Rob the Mob Page #3

Synopsis: A Queens couple who specialize in robbing mafia social clubs stumble upon a score bigger than they could ever imagine, becoming targets of both the mob and the FBI in the process.
Genre: Crime, Drama
Director(s): Raymond De Felitta
Production: Millenium Entertainment
 
IMDB:
6.3
Metacritic:
63
Rotten Tomatoes:
84%
R
Year:
2014
104 min
$206,909
Website
271 Views


thwarted by the shroud

that surrounds Fiorello.

Daryl Strawberry

will be returning to train

for the first time since

exchanging his Mets uniform

for Dodger blue.

Marissa. Hey,

miss p*ssy.

Now this is for Tommy.

Okay.

And this is

for my biggest earner.

That's me!

Thank you.

Rabitz...

We're going to have

to sell your car.

My father gave me that car.

I am not selling the car.

Well, then we're going to have

to go back to your mother's...

I am not going back

to my mother's!

Well, then we're going

to have to go to plan B.

Okay, what's plan B?

Plan B, baby.

Yes. Tell me.

Listen, just hear me out.

Oh, no!

No. No.

Honey, listen,

they're criminals.

They're not going

to call the cops.

And the cops aren't

going to f***ing care

if we rip off

some f***ing wiseguys.

Look, we get in the car,

you drive me to the

end of this corner,

I run in, five minutes,

and then bam!

We're outta there.

What happens if you go to jail?

What do you mean?

What are you talking about jail?

Who's going to jail? Who's going to jail?

I'm not going to jail.

Okay.

That's why this is good.

All we need is a grand,

maybe 1500 bucks,

and then we're over this hump

and then we can go back

to business as usual.

What happens if you get hurt?

No one is getting hurt.

Nobody is going

to get hurt, baby.

Hey, if you've got

a better idea,

don't be quiet.

I don't.

Look.

All you got to do is drive.

That's all you got to do.

No one is going to get hurt.

Okay.

Yeah?

All right.

Just relax.

I been working on this.

I said I'll think about it.

I'm not saying yes, though.

What the f*** is that?

Whoa, what?

What is that?

Oh, my God!

What? It's an eggplant.

No, next to the eggplant!

Oh, sh*t, I'm sorry.

I forgot I had this in there.

What is that?

It's... listen.

Oh, my God!

Overwhelming force.

If it works

for the U.S. Army,

it's going

to f***ing work for us.

Now please, I need your help

because I have no idea

how to use this thing.

Don't bring it in here.

You're better

with mechanics than me.

I think I f***ing broke it.

You turn it to the left.

Turn what to the left?

If you move this.

Hold it like that.

Okay?

What would I do without you?

Pull over. Pull over.

We just passed it.

What are you doing?

Pull over. I can't do this.

You can't...

you can't do what?

I can't.

I cannot.

I cannot go back to jail, Tommy.

I'm not going

back to jail either.

Rosie, I need you, baby.

Just this one time,

like we talked about.

Just to get ahead.

Make a U-ey.

Those are our new bed sheets.

It's a pillowcase.

Yeah, but it's part of a set!

I thought a trash bag would rip.

Oh, God.

You mine?

I'm yours.

Tommy.

Yeah, baby.

I love you.

What...

Don't f***ing say it!

I told you it's... Fine,

I don't love you.

Shut the f*** up!

You shut the f*** up!

- Shut the f*** up, I swear to God.

- Shut the f***...

Shut the f*** up right now!

Stop it.

Stop.

Put your hood on.

Keep your eyes open.

Keep the car running.

Can I help you?

Yeah. Yeah.

Whoa, whoa,

are you f***ing kidding me?

All right, this is a robbery.

Hey, get the f*** over there.

Come on, come on!

Get the f*** over there.

No one behind me, all right?

Kid, you know

where the f*** you are?

Yeah, I'm at 140 Union Avenue.

I got the address right, right?

Yeah, that's it.

That's the address.

Yeah, then I know where I am.

All right, I want everything!

I want everything.

I want your f***ing...

I want your... I want your... your-your,

you know, your chains.

Your f***ing watches.

I want your f***ing rings.

I want your f***ing wallets.

I want your f***ing rolls.

I want everything!

Wait, wait.

Hold on.

What is this, a Halloween costume?

What are you doing?

No, this f***ing thing

is real, man!

