soon might explode #

# Make it one for my baby #

#And one more #

# For the road #

#That long #

# Oh, that long #

# Long road ##

Is she good?

She does more without a voice

than anybody I've ever heard.

Honey, you were wonderful.

- Terrific.

- Oh, you're crazy, you know that?

Come on, give 'em

another one, huh, baby?

- Well, wise guy, is she good?

- She's good.

And little Jefty did it.

Don't forget that.

She'll be the biggest hit we ever had.

She'll double our business in the bar.

Well, come on. Admit it.

- I admit it.

- You know what I think I'll do?

I'll knock out that wall in the back,

and I'll double the bar.

- Now, wait a minute.

- We'll have the swellest joint west of Chicago.

- Don't lose your head, Jefty.

- Two-fifty? Ho, ho.

She's a steal.

You know, I'm beginning

to get interested in this business.

Lily, how about a double,

on the house?

- No thanks, Sam. Bad for my voice.

- You were great.

- Surprised?

- To tell the truth, I was.

Oh? So was I.

You're a terrific tonic

for lonely people, Sam.

- Good to talk to.

- Yeah.

Everybody's lonely.

Now, there's a guy

comes in here every night...

takes that stool at the end of the bar-

Miss Stevens, you're good.

You're a hit.

- I don't have to tell you they like you.

- Fine. And you?

- Best we ever had.

- Think I'm worth the money?

I've got to admit, Jefty's got

the top end of the bargain.

Still want to rush me

out of town? Hmm?

Now look, I said I made a mistake.

- I'm sorry.

- Okay. Think nothing of it.

Come on, kids. Let's laugh it off.

Sam, bring us a special, huh?

No, thanks. I gotta count up the profits.

Hmm.

I love that guy. He's a great kid.

- Don't get him wrong.

- Oh, I don't.

Well, who do I get my weekly check from,

you or bashfulJoe?

BashfulJoe.

- You know, he's not gonna like that.

- So what?

Tell me, Jefty, what do you do

around here between songs, hmm?

Anything you like to do, honey.

Just name it.

Oh, I don't know. For laughs,

how about me learning how to bowl?

- Sure.

- Who's the coach?

- Coach? Susie.

- Oh.

Honey, I've got the greatest coach

in the world for you.

You know, I'm going to love this.

You just leave it toJefty.

You're a million laughs, you know that?

#Again #

#This couldn't happen #

#Again #

#This is that once #

# In a lifetime #

#This is the thrill #

#Divine #

#And what's more #

#This never happened #

# Before #

#Though I have prayed #

# For a lifetime #

#That such as you #

#Would suddenly be mine #

#Mine to hold #

#As I'm holding you now #

#And yet #

#Never so near #

#Mine to have #

#And the now and the here #

#Disappear #

#But then #

#If this doesn't happen again #

# We'll have this moment #

#Forever #

#But never #

#Ever again ##

You sore about something, Pete?

You hit 'em like you mean it.

Well, Jefty's bound

to find a singer once in a while.

- Not bad. Not bad at all.

- Donna, what do I have to do to beat Fred?

Fair, anyway. I don't like her.

That's the first time I ever interrupted

a game for anything.

- I like it.

- There's still no excuse for that dress.

What did you say her name is?

You see that mob, kid?

I told you she'd double

our business at the bar.

Don't tell me I didn't make a good deal.

Did you?

How you doing?

I can wait.

May be a long wait.

Got nothing else to do.

Serious?

Maybe. Oh, honey.

Pete, got a grand job for you.

Lily wants to learn how to bowl.

And here's the boy

who can teach you.

Best bowler in the state.

And the best instructor.

- Oh, I'm afraid not.

- Why not?

I've got too much work to do.

What are you doing now?

Keeping the alleys warm.

- Don't bother. So I take up knitting.

- Wait a minute.

Pete, I asked you to teach Lily.

For me.

I don't ask you much.

This is something I want you to do.

- Now, look-

- Am I that hard to take?

I didn't say you were.

Okay then, it's all settled.

I knew you would.

Anytime when you're not busy.

Around noon?

Okay. Around noon.

Fix her up with a pair of shoes,

will ya, Pete?

And, uh, you need slacks.

Something like that.

I know how to dress.

You kill me.

#Again #

Form is important in bowling,

like in everything else.

There are three kinds of rolls.

The straight roll-

Keep the thumb straight.

- Fascinated?

- Oh!

I was just watching.

Don't break your glasses.

You aim down the right

side of the alley toward the center.

Watch.

- You try it.

- Okay.

Well- Nothing to it.

- See what I mean?

- No, you've got the idea. Now there's the backup ball.

The backup ball is thrown to the Brooklyn

side of the pin, and backs up into the pocket.

- You get it?

- Oh, yeah, sure.

Try it.

Okay.

Well, here we go.

Backup ball.

That was great, wasn't it?

- If you say I've got the idea again-

- But you have got the idea.

Now we'll try to throw a curve.

That ought to be easy for you.

The curve is thrown like a hook.

- May I ask you a simple question?

- Yeah, if it's simple.

Why don't you stop fighting me?

I won't bite.

Who's fighting?

You're fighting the ball.

- You're overdoing it, that's all.

- Give me the ball.

- Kid lives dangerously, doesn't he?

- You know any other sports?

Never mind.

Come on. Try it again.

All right.

Only this time, would you mind

grabbing me when I throw the ball?

I have a knack of going

halfway down the alley with it.

You should have worn

the shoes I got you.

How was that?

You need a rest.

I'll get a drink. Some water.

- Hi, Susie.

- Hi.

- Sleep well?

- Beautifully. And you?

After those hamburgers?

Straight water so early in the day?

Was this what you had to do

that was so important?

I didn't say it was important.

Oh, thanks.

Uh, she comes to work early, doesn't she?

- She's a hard worker.

- Mm-hmm.

She looks tired.

This one's going to be a straight ball.

Okay, coach.

- Straight.

- Straight.

I think I get the idea.

- Good morning, Miss McGuinness.

- Hello, Jimmy.

The only trouble with your cabin, Jefty-

It's too close to Canada.

You shoot 'em and they

beat it for the border.

And besides, when that

fog rolls in from the lake-

- Where you going?

- I'm having breakfast upstairs.

Wait for me.

Maybe she won't think it's so romantic-

7:
00 on a Sunday morning.

Mmm.

Who is it?

What are you doing here? Get out.

Wait a minute, Lily. Don't get sore.

- I brought you breakfast.

- You heard me. I said get out.

What, do you think

you own this town or something?

I don't like people

busting in my room.

I wasn't sure what you like,

so I got the works.

Here. Smell this coffee.

Mmm! What a way to start the day.

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Edward Chodorov

Edward Chodorov (April 17, 1904 – October 9, 1988), was a Broadway playwright, and the writer or producer of over 50 motion pictures. more…

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Submitted on August 05, 2018

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