Rocha que Voa Page #8

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so authentic for me:

because even being a famous,

traveled man...

and cultured, he was, at the

same time, a simple man...

who never forgot

his Brazilian roots...

in regard to his land,

to the arid interior...

wherever he was living in.

His political bonds...

were beyond any organization,

any declaration.

It was essential because,

for him, it was his own life.

He always told me Cuba

was on his way.

Whenever he parted,

whenever he arrived...

he said Cuba was always

on his way.

He really felt at home here. When

we were walking down the street...

he would tell me,

"Smell it, Teca, smell it...

the smell of black beans.

Just like in Baha.

I feel so good here!

It's the only place...

where I walk by and feel

just like any other person".

"Beautiful Tereza

Girl with a ribbon

The guru love

Ugly cangaceiro of her heart

Tereza, cubaiana brunette princess

In the terreiro of my heart

My blood in your veins

My soul in your hands."

"Teca brunette with rounded eyes

Misty moon with rounded breasts

My heart beats for her

I feel passin, a rare bird

Cuba, February 14

Baha, March 14

Two fishes, one fishbowl

Glauguru and Tereza."

The influence in the pleasure

I feel in life...

and the...

contradictions that surround me...

about what's

authentic and what's not...

undoubtedly...

it all starts...

it all starts the moment

that I met Glauber.

Because Glauber touched me.

There's no destiny without blood.

There's no destiny without blood!

Cinema Novo exists as long as...

I think I am Cinema Novo.

I am alive and making new films.

What exists around me

is an intellectual piracy...

because the aesthetics here

in Brazil is the hunger one, right?

The cinema they are making

in Brazil is reactionary...

the cinema environment

of Cinema Novo...

that was a vanguard

in the 60's...

is now completely conventional.

The cinema criticism in Brazil

can no longer...

be practiced democratically.

So, you just can't say that a film is

bad, you can't open a discussin.

I broke up with Brazilian cinema,

Brazilian cinema broke up with me...

so that's "Cutting Heads"...

all the cutting heads are my past.

I am here playing with a child...

and I am interested

in the present and the future.

IN HAVANA:

WALKING D0WN THE STREE Y0U ALWAYS GET T0 THE SEA

T0 STAY 0R T0 CR0SS

Subs. ripeados por bluciano para

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