Is this Gotti? Did Gotti

put you up to this?

Hey, do you think I'm

f***ing playing around here?

I don't know what's going on.

Kid, take your... take your... Kid,

take your finger off the trigger.

That's right!

Okay, listen now.

No one is going to get f***ing hurt,

all right?

All right, come here.

Come here and hold this sh*t.

Yeah, okay.

Gorgeous, right?

Hold the f***ing sack.

Everything inside the sack.

Everything inside the f***ing sack.

Hey kid, let me

tell you something.

I'm going to find you,

and when I find you...

you're going to f***ing die!

I'm going to f***ing die?

That's right.

I'm going to f***ing die?

Everyone f***ing dies!

Everything inside!

Inside!

Inside with this stupid f***ing hair!

This stupid f***ing hair!

Kid!

This stupid f***ing hair!

Everything in there.

Hey, what the f***!

What are those?

Are those... hey!

Are those Italian?

Give me the shoes.

I want the shoes, too!

I want your goddamn shoes.

Put your f***ing shoes

in the bag. In the bag.

In the f***ing bag, Gorgeous.

Stupid f***ing guinea.

Stupid f***ing...

Yeah, you heard me!

All right, now everyone...

I want everyone to lie down.

Now lie down.

Oh, come on.

Lie down on the goddamn ground.

Lie down on the ground.

Lie the f*** down!

Lay down on the floor.

Face down!

Now you lie on top of him.

Pops, get on top of him.

Just like that.

Look, I said lie on top of him.

That's what I mean.

Now lie on top of him.

Yeah, just...

yeah, like that.

I ain't no f***ing queer!

Now you, lay down.

Lay down!

Now move your hips.

Yeah, just like...

yeah, like you're f***ing

him in the ass!

Just like that!

You get on top of him.

Yeah... hey! You!

Come on, chubby, over here!

F*** him in the ass!

You're f***ing dead.

Everybody... oh, I'm f***ing dead.

Where the f*** is my camera?

This is for Frank Uva!

Open it! Rosie, f***ing open the door.

I'm trying!

Open it!

Rosie, open the goddamn door!

Pull it on the handle!

Pull? I am f***ing pulling it!

I'm trying to open it!

Push on it! Push it down.

Oh, my God!

Who the f*** was that?

Pull it! God!

I can't f***ing believe...

Go! Go!

You're in f***ing reverse!

Shut the f*** up!

Don't drive stupid.

I'm not robbing the f***ing mob

and then getting pinched by the

cops on a f***ing traffic beef!

Then what did you do?

What could I do?

I gave him the money.

There were ten guys in here.

You couldn't take him?

The kid was waving an Uzi, Sal.

And you were waving your prick.

Respectfully, that's not fair.

Hey, go f*** yourself!

Fair? What am I,

your mother?

You want a hug?

So who's this kid with the Uzi?

Is he one of Gotti's crew?

That's what I thought,

but I ain't never seen this kid

at no weddings or no wakes.

Sal,

I think he's the kid who came in last week.

What kid?

The kid who mentioned 140 Union.

The kid who peeked in the door?

Yeah.

Yeah, it was him.

You going to tell the Boss?

He already knows.

On my way over there now.

What does he know?

That you guys got robbed.

You got held up.

Why? Did something

else happen?

No. We got robbed.

What else happened?

Nothing.

Nothing, I swear.

A f***ing headache

I didn't need.

Today of all days.

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Jonathan Fernandez

Jonathan Fernandez is an American writer and producer. He wrote the film Rob The Mob starring Michael Pitt, Nina Arianda, Andy Garcia, Ray Romano, and directed by Raymond DeFellitta based on the true-life story of Thomas Uva and Rose Marie De Toma His first film, Crisis In The Kremlin, was written for producer Roger Corman. He has written for Star Trek: Enterprise. He was the executive producer of the Kurt Russell film Breakdown which opened at number one at the box office. Fernandez worked as a production executive for Dino De Laurentiis and Roger Corman. His book WINNING ESSAYS was published by Berkley/G.P. Putnam’s Sons.Fernandez is a member of the Writer's Guild of America and was on the WGA Negotiating Committee in 2011 and 2014. He has a featured interview in the documentary Pencils Down: The 100 days of the Writers Guild Strike. more…

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Submitted on August 05, 2018

